And another one down…

 

delphinium 2019 front cover for kdp.jpgI’m open to a great number of inspirations. There’s a little understood affectation on people’s faces when they’re happy, when they’re sad, lying, telling the truth. Their faces betray what their words do not. However, not many people on the planet are very good at reading or understanding these micro-expressions.

For example, when a person is really happy, their eyes show it first. Their eyes brighten and lines around their eyes lift and tighten (I think), regardless of what their mouth actually does. At least this is what I understand.

I was inspired by these facts or theories and wrote a little story called “Deception.”

Deception is about a woman who believes she can read others’ micro-expressions and no one can read hers – because they’re not bothering to look.

I submitted this to one editor and he rejected it with a passion. I think I struck a nerve. He was obviously offended.

The story is fiction. It’s completely fiction. But, obviously, something about it was too real for him.

I believe it might be a bit too real for many, many people.

It’s in the summer issue of Delphinium. Available now.

Published by

Noreen Lace

Originally from the Midwest, Noreen Lace received an MFA from California State University where she now teaches. She believes in the beauty of language to express the darkness in life. She is the author of two novellas, West End and Life of Clouds, as well as a book of short stories. Here in the Silence. Her fiction and poetry have appeared in national as well as international journals, including The Chicago Tribune's Printers Row Journal, The Oleander Review, Vine Leaves Press (Australia), Silver Stream Journal (Ireland), Pilcrow and Dagger, Fishfood, and others. "Memorial Day Death Watch," a memoir of her father's passing, placed as a finalist in Writer Advice, while her poem, "All at Once," was published as a finalist in Medusa's Laugh Contest issue. More work is always in progress.

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