On my bookshelf

I’ve finished my Tana French detective series and didn’t want to go to bed without another book in hand. (Nevermind there are three on my bedside table).

bookshelf.pngI began browsing my bookshelf, which is semi-organized: books I’ve read and loved. Books I want to read. School books. Writing books. and, of course, Poe books

I also have something mixed in that would seem, at first glance, not to belong. Books on psychology, the law, philosophy. I assume many writer’s bookshelves are this way.

A writer needs a wide variety of knowledge.

I know we have google at our disposal; however, I find reading books about, for example, the Psychology of Marketing allows me to get an in depth look that a wikipage or a few short articles are not going to give me. This allows me to create a more realistic character or more thorough background to make the story more believable.

For West End, I needed to understand two things, the idea of an absent or unloving mother, and the different forms depression can take. Anxiety runs throughout my work from Of Strays and Exes to Life of Clouds – which features children affected in different ways by the disappearance of their father.

I’ve heard handymen say they are the jack of all trades. I think writers are akin to that. We need to learn many things in order to live many lives.

 

 

 

 

Alone, in the dark, write

Turn off as many lights as you can bear. Except, of course, a little book light or candle so you can write.

As your eyes adjust, you’ll be able to see things, outlines, shapes; write about the darkness surrounding you, what you can see, what you can’t see, and what you wish you could see.

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Taboo topics

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I was looking up taboo topics in America. It’s different for many cultures. In America, sex, race, politics, and religion are among the ones that make most people uncomfortable.

The problem with these topics is the ignorance surrounding them. Many people have insufficient information and are uncertain how to talk about the topics.

A good way to start is to open the conversation admitting to ignorance. I’m not sure that works as a writer – but we should be humble and avoid making blanket statements. But I have always believed part of being a writer was to educate people.

I don’t know that I’ve crossed any lines (no angry emails have appeared in my inbox), Perhaps I’ve been subtle enough to make someone think but not offend anyone. (Except possibly with “Harvey Levin Can’t Die.” 🙂

And although some people feel that is their job to “wake people up” by offending them, I take a different stance. While I am an honest person, it is my goal to be more effective than offensive.

I wonder if anyone has taken up any of these – or other – taboo topics and what the response was?

Disabilities in fiction

People_with_Disabilities.jpgI was thinking how few people with disabilities are featured on regular television shows and movies. And rarely do we see people with disabilities in fiction, unless they are the main character.

There are a number of children’s book, teen books, and mainstream novels wherein a physical disability is the main feature and/ part of the main character and therefore the thrust of the storyline, but I think we need to incorporate people with disabilities into our secondary and background characters.

In one show I watch, they had to replace a minor character, a secretary who might be seen once or twice a week, and be required to answer a mundane question like, “Where’s the boss?” This show (which shall remain nameless) receives kudos for being among the first (many years ago) to feature minority characters, an interracial affair, gay characters, and, now, even a gay relationships; yet, they don’t have any characters with disabilities.

It’s really up to the writers – us – to push this envelop. We don’t need to know the whole back story if our main character walks into an office to say, “Where’s the boss?” and receives the same sprite answer, “if only someone would tell me!” from someone in a wheelchair.

 

 

Blocked? How to shake it loose.

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Creative blocks are brought on by various reasons.

Writers, poets, artists, musicians need to express themselves. Sometimes, something plugs our flow of creativity.

My friend and I have found release in other creative outlets. She took a watercolor painting class. She feared, at first, that she was taking away from her writing; however, what she found is that it opened her flow and she felt even more creative and was able to add even more to her usual creativity.

I take art and other classes on a regular basis. Most of the time their directly related to writing, but sometimes they are not – but they still feed my imagination and add depth to my writing.

The Healer’s Daughter will be released on May 15th in The Ear. This story came pouring out after a six week drawing class I took at a local museum/gallery. And… I feel like it’s one of my best, filled with color and meaning.

Shake something loose by trying another outlet. You may come back stronger and more creative than before.