What Did You Do?

365, Random

writing5

I read an article which stated, there’s no need to feel you have to be productive at this time.

WHAT? Then wtf are we going to do?

I heartily disagree. I think during this time we need to set goals. We need to focus on something to keep us sane!

When this is over, I want to have something to show for it.

When this is over, in another month? another two months? giving us a total of 3 months or more alone in our homes, do we walk out with nothing to show but our muffin tops the size of three tiered wedding cakes?

I’m not telling you not to feel stress. I’m not telling you not to stress eat. I am saying – set a goal and focus on something positive while we’re doing the best we can to survive the pandemic.

This is hard. I get it. We’re scared. If you want to stuff your face full of maple bacon donuts, I’m totally with you. If you have a bad day and want to curl yourself into a ball under your flannel sheets and cuddle your cat – that was my Saturday. I’m not superwoman. I’m not asking you to do anything I’m not doing myself.

When someone asks me, what did you do during the pandemic? I want to say I accomplished something.

I’m setting goals.insi

I’m in the process of another draft – hopefully the final – of my novel. I want to finish that.

I have two fully drafted novellas that need work – those are next.

I signed up to take two classes. I may take more.

I painted my patio. No shit. It’s nearly finished.

I’m going to have a hell of a lot of rooted clippings – plant speak.

My yard will look amazing – well, for a week or so after the pandemic ends, then the weeds will be back.

I’ve written two new poems. I think I’ll start reading poetry live.

I have a live online reading scheduled for April 24th, if you’re interested.

If you’ve gotten this far, I’m planning on offering a free writing class to whoever wants to share some writing. I may recruit other writers to offer their opinions. I think we should workshop too.

So – speaking from the future – what did you do during the pandemic?

 

 

KUDOS and LOVE

to those who are serving,

police, fire, grocery clerks, doctors, nurses, volunteers.

You are my HEROES!

 

October means it’s Poe-aween!

365, Random

Sorry – I get a little childish around this time of year.

October is my favorite month (besides January – mine and Poe’s birthdays!)

I LOVE HALLOWEEN & I LOVE POE

This year, the 170th anniversary of Poe’s death. This is not necessarily a good reason to like October, but it is part of what makes October so memorable.

Edgar_Allan_Poe_daguerreotype_cropSo… 170 years ago, Edgar Allan Poe visited some friends at a pub, saw a doctor who suggested he not travel, then boarded a train, forgetting his trunk, mistakenly left with the Doctor’s cane, to pick up his “dear Mother,” Maria Clemm. She was to come and live with him and his new fiance, Elmira Royster Shelton.

The rest, we know, is surrounded in mystery. I was interviewed in June regarding my thoughts of what happened. Thank you to the members of Super News Live.

 

 

Since the publication of my book Eddy, I’ve read at the Poe Museum at his birthday celebration and published a few other books. This year, I’ve scheduled a number of readings and signings for October in honor of my love for autumn, halloween, and Poe.

Come and see me if you can.

openbook3

 

Unusual Book Marks

365, Random

taco in book

There’s where I left my taco!

Release Day

365, Random

psych cover for kdp

These might be some of the best stories I’ve ever written – even if I do say so myself.

Malcom Gladwell has a theory – it takes 10,000 hours to perfect one’s craft. Well, I think, perhaps I’ve hit 50,000, maybe 100,000.

Beyond that – one learns, one grows wiser with age; hopefully, that is what you’ll read in these stories. Wisdom. Empathy. Healing.

Available now. on amazon and kindle. 

Find out how to throw a psychic a surprise party.

And another one down…

365, Random

 

delphinium 2019 front cover for kdp.jpgI’m open to a great number of inspirations. There’s a little understood affectation on people’s faces when they’re happy, when they’re sad, lying, telling the truth. Their faces betray what their words do not. However, not many people on the planet are very good at reading or understanding these micro-expressions.

For example, when a person is really happy, their eyes show it first. Their eyes brighten and lines around their eyes lift and tighten (I think), regardless of what their mouth actually does. At least this is what I understand.

I was inspired by these facts or theories and wrote a little story called “Deception.”

Deception is about a woman who believes she can read others’ micro-expressions and no one can read hers – because they’re not bothering to look.

I submitted this to one editor and he rejected it with a passion. I think I struck a nerve. He was obviously offended.

The story is fiction. It’s completely fiction. But, obviously, something about it was too real for him.

I believe it might be a bit too real for many, many people.

It’s in the summer issue of Delphinium. Available now.

Successful Writing

365, Fiction, Friday Feature, Poetry, Random, West End, Writer Wednesday, Writing about writing

Okay, so not bragging, but….. I’ve been hard at work….

voices of eve

The Healer’s Daughter in The Ear

The Healer’s Daughter is a departure for me. It marks a turns in my writing that came about just this year. It’s more mystical. Risky, maybe. A woman’s daughter describes her mother’s gift and discovers she has her very own gift, but will she actually use it?

The Healer’s Daughter will be featured in my summer release of How to Throw a Psychic a Surprise Party. It’s a book of short stories, all of which have a special or surprising twist.

 

voices of eve.png

Friends, Lovers, and Liars in Home Renovation

Originally titled Deception, it didn’t find a home. In fact, the topic of lies and cheating offended one editor. I think it may have hit too close to home.  It, too, will be released in the summer release of How to Throw a Psychic a Surprise Party.

 

 

 

voices of eve

How to Throw a Psychic Surprise Party in The Electric Press Magazine

The title story for the book of short stories. Inspired by a show in which I saw a television host throw a “surprise” party for a psychic. It struck me – How do you throw a psychic a surprise party?

This story may answer that question. Maybe not. How much empathy can you muster?

 

 

voices of eve

Hunger and other poems as well as some photography in Voices of Eve

 

Not in the book of short stories. But well worth the read. Hunger is one of my favorite poems.

 

 

psychic cover front

 

Also in the book of short stories –

The Crier: In a time when emotions are unheard of, people need a release.

The Mirror People: Ever wondered what’s inside the mirror? You know there’s something, right? Here’s a woman who collects them – she knows.

Bowie and the Basket Case: Anna’s things keep disappearing and reappearing. At first she thinks she’s misplaced them, but then she’s sure she hasn’t!

How to Throw a Psychic a Surprise Party is available for Pre-order!

 

 

What makes good literature?

365, Random

An extremely good conversation in my literature class about intelligence (Inspired by Ted Chiang’s The Great Silence). We talked about other species that fall under the definition of intelligence, which is “the ability to understand and apply knowledge.” parrot.jpgConsidering Alex the Parrot and Koko the Gorilla, and other species: crows are problem solvers and remember faces. We discussed dogs, cats, and others. Is love, as an abstract idea, understood and applied by animals? And then – is intelligence found in showing love?

This is what good literature should do. Teach, delight, and create wonder.

Read The Great Silence here

What’s So Scary?

365, Random

leaving-your-fears-insecurities-behind.jpg

“Don’t be afraid of failure.  The reality is that most people successes rise out of the ashes of their previous failures.”

From a new documentary on Netflix titled Creativity. The narrator is talking to the creator of Game of Thrones. The creator is talking about how many times he’s failed.

I started this to say – what are you afraid of?

Then I wanted to ask – what if there was no such thing as fear? What would you do? What could you do?

I want you to think about that. What if fear was not in the human range of emotion or thought?

 

6 Reasons Self-Publishing Beats Traditional Houses and Agents – Guest Blog by John Grabowski

365, Friday Feature, Random

For most writers, getting a contract from a traditional publishing house is the golden biscuit, the grand reward after a struggle with run-on sentences, superfluous commas, and tired clichés. Many people will then spend years looking for an agent, and then have an agent try to place their work with a publishers, big or small.

But here’s reality: unless you’re J.K. Rowling or Stephen King, you’re almost certainly not going to receive the red carpet treatment you’re no doubt envisioning. Once upon a time, not a long time ago, self-publishing was considered the literary outback, the place for hacks. Now, in an ironic twist, we just may be witnessing the reversal of fortune. The Bix Six seem to be wallowing in their formulas. Meanwhile, much fresh thinking is coming from self-published authors who build their followings online. So rather than wait for your genius to be appreciated, here are six reasons you should consider being self-published:

 

  • You are your own editorial voice. While every self-published work should go past the eyes and red pen of an experienced editor, ultimately you can write and publish what you want. You don’t have to deal with an editor or agent who wants a happier ending, a younger protagonist, or the locale moved from Pittsburgh to Paris.

 

Your hired editor may suggest changes, and you should listen. But ultimately you stand or fall on the product. You won’t have to deal with the agent who refuses to read a manuscript because she never looks at anything that begins with dialogue, or one who says she won’t consider a novel written in the first person, or one who says the work cannot have a “Prologue” or an “Afterward.” Ask yourself if a reader ever put a book back on the bookstore shelf for any of those reasons and you’ll begin to see how silly and random the process can be.

 

  • You set pricing and distribution. Ever wonder why some really great book has not been reissued, forcing you to buy a beat-up second hand copy? The publisher decides distribution, pricing, and how long the title will be in the catalog. If they don’t want to keep it in their catalog, there’s nothing the author can do.

 

With self-publishing, your works can live on forever. Or, if later on your freshman effort embarrasses you, you can make it disappear with the click of a mouse.

 

  • You control the book’s cover design and artwork. This may be intimidating for some but it’s liberating to me. While some professional cover designs are great, others are simply terrible: a stock photo, the title centered above it, the author’s name beneath it. Not surprisingly, artwork like that tends to go to the lesser-known and novice authors.

 

If you’re unsure how to design a cover (and it involves a lot more than putting your title over a picture and your name on the bottom), google some freelance artists who do it. Study their work and contact the ones you like. If you don’t want to shell out the cash, and you have access to some design tools yourself, find covers of comparable works and study what you like, then try to imitate it as best you can.

 

  • You can fix mistakes. Even some very big, very famous novels have typos in them. Or formatting errors. When it’s your own work you can go back and fix the mistake, then re-upload the file. With traditional publishers, your mistakes remain, oftentimes even in second and subsequent editions.

 

  • You promote your work the way you want. Don’t think being published by a big house means jaunts to NPR interviews and author events at prestigious venues. Most houses do nothing to promote the majority of their authors. You have to do your own marketing and PR (an art in itself), so you might as well own and control what you’re working so hard to promote.

 

  • You can write the next novel you want. The curse of traditional publishing these days is even if you are a smash hit, they will want more of the same. If your goal is to write a second novel that’s different from your first, you may find doors shut to you. Despite claims on websites that agents and editors are looking for “fresh,” “new” voices, most are really chasing trends; that’s how they keep their jobs. Self-publishing is a wonderful opportunity for you to be you, and today’s self-published books look every bit as good as the product of the Big Boys. Rather than write your one-hundredth query letter, why not consider a faster, more streamlined way to reach readers?

 

John Grabowski worked in advertising, television news and public relations before daring to write his first novel. Entertaining Welsey Shaw was praised by Kirkus Reviews for being witty, fast-paced, and “filled with flirtatious banter.” A collection of his shorter fiction, Violet Rothko & Other Stories, will be published in September 2019.  authorjohngrabowski.com

____________________________________________________________________________________

 

Thanks, John!

noreen

The Secret to Successful Short Stories

365, Random

short-story-e1415920087313.jpg

I spent much of my time in grad school trying to please a certain teacher and understand the secret formula for a short story.

Up until that time, I’d only written novels (or novellas), longer pieces of work in which I developed the characters and followed a plot. These felt full and complete.

Writing one small selection vexed me.

So I read and read and researched and attempted one time after another to create a successful short piece.

I suppose there is no formula and  no one right answer, which is what I was looking for – the correct answer.

Of the things written in grad school, the one instructor I attempted to satisfy deemed them mostly unworthy.

It wasn’t until near the end of graduation that an instructor said “half of that story was the best he’d ever read.”

He didn’t tell me which half.

However, almost all those stories have been pulled out, dusted off, and accepted with few edits. Hence – dear teachers – they were good! I had learned something; I had accomplished something.  (I must be doing something right, over 30 published in the last few years!)

There may not be one right answer, and there’s no secret, nor is there a hidden formula. Short stories need to get to a point, need to have conflict, need to show a budding of growth – perhaps.