On my bookshelf

I’ve finished my Tana French detective series and didn’t want to go to bed without another book in hand. (Nevermind there are three on my bedside table).

bookshelf.pngI began browsing my bookshelf, which is semi-organized: books I’ve read and loved. Books I want to read. School books. Writing books. and, of course, Poe books

I also have something mixed in that would seem, at first glance, not to belong. Books on psychology, the law, philosophy. I assume many writer’s bookshelves are this way.

A writer needs a wide variety of knowledge.

I know we have google at our disposal; however, I find reading books about, for example, the Psychology of Marketing allows me to get an in depth look that a wikipage or a few short articles are not going to give me. This allows me to create a more realistic character or more thorough background to make the story more believable.

For West End, I needed to understand two things, the idea of an absent or unloving mother, and the different forms depression can take. Anxiety runs throughout my work from Of Strays and Exes to Life of Clouds – which features children affected in different ways by the disappearance of their father.

I’ve heard handymen say they are the jack of all trades. I think writers are akin to that. We need to learn many things in order to live many lives.

 

 

 

 

Blocked? How to shake it loose.

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Creative blocks are brought on by various reasons.

Writers, poets, artists, musicians need to express themselves. Sometimes, something plugs our flow of creativity.

My friend and I have found release in other creative outlets. She took a watercolor painting class. She feared, at first, that she was taking away from her writing; however, what she found is that it opened her flow and she felt even more creative and was able to add even more to her usual creativity.

I take art and other classes on a regular basis. Most of the time their directly related to writing, but sometimes they are not – but they still feed my imagination and add depth to my writing.

The Healer’s Daughter will be released on May 15th in The Ear. This story came pouring out after a six week drawing class I took at a local museum/gallery. And… I feel like it’s one of my best, filled with color and meaning.

Shake something loose by trying another outlet. You may come back stronger and more creative than before.

The Joy of Acceptance…

The acceptance of being your own person, writing in your own style, not mimicking or falling in line.

I get a lot more rejections than I do acceptances, but I don’t dwell on the rejections.

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There is an art to accepting or rejecting any work. And, although any acceptance is a happy occasion, a particular nice one such as this is always a joy to receive.

To update you on my publications of late –

Heaven’s Password is about a woman who finds herself in heaven, in a line reminiscent of the DMV, and is asked for a password. She’s not the most patient person and can’t remember ever setting up a password. Just like your bank account, you can’t get in without it! This was published in the The Survivor issue of P&G.

Bowie and the Basket Case is due out any day now from ID Press. When someone breaks into her house, Anna doesn’t readily find anything missing. But soon she realizes little things are disappearing and reappearing – is someone gas-lighting her?

The Healer’s Daughter was accepted by The Ear and will be out May 15th. Self explanatory title?

And finally, or so far, Voice of Eve has sent me the lovely acceptance above for my photography and three poems – as you’ve read – June 15th.

Thanks for reading, dear souls.

Wishing you much love and happiness.

noreen

Not writing scares me….

ghostly.pngWrite what scares you…..

This is a poetry prompt given to me in one of my graduate level classes.

I don’t think it has to be just for poetry.

Experts tell us we should do something that scares us every day. I don’t know. I’ve done quite a lot of things that scare me – crossing the highest bridge in North America, swimming with sharks, – but those are kinds of scary that gives you a rush. Still valid to write about.

But in that assignment and poem, I wrote about a missing girl. Because those are the types of things that do scare me – when children go missing.

I wrote:

Have you seen her pass this way?

Shoe found, white.

Blood on the laces….

 

Write about what scares you….

 

Feel free to share!

 

Found Poems

This being poetry month, I thought I’d talk about poetry and share some poems with you.

When I was first introduced to the “found poem,” it seemed like plagiarism. My mentor suggested, I cite the original author or write “after….” and the name of the author the original text came from.

The Found Poem is just that – found. Take another’s work, words, phrases, or other, and rephrase or reframe forming it into your own fresh and original poem.

My found poem, “The Friendly Isle,” was originally published in DayBreak many years ago.

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While I don’t have any books of poetry out – yet – I do have a number of poems published. Check out my list of publications, and check out the books I do have on Amazon.

Try one of your own and feel free to share here in our facebook group!

Read Like a Wordsmith

wordDon’t read other words like a critic looking for the good, bad, and ugly. Read to discover what the author did well and how they did it.

This is reading like a writer, like a wordsmith.

Atwood says she will only review something if she likes it. She is not a critic and won’t write a bad review.

One of my friends told me he won’t even write a bad yelp review. He says, I praise those who deserve it, but it’s not my place to criticize.

I thought this was a great idea.

If you feel you must say something to alert other readers, then be honest and specific, but do add at least one good thing about the book, story, movie, service etc.

 

Critique Partners

critiqueisnotscary.jpgThere’s nothing more helpful than having someone read your work and give you the fresh perspective needed to improve.

Recently, my writing partner found a tiny mistake, despite having others read it, reading it aloud, and checking, rechecking, and re-editing it a thousand times. So helpful! I would have been embarrassed had it gone out with that small spelling errors that even spellcheck didn’t catch.

HOWEVER, there’s one thing that’s troublesome about critique groups or partners. The one who does not actually want the advice. I’ve worked with people who, every time I commented on their work, responded by explaining what they’d planned, meant, thought they wrote. They felt they accomplished what they wanted to do and didn’t plan on changing a thing. In other words, they’re weren’t listening. Why they even brought the story to the group, I have no idea. Perhaps they thought the story would be endlessly praised.

Ladies and gentlemen, some praise is necessary and warranted. You may have heard the sandwich method of response. First, say something positive about the work. Next, suggest and improvement. Finally, end with a positive.

In my classes, I actually students to say at least three positive things about any piece of work before we launch into the “room for improvement.”

Showing others their work is exceptionally hard for some people.And there are always good things to be said about any attempt.

But a good critique is learning to be open to hearing what is being said. Respond not with denial and deflection, but consideration of the comments received.

When I’m reading or editing, I ask the writer’s purpose and hopes for the piece. This helps me focus the response a little better. I also discuss the critique so I can be more specific with their desired outcome. Therefore, I do try hard to take into consideration the writer’s ideas.

After the last group with the writer who spent the whole time denying and explaining rather than listening, I avoided responding to that writer. A good critique is work. Not listing to other’s ideas will not win you friends and improve your work.