Professionalism

prof

Some people do not understand the basic rules of professionalism. Speaking to, writing, or responding to an editor or publisher should be undertaken with care. These people are our colleagues in the best sense of the word.

I’ve worked with a few literary journals and have talked to editors at others. The things authors say and do completely surprised me.

I’ve only had a single editor be so completely unprofessional I became embarrassed for her (and forwarded her email to her boss). On the other hand, I’ve dealt with a number of writers who have taken pride in their unprofessional behaviors.

One writer posted a snarky response (he supposedly emailed) to an editor. Whether he actually wrote that to an editor is one thing, it’s quite another message to post it on social media for all to see. He may have felt he had won the battle, so to speak, but what he actually did was show how unprofessional he behaved with a colleague, and what a risk other editors or publishers might find him to work with.

We can disagree with editors, publishers, other writers, but there’s no reason to verbally attack or otherwise be rude to anyone in the industry. Taking your private issues with public companies to social media is a mistake on any number of levels. Just like employers look at social media sites, so do publishers.

I had one publisher ask me for all my Promote-Your-Brand-On-Social-Media.jpgsocial media links. While some writers told me not to hand it over, I felt it was part of my job to have these available to people in the industry. I maintain social media sites for this reason. Publishers don’t want to just know if writers have a following, but how they’re interacting with readers, writers, and others on those social media sites.

Being rude in an email, speaking arrogantly on a call, and posting disagreements publicly will not further a career.

I do understand it’s quite popular in our society of late to act like an arse and expect to be treated like a king/queen; however, it gives a poor impression and people will not want to work with a person who acts like a spoiled child.

Say Yes to the ReDress

Editor Definition in English Dictionary.In some writers’ groups, when I’ve mentioned that I’d been contacted by an editor who requested changes, there came about a rise of instantaneous resistance.

  • You didn’t say yes, did you?
  • Why are you letting them change your work?
  • You’re not going to let them change your words, are you?
  • Sounds like you’re selling out!

So far, whenever an editor has contacted me about changes, the changes were minor: a comma here, a synonym there, once a nick-name which they ended up leaving in.

One of the these editors worked for The Chicago Tribune’s Printers Row Journal ($1.00 Stories). I believe him to be more experienced editoand credentialed in the requirements of publishable writing.

I willingly listened.

So before your writer hackles rise – listen, consider, then decide. Be polite and professional.

Writer Wednesday: Say Yes to the Edit….

When I’ve mentioned, within a writer’s group, an editor asked for changes the room heats with disagreement.

writerblog2

 

“You’re not going to do it, are you?”

“Why would you sell yourself like that?”

“How dare they?!”

 

They dare because they are willing to publish my work; and while it does matter what they ask, I’m willing to listen and consider their ideas and advice. Usually, it is merely for clarifications or changes in simple sentence structure or the like.

My story, $1.00 Stories, was originally published by the Chicano Tribune’s Printers Row Journal. When that editor called me and hesitantly said, “we’re requesting changes;” I think he was quite surprised with my, “certainly.” The only requested was a few clarifications between the character’s name, Chris, and his nickname, C.C.

writerblog3It would be foolhardy and, even, unprofessional for me to say no without hearing them out.

While I suppose many writers believe the editor might ask for major changes in ideas or plot, I haven’t had any ask me for such things. As writers, we need to be open to consider what is said.

By request, I critiqued another writer’s work. I offered my point of view, and they became offended, tried to explain what they meant in this scene or that narration. My response, “there are all great ideas, but they are not in there.” The young person huffed off, I believe, without hearing me. Writers, we cannot be that sensitive.

We are not perfect human beings. We make errors. Some things are clear to us, but not to others. We can improve our work for the better by listening to others’ opinions. Of course, not all are worth considering. But an editor’s opinion, one who is willing to publish your work, is valuable.

 

writerblog1