Friday Feature: Valerie Cooper and Finding Writing Time

I’m more familiar with Valerie Cooper’s poetry, as we’ve both appeared in Delphinium Literary Magazine. So when she contacted me about writing a piece about finding time, I thought she’d have something important to say. We’re both single parents, except mine are now grown, which gives me more time. Hers is still quite young – and as I once did – she searches for little bits of time to write.

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vcooper1As a single parent, writing can be difficult. I’m required to be creative and write around my daughter’s schedule. I find time in the mornings, for twenty or thirty minutes, before I get her up for pre-school. At work, I take five minutes here and there when I can to make notes or outline an idea or twElise Climbing Rocks in Central Park NYCo. I get another hour, if I’m not too tired, after I read her stories and put her to sleep.

I know my friends who don’t have kids have more time than I. But, also, my friends who don’t have kids aren’t as focused as I am on being successful. Children take a lot of your time, much of your energy, but what you receive in return is far more satisfying than much else life has to offer. My daughter inspires me to work harder, to be successful. Before her, I thought, “I’ll get there some day.” But after she was born and I looked into those big, beautiful eyes, it lit a fire under me!

Many writers complain about not enough writing time. Life is busy and messy. We need to work around it. So sometimes I get up early. Other times, I stay up late. I get creative and grab what might be otherwise wasted moments.

vcooper3I write poetry in the park on warm Saturday afternoons while the children are screaming with joy on the climbing gym. I write lyrics in the parking lot, in the chilled air of my car, waiting for pre-school to end. I outline a story over the humid stove, while my daughter waits impatiently at the dining room table, chomping on carrots.

There is time, it just comes in increments, joyfully swinging around everything else in your life. It’s there. You just have to grasp it.

Valerie Cooper

Delphinium

The Kiss

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Thanks, Valerie. Much Luck!

For everyone else, I suggest one of these!

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Writer Wednesday: Critique Partners – a little bit of heaven!

Some years ago, I belonged to a critique group. critique-3-300x225Of the four writers, none had been published and I became the only one who expressed specific goals. In one session, a women writer spent the whole time helping another writer without responding to the rest of us. It sometimes happened, so we weren’t offended; but the following week, the same woman spent two minutes on mine and said something to the effect, “I don’t even know what to tell you with this…” before moving to another person. I realized I was wasting my time there.

Years after that, at a meeting, I sat next to a colleague I barely knew. She mentioned she was a writer, and we soon struck up a friendship and critique partnership.

critiqueWe’d meet once a week or once every other week to read and review each other’s work. Timing and responses began bumpy but smoothed out rather quickly. We were near the same writing level, although I give her credit for being better than I. As we got to know one another, we understood what the other was attempting to accomplish in their own fiction. This helped us read one another’s work more productively.

The most important elements in a critique partnership is respecting the other, giving honest opinions without being brutal, and accepting criticism. As professionals, we didn’t experience issues in offering or receiving the feedback. At some points, we may have disagreed, but we didn’t let it interrupt what had (and has) become a successful venture.

My writing has vastly improved because of this partnership. I benefited from the critique1authentic and detailed critiques with increased confidence, which lead me to more submissions, and ultimately more publications.

 

How you might form a successful alliance:

  • A mutual understanding of writing goals and aesthetics.
  • Similar level of writing experience (or someone who has more than you. You want to grow from this experience and you’ll have a chance to give back.)
  • Trust & honesty – go hand in hand.
  • Time and availability to meet or exchange work.
  • Although it may help if you write in the same genre, it’s not required.

 

For those of you who have partners or experiences, did I miss anything?

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Friday Feature: Submissions

This week for the friday feature, I thought I’d offer tips on Submitting.

Last year, I had 17 or 18 publications. This year so far, I’ve had maybe 9 or 10 acceptances. I must be doing something right.  submissions-photo-01

I think it should go without saying your work should be free of grammar and punctuation errors. I heard from one writer who was offended by an editor; her response: “I know I had errors, but they weren’t that bad.” – No excuses. Edit that work before you send it out.

First: Make a regular time to sit down to submit. This takes HOURS. It’s not going to be just a fifteen minute or thirty minute venture. You must read what the lit mags are looking for as well as how they want it submitted. Then compare it to what you might have already written, or what you’re willing to write.

Second: Keep track of your submissions. submissions1

Third: Accept rejection. (It tells me that I’m doing my job by submitting.)

Fourth: Accept criticism. You are going to get opinions. Just today, I received a rejection that said I repeated a word. That was the whole of their rejection. The word in question was repeated twice in the whole story, but I guess they didn’t like it. I moved on.

Fifth: If they ask for changes – agree (maybe). I’ve met many writers who take issue withsubmission this. They wonder if I don’t care about my work. They think I’m mad for even considering it. There are some things I won’t change. But, so far, the editors who have asked for changes have asked for simple things like rewrite this sentence, change this punctuation. No one has asked me to make major changes to any piece I love.

And Finally: Be considerate to writers, editors, and publishers in emails, on public sites, and anywhere you may meet them. When you act inappropriately, word can get around.

Publications Page

Amazon Page

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Writer Wednesday: Experience Vs. Research

Someone asked me if I write what I know. For many, that would be limiting. We write what we know in some intuitive way, like people, emotions, relationships, and some places. But that’s not all we write.catacombs

Nothing adds to a story like those little details that you’ve experienced, like the slick, moist, near sickly feel of your skin on a humid day in Paris after emerging from the chilled underground of the catacombs.

The difference in squeezing the smooth texture of black sand from Punaluʻu Beach in Hawaii between your toes and walking on fine, compacted white sand of the Whitsunday Islands in Australia.

blacksandEvery beach is just a little different. Just as the light is, depending where on the planet you stand. Being there helps.

But, research is also necessary. Maybe not to describe the sand between your toes, but other important details about place. Incorporating the general details or impressions as well as the smaller, more personal elements creates a more vibrant and more relatable to readers.

Stephen King thanked his research assistant and stated he met a lot of nice people in Oklahoma where his new book, The Outsider, is set. Experience and research.

Many of us can’t fly to Darrien, Washington and spend a week or longer researching a small town setting in the pacific northwest, but we are able to view maps, read the newspaper, follow the instagram sites, ask travel groups and even call the travel bureau in any given state.wander.jpg

I love experiences – Traveling and getting lost in a new place, picking up those sensual memories to infuse into writing and future!

Experience is a great thing, but it’s not the only thing. Research back ups and fills out details we may have missed.

Where have you been that you’ve written about?

Happy Writing!

Friday Feature: Building a Community of Writers – Rebecca Clark

Hi, All.  Today, I asked Rebecca Clark to tell us about The Writer’s Point.

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My name is Rebecca Clark. I am the founder of The Write Point, a free social networking community for writers, editors, publishers, beta readers, and literary agents.

Here’s my story.

For the past 15 years I’ve been writing fiction stories. Mainly for myself. It wasn’t until about 7 years ago that I thought maybe I could actually publish something! I wanted to share my make-believe worlds with others. So, I dug deep into the Internet to see what I could find about agents, publishing, the editing process, and what ever else a successful book entailed. I found several forums full of knowledgeable authors.

Forums are messy, in my opinion. I was a brand new writer lost in a world of writers who knew everything I needed to know, but somehow I felt that I didn’t fit in. There was one forum website in particular that made me feel like I shouldn’t be a writer at all. Every question I asked was answered with “google it”.

So, I googled it. I learned so much on my own, but I really just wanted to be a part of a community, some place where I felt at home with people just like me.

Last year, I decided that if I couldn’t find a place to call “home”, I’d create one. So, I did! Fortunately for me, a couple of years ago, I graduated with a degree in Computer Information Systems: Website Development and Design. I could take the time to build upon the idea, and actually understand what I was doing in the process.

The Write Point is a FREE community that I hope will become a place for new writers to feel welcome, and experienced writers can share their expertise without making anyone feel like they aren’t good enough!

Noreen, thank you for allowing me to share the story of The Write Point. To learn more about us, visit https://thewritepoint.com.

The Write Point Facebook page is: https://www.facebook.com/thewritepoint

You can also find me tweeting here: https://www.twitter.com/bekkahclark and here https://www.twitter.com/twp_network

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Many thanks, Rebecca.

Writers, Enjoy!

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Eddy – Win a Copy

Eddy, my new novella, will be out next month. I’ve eddycoverfinalbeen invited to read and speak at the Poe Museum’s Birthday celebration upon its release.

However, you can win a free copy before it’s released!

This is a fictional account of an actual event in Edgar Allan Poe’s Life. In 1848, whether accidental or purposeful, Edgar took an overdose of Laudanum, which was an opiate based medicine available on the open market. It was sold in pharmacies as well as pubs!

Poe nearly died as a result. This is a fictional imagining of that experience.

Poe reimagines the life and death of each of the women he loved. The story begins and ends in the Boston rooming house in which Poe found himself in November 1848 right after he’s bought the Laudanum. His overdose rouses images of his mother backstage at the theater in Richmond during her last performance  and continues on to Virginia in their Philadelphia home while she played the piano for their guests. The story doesn’t neglect his other loves.

Debbie the events coordinator from the Poe Museum said she was “blown away” and couldn’t wait to share it with her colleagues.

Eddy won’t be available until January 6th. But you can WIN a advanced copy by entering your email address.  You don’t need to enter more than once, your email address is your entry. A single one will be randomly selected by a generator, and the winner will be notified by email on or about January 5th.

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If you need more to whet your appetite, take a look at my interview with Super News Live on their Dark Mysteries Show about The Mysterious Death of Edgar Allan Poe.

I’m excited about releasing this as Poe’s work and life has been such an inspiration, not only to me but to many. His work will continue to inspire writers, artists, and film makers for many years to come.

 

EnJOY!

Not Writing is Not an Option: Rethinking Writer’s Block

I’ve been under the impression that writer’s block was actually procrastination; however, someone wrote recently “whoever doesn’t believe in writer’s block has never experienced the sheer frustration it can cause.”

This, and the comments that followed, made me reconsider my position on writer’s block.

Experts state that very few people actually experience the psychological issues that cause real writer’s block. That statement, and my observations of procrastination in action, have lead me to believe that most people who say they suffer from writer’s block aren’t actually suffering from deep mental disturbances but of more common problems that plague us all – distractions.

However, the advice this person received caused me to pause:

“Drink heavily.”

“Don’t force yourself to write, it’ll come.”

These seemed the least helpful. While I know there’s a stereotype that follows artists and writers – the best ones suffer, and suffer from addiction in many forms. I doubt very seriously whether getting drunk will help the person. And, if you don’t write at all, how will anything come?

Other advice went something like this:

“Just write.”

To which one person wrote a long response about the ridiculousness of this answer. I, however, disagree. When asked by my students “what if you get stuck on a part?” I answered, I go on to a different part, or I write something else. I usually have more than one project going at the same time. I know some writers don’t do this, and I understand their reasoning. At this point, it works for me.

“Go for a walk, do yoga, meditate.”

This is actually pretty good advice. Studies show going for a walk or exercise in any form can feed creativity. Yoga is meant to calm the energy in the body so one can focus and/or meditate.

Others said, “listen to music” or “write a character study.”

This could help. While writing one novel, I listened to blues and jazz to help me give the character depth and personality.

Finally, someone asked the person who’d posted they had writer’s block and needed a solution: “What’s bothering you?”

Now, that’s a damn good question. Most of my writer’s procrastination comes when some thing is bothering me.

The person’s answer was different than I expected.

“I can’t make the story go where I want it to go.”

OOOOHHHHH!

This is a whole different type of problem. I learned writing in two ways. One method was to write a formulaic story with beginning, middle, and the end in mind. Use an outline and stick to it. And I can do this. But it’s no fun for me. The second way I learned was to just write and see where the story wants to go or needs to go. Most of my writing comes this way. It’s natural, it’s organic, it’s unforced; maybe that’s why it flows.

Think of how much power water has. Human-made streams run over their banks, create their own pathways; in one way or another, they defy the path man made. Think of how much concrete and lead it takes to build a retaining wall to create a dam, and still they must have holes or release valves. How many still end up crumbling, breaking, or overflowing?

That’s what writing should be.

Ideas and words should flow. Let them live. Trust them. Trust yourself.

If they are dammed up, forced into an unreasonable plot or direction, then I can understand that type of writer’s block.

The advice offered for that was: “write the end, and work backward,” and “move on to another scene.”

This should probably work if the plot of the story is strong and the elements are all in place. However, the person maybe be stuck because a needed plot point is absent.

Before any solutions can be offered, the type of “block” the writer is facing must be addressed.  Is it really, “I’m stuck,” or is it “I’m distracted”? If there’s a phone in front of you, and facebook, twitter, or your blog open while you’re writing – that’s probably writer’s distraction. If the writer is stuck at a plot point, at a character arc, I’d suggest to meditate on it, sleep with it, think about it until it works itself out, but I also suggest skip ahead, write another scene, write that scene/character you tell yourself you’ll never use.

See – it’s still writing. NOT WRITING IS NOT AN OPTION. No one ever got better at something by NOT doing it. No one ever finished a project by not doing it. No one ever became successful by stopping what they were doing.