Do you write better during the good times or the bad times?

During bad times, some writers seem to pour out a more substantial amount of work. If the pain and heartache are authentically transformed on the page, the work touches readers.

Some writers in history seemed to have sought out heartache and drama through alcohol, affairs, or other. As if their creative bent fed off their self induced suffering.

But a writer needs to produce when things go well, don’t you think?

I’ve heard of many “one-hit wonders.” Their first novel, fraught with the strain of life’s challenges, zings. But then, sitting back with their big, fat check, they are unable to produce.

My hardest times are relieved through poetry. As if words are squeezed out in some sort of rhythm that requires the concise, mystical format of a poem.

But I recall good times, great times, when my writing poured out too – the excitement of new challenges on the horizon lit up the page.

What do you think? Do you write better in good times or bad times?

Compliment Collage

We sit back, in hard times, and wonder – why do I do this?

Most of us write because we’re driven to by the tales and characters percolating over in our brains. We might go absolutely mad if we didn’t let it out somehow!

Compliments are rare in this line of work. Sometimes people will say they liked the book or give a good review, but it’s really very nice to receive an email like this:

“I also wanted to say that your story is very beautifully written and so impactful. I’m grateful to have read it.”

Isn’t that beautiful? Thank you. Thank you.

And, then today,

By the way, I really liked your story. It had an Edgar Allen Poe vibe.”

Woo hoo! Anyone who knows me understands that I am a Poe fan! I’ve written about, lectured on, and have done my own Poe – Cation

This particular story has not been released yet. “Ghost in Her Room” will be published in Dreamers this summer.

Hold on to those compliments, ladies and gentlemen! I think we need to post them, highlight them, make a giant collage and put it next to our desks for when motivation escapes us.

Summer Goals

I know we make new year’s goals, some of which we keep. This year, however, I decided to make summer goals.

Write everyday

Draw everyday

More yoga

Get out more – now that we’re out of quarantine

Start my back burner projects

I’m sure there’s more, but that’s a good start.

SMART Goals need to be specific, so I learned in the Psychology of Motivation class I took last semester. I’ll work on specificity as well as the other things noted in the YouTube video.

I would love to hear other people’s goals!

The Soul is Sold One Piece at a Time

Do you remember who you were so many years ago when you began this journey so full of dreams? MTV was novel and the world was wide open.

The first pinch might be the hardest. It’s such a small, small thing. A tiny piece of flesh in exchange for what seemed like so much.

What’s another pinch?

Because the world is so big.

The city is made of blocks and on those blocks are neighborhoods, and somewhere in those neighborhoods you stopped feeling the pain,

around the corner is where you began to buy in. You didn’t even realized you had wandered so far from the home of your soul.

The world is four walls with an internet connection. We travel so far without going anywhere at all. It’s safe and warm and full proof. The commercialism of promise. The bindings of success.

Within, that child waits for second life.

My mind is a dry, dry desert

The waters cease to flow and my mind becomes a dry desert, void of any green and brown or dreams. Words fail me. Dedication wanes. I posture in contention with an empty screen, my silence doing little to reach resolution.

The tea pot whistles, the phone pings, a dog barks in the distance and I remove myself to interject where wanted or needed. Anywhere but that blank screen and my vacuous mind which refuses to fill it.

The dry times are the hardest. I remind myself it’s temporary; I list the ways, committed to memory, of how to overcome, outdo, move forward. But I am uncooperative.

I need new stimuli, a piece of starlight dropped at my feet, the feather floating before my eyes, but it’s all just lies.

I blame the hostility of empty souls, the long blankness of lock down, the right light, the wrong pen, but it’s meaningless.

Streams create rivers which become lakes and flow into oceans. Water wedges into openings, fills spaces, creates movement.

Stay open. Always stay open.

It’s all over now

The long covid winter has has taken so much. Our days languish. Our nights persist.

And I have adopted men’s pajamas.

The need for attractive shoes disappeared within weeks of the lock-down; the stylish pants and dresses went soon after. By summer, we donned our yoga pants and tennies. When the first chill of autumn blew the leaves from the trees, we switched to sweats where we have lived quietly, but not quieted, through the holidays – unveiling pretty sweaters in our above the waist zoom camera-shots.

January sprung confidence in the new year. But February rolled in, hope stilled in the cold snow, and it happened. The wind chill dropped and the dryer broke. Sitting on the coffee table, a forgotten gift, still wrapped – I tugged the ribbon and unpacked the thermal flannels. I studied them begrudgingly for a single moment before I slipped them on.

Warmth.

The lust for spring freedom is shackled. It can waste away in dreams now.

I have donned men’s pajamas and may never leave my writing desk ever again.

Lay it down

I love when story, seemingly already written on an ephemeral cloud, comes to us. The words pour down and we lay them on the page. They are marshaled in divine design.

It feels like magic, like power. This is genius and, we, the mere conduits.

Then…

There are those stories that drag us pathetically across the calloused black top, burn our fingers and crook our spines, harboring a shadowed threat of what it might become – one day.

We are not magic or power or even conduit, we are witch and warlock and cursed all at once, damned to live an obscure existence sucking on green m-n-m’s and cold coffee.

One moment sailing the skies, the next scouring gutters for unredeemed inspiration.

It’s a writer’s life.

Not for the weakened soul.

Success Stories

I didn’t grow up with a lot of positive role models. There were not many (if any) people in our neighborhood who were looked up to as success stories.

I can see my neighbors, even now, from the concrete steps of our four unit blond brick building on S*** Avenue in Collinwood. Across the street, Francis. She had Lucille Ball red hair and sat on her porch from 9am to 9pm, beer in hand. Next door, a single mother who worked at a bar and brought work home with her – in all sorts of ways. Next to her, a retired old man who sat across from Francis with his own beer in hand. His wife, Goldie, was a sweet woman whose toes twisted around one another, feet mangled, she said from twenty years of high heeled waitressing. On the other side, a retired railroad worker, no patio, so he sat in his kitchen hand wrapped around a cold beer.

There were bars on every corner. T & M’s could be seen from the porch. Strangers and neighbors stumbling out with the music pouring onto the street.

The teenagers went to high school, married the boyfriends who beat them, and set up house on the next block. A few got away, I’m sure. But I can list many more who died young or ended up in prison. My teenage crushes are dead now. One was shot in the head, the other crushed under the wheels of a truck. I never got into drugs, thought those who smoked and drank acted silly, stupidly, dangerously. Girlfriends recall tales of waking up half naked, uncertain if anything happened. That wasn’t the memory – or lack of memory – I wanted.

Mostly, I felt limited. I felt outcast. I didn’t seem to belong with any particular crowd or group or gang. I wanted something more, something different, and I didn’t know where to turn. Getting out and getting away seemed the only answer for me. I didn’t know what might meet me beyond the borders of the familiar, but there was no safety and no options in the familiar.

Someone once said – it was very brave of you to travel across country on your own and start over alone. I hadn’t considered it was “brave.” I’d believed it was my only choice, my only chance. She offered, the world is a dangerous place for a young woman to do such a thing. Sometimes home is a dangerous place. Limiting yourself is dangerous. Not fulfilling your potential is dangerous. Living a life in which you’re completely unhappy is dangerous. Sometimes, saving yourself, however scary the unknown is, is your only choice.

 

I write to stop myself from punching people in the face…

pow.jpgMy next story will have violence.

Unless, of course, I’m in jail.

Nothing angers or offends me more than men telling me to offer myself. “Flirt,” they say, “for a discount,” “to get out of a ticket,” “to get a good deal,” etc and so on!

Someone said this, again, recently. He was drunk (not an acceptable excuse) and offering unsolicited advice. I sincerely wanted to kick him in the knee caps.

None of  my lady friends have EVER said suggested this, nor done it to the best of my knowledge.

NO, THANK YOU!

I’d rather PAY!

How many of you write about what angers you?

Would they tell their wives to flirt? Their sisters? Their mothers?

I AM NOT A COMMODITY!

prepare-to-die-t-shirt-teeturtle-1000x1000

I do not trade myself for anyone or anything.

I do, however, write books. They are a commodity that can be bought, sold, traded.

 

Prepare to die, asshole.

In my next story, that is.

Writer’s Fight Club

fight.jpgI’ve been worked over by a story all summer.  I feel like we’ve been beating each other up and down and neither of us is winning.

At this point, I hate this story. But, no, not true. I love it. I love the characters and want them to have a voice, a say in their life.

But, gosh darn it – speak!

Maybe I have not been giving the story it’s due, it’s time. The main character, Bella, came simply enough and her father did too. This is the primary relationship and the source of conflict in the story, but then there are a whole bunch of secrets. Aren’t there always?

I wrote the first draft and showed it to my writing partner who said the story had merit and I should keep at it. So, here I am, months later, keeping at it! Frustrated.

Writers understand this. Sometimes stories do this to us. The story wants/needs to be told, but it’s so hard in coming.

I need to do it. I need to force it. I need – I don’t know. Maybe it’s the story’s needs I should think about. It needs some time maybe, more thought; it needs to be brought to life for whatever reason it was given to me to write.