How did the three blind mice meet?
Why were they chasing the farmer’s wife?
Go – Write it!
How did the three blind mice meet?
Why were they chasing the farmer’s wife?
Go – Write it!
The start of a New Year is a great time to re-evaluate your life, and discover a new direction!
You can start the ball rolling by simply making a choice, “I am now ready for my life to change!”
This in itself is a powerful acceptance. On making this choice you are nudging the door open, ever so slightly, to new opportunities.
The next step is to create clarity by reassessing your life. Take the time to think about how you would like your life to be? What is working for you and what is not! Also include how you are feeling emotionally, for example are you happy, sad, feel loved or unloved, motivated? What changes would you like to make?
Formalise your conclusions by making lists, which you can refer back to, and expand on. If you are unsure of how to change your life and the steps to take, this is ok, as it will come. If the mind has clarity and guidelines from you, then anything is possible. You are basically opening your life, to new opportunities.
Take the time to put energy into your new choices, to move them into creation. From time to time go back and look at your lists – also importantly set yourself tasks with a time frame.
On accepting a new choice, opposition on the subconscious level may arise, and unknowingly you may create an obstacle in your path. At these times it is important to seek to understand what is actually happening, and let go of the negatives, and continue to affirm your positive, new choices. Keep going, be determined, hold to your dream and you will get there!
STRENGTHENING POSITIVE CHOICES -AFFIRMATION
Life is a matter of choice. I choose to prosper, to be aware, to be strong, to be adventurous and safe. I choose to be happy, to be confident!
Something I often hear as a counselor is clients speaking about the weight of expectations they feel they’re carrying on their shoulders; and the frustration, guilt, or resentment they feel in relation to them.
Many of these expectations are often tied to a particular role they “fall into,” that contains within it: unexamined assumptions relating to some action(s) they feel they should be doing, rules for communicating (what they feel they should be saying, and how), pressures to take on board “shared” viewpoints…
Often they express feeling as if they lost their center or connection with themselves.
Some roles are consciously/purposefully chosen. I choose to relate to clients within the boundaries of a counselors’ role. At other times, individuals can fall into an interaction where there is an expectation/pressure to engage in a “role-play”… mindlessly… pulled by some emotional pathway, deeply engraved by a lifetime’s worth of conditioning… For example, many adults continue to feel strongly affected by their parents’ perceived expectations of them…
Sometimes individuals’ roles within relationships include assumptions about hierarchy (in some cultures more than others), expectations relating to distributions of privileges, expectations relating to the division of weight that is placed on the inner experience of each individual. Often, the language which does not fit an expected role-script is unwelcome, discouraged…
One of my favorite historical examples of a figure who modeled the importance of rising beyond roles and cultural expectations, and embodied authenticity and inner strength, was Jesus. I admire the way he kept right away from describing himself via popular roles or politically loaded terms of the time, which he perceived as a poor fit with his life’s journey and purpose.
I love the way Jesus preferred to describe his inner experience and communion with God using creative metaphors-that beautifully made use of people’s familiar associations (e.g. used imagery such as harvests, laborers, etc.) yet transcended the language of the well established familiar social and political roles, traditions, expectations, and their underlying beliefs and perceptions.
Jesus had a hard time with the Pharisees. Perhaps they perceived his non-compliance with the established roles that reinforced their power and privileges-most unsettling. Jesus smacked too much of personal power, disregard for the authority of political/social pecking order…
Possibly to connect with a sense of inner peace, he was documented to withdraw into solitude oftentimes, perhaps in this way he restored his strength by nurturing his connection with God. Just as in his case, I believe that it is a helpful first step in our journey towards authenticity to find ways to connect with a loving place of self-care and strength within ourselves.
Given the powerful focus our society (and at times other people) have on trying to hijack our attention and encourage us to look to the outside of ourselves for fulfillment–creative expression of, and reflection on, our inner experience allows us to re-center and reconnect with our inner journey of transformation.
And, support us in reclaiming control over reconstructing our experience so that it resonates with our values, faith, the direction of our journey, and more closely aligns with our truth.
Many Thanks for sharing!
A writing exercise to get your rusty writing pipes lubricated.
Write the same scene from three different points of view. I know this doesn’t sound new and groundbreaking, but when is the last time you did it? And what types of characters did you choose?
Let’s lighten it up for you – stretch your skills. If you’ve never written from the opposite gender point of view – try it. This is an exercise I did with Dad Shining. This story could not have been narrated by a woman, it had to be chronicled by a man. And that man, it turns out, had to be the son. Dad Shining was published by Chicago Tribune’s Printers Row Journal – so I must have done something right.
But don’t stop there – go further. Write it from a pet’s point of view. The Art of Racing in the Rain is an adult novel narrated in total by the dog. And it is a GREAT novel! Imagine a story from outside of the human point of view.
Or write it from a child’s point of view. Because my children are older, and I’m presently writing a story which involves a nine year old girl, I’ve had to call my friends. I was fortunate enough to spend time with a delightful little girl and found the time and the young woman inspiring. I have even more ideas than I can handle.
Let me know how it goes – share in our Writing 365 Group.
There’s a theory that we don’t fear failure, we fear success.
A researcher gave graduating students an impromptu essay prompt: “After finding out Joe/Jane aced their medical exams for graduation, he/she …..”
It’s reported that the vast majority of students set up a scenario in which Joe or Jane went out and partied, got in some sort of trouble, an accident, arrested, or in some cases just gave up and “decided to do something else with their lives.”
The researchers decided this was not an indication of the fear of failure, because they’d set up a scenario in which the person(Joe/Jane) had already succeeded, yet the students then wrecked the plan. Therefore, they surmised it a fear of success.
This possible fear of success comes from anxiety, which is rampant in society today. People stay where they are comfortable, where they are familiar, and their habits serve them. Moving on to the next level, success, will bring about different challenges, and the fear of the unknown wins out.
It occurs to me that this happens to writers. People write, and write, and write, but then don’t submit. Is it really the rejection they fear? or is it the success? Think of all the anxiety that comes with the next level of publishing. You’ll be expected to do well, to do it again. And, what else might change?
What do you think? What do you fear?
Do you go into a coma when someone starts talking about commas?
Don’t get bit by the deadly comma coma bug! Figure out how to make the comma work for you, not against you!
The purpose of all punctuation is to clarify your thoughts and ideas so readers can enjoy and understand the book!
Did you have a teacher that told you, “whenever you feel the need to pause, insert a comma”?
WORST ADVICE EVER!
When we are writing, we naturally pause to think. That is not necessarily where a comma needs to be.
Commas have a number of rules. My favorite site to use – and to introduce to my students – is the Owl at Purdue. Their comma usage explanations are clear and detailed.
One of my editor-friends believes the comma used for introductory words, phrases, and clauses is “going the way of the dinosaur.” While I agree that some people and publications seem to think so, I think it’s still a valid and needed use. [I’ve used introductory commas in this blog – one was in the previous sentence, “While I agree…]
The Fanboys rules is the easiest to remember; however, because of the number of teachers giving the pause advice, I get sentences that look like this:
The Rams won but, not everyone was happy.
We sometimes punctuate our speech this way for emphasis, but you can’t hear tone in these words, and it’s just wrong. < this sentence contains correct use of the fanboys rule.
My students often ask me to explain the whole “Oxford Comma” disagreement. Well, it goes like this: There are people who use the oxford comma and then there are monsters!
Commas are confusing, but they’re not impossible to learn. Any editor is going to appreciate the correct use of commas regardless of how much they appreciate or introductory comma. 🙂
Some authors are unhappy when readers see something in their story, novel, or poem that was not intended.
I subscribe to the theory of reader response. Our work is going to touch different people in different ways; readers are going to get out of it something related to what they bring to it, so if they don’t see what we originally intended, they are not wrong, nor did they read it wrong, they are merely giving the writer an insight.
I, personally, am thrilled when readers see something I hadn’t intended. For my novella, West End, one reader said the melancholy of the main character haunted her. Other readers believed some of the characters might have actually been spirits or ghosts. One of the characters, I left open. His questionable appearances deepened the story and the effects on the main character who is dealing with depression.
However, when another reader felt that the son might have been a ghost – it made me go back and reread my own work!
Once the story, novel, or poem is out there, readers are going to take away or put into it whatever is in their own toolbox and we can not control it. We may not like it – I had one person mistake me for one of my characters – but we do have to accept it. I usually thank the reader for their insights, regardless of what I feel about the response.
All readings are good readings!
If you’re interested in reading West End – it’ll be on sale Saturday and Sunday. And – then let me know what you think!