Friday Feature: Snowflakes in a Blizzard, Darrel Laurant’s Project to Assist Writers

Darrel Laurant contacted me some time ago about featuring my book, West End, on his project website. I’m only happy to now have him talk about that project here.

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Completing and publishing a book — any book — is a noble accomplishment. Unfortunately, it’s only half the battle.

Writing, publishing and marketing used to be co-joined triplets, or at least close cousins. Now, though, they have drifted apart into separate entities. As a consequence, the new mantra from publishers turning down a manuscript has become: “We really like your book, but we don’t think we can sell it.”

What you realize, as you skim over the Top 100 best-selling offerings on Amazon or even the hallowed New York Times list, is that “marketability” now has very little to do with what we used to perceive as “quality.” Not that a well-written book can’t be successful, but writing well is no longer a crucial requirement, writing not-so-well no longer a deal-breaker.

The good news is, thanks to current technology and increased self publishing options, almost anyone who really wants to get a book published can now do so. The bad news is, almost anyone who really wants to get a book published can now do so.

The fact that 30 million or so books are now listed on Amazon has drastically changed the rules of engagement. The issue is no longer getting published, but getting noticed.

Writers are obviously the losers in this not-so-brave new world, but so are readers. Books go surging past us like flotsam on a flood-swollen river, never to be seen again. If it was published in 2016, it has already become a relic.

The idea of Snowflakes in a Blizzard, which started three years ago, is to become just one small voice shouting: “Whoa!”

I spent more than 30 years as a newspaper reporter and columnist, wrote a lot for magazines and Websites on the side, published two books that sold over 3,000 copies each locally, and won a lot of writing awards from the Virginia Press Association.

In some occupations, all that would have helped ease my transition when I retired from journalism to write books full-time. In the publishing field, I had to check it all at the door.

When my first novel, “The Kudzu Kid,” went up on Amazon, I was excited. I now had my own little niche, exposed to the world. I had a publisher who, at least in theory, was prepared to spread the word. I had a distributor to transport my books to the far corners of the nation. Smiling contentedly, I sat back and waited for the orders to pour in.

And waited. And waited. Eventually, it dawned on me that since nobody outside of Central Virginia had ever heard of me, the odds of anyone randomly clicking on my Amazon page were infinitesimal. Why would they?

At some point during the mini-funk that followed, aggravated by the winter blahs, I was standing in front of my living room widow in Lake George, NY, watching it snow, when this thought occurred to me: “Getting noticed for a new writer these days is like a snowflake trying to stand out in a blizzard.”

A few months later, I started the Snowflakes in a Blizzard blog.

Each week, Snowflakes highlights three books. They could be novels, poetry, short stories, non-fiction, memoirs or a hybrid. What they have in common are that they are a) unique in some way and b) could use more attention. The “template” for every book is filled out by the author and goes individually to each of our 3,000-plus followers, complete with a few reviews and a sample chapter. It’s a way of getting one-on-one attention.

Also, it’s completely free. I like that for several reasons:

First, it takes the pressure off. Charging for a service is all about making a promise — in this case, pay me and I’ll sell books for you.  I can’t do that, because I have no way of tracking who might have purchased a book because of a Snowflakes post they received.

Second, it makes for a better vibe between me and other writers. They are colleagues, not customers.

Finally, I don’t feel competitive with any other writer-friendly blogs or Websites. In fact, I’d be delighted if a thousand other sites sprang up just like Snowflakes in a Blizzard, because that would still not take care of all the writers who need such a service.

You may have heard it said that the opposite of love is not hate, but indifference. In the case of the book-buying public, the enemy is our very human tendency to stick with what we know. Early in our lives, most of us have settled in on what food, music, movies and, yes, books we like.

This fact unquestionably drives the book publishing business. It has become a lot like politics — survey the public to find out what they think they want, then give it to them. It accounts for the focus on genres, the reliance on best-seller lists and the dicotomy of wealth between the top one percent of authors and everybody else.

I don’t like to point fingers at the publishing industry, because they need sales to survive. So do agents. I do, however, think that the current glut of books has contributed in many cases to tunnel vision and laziness. What used to be “Wow, this is a great book — we need to tell people about this talented new author,” has morphed into “Oh, too bad — it doesn’t have the right genre for our demographic.”

This genre fixation is one of my major gripes about the book business today. Instead of offering unique work that only they could produce, some authors are “writing to genre,” following a list of pre-prescribed rules in an effort to “fit.” Yet so many of the books that made a big impact upon arrival — think “In Cold Blood,” “The Color Purple,” “To Kill a Mockingbird,” “Roots” — probably would have flunked the genre test.

To their credit, a lot of small “indie” publishers do seek out and nurture talented new writers. Sometimes, they are richly rewarded for it.

My other gripe is the attitude held by some gatekeepers that they are doing writers a huge favor by publishing them. I growl, internally, every time I see this on a Website: “If you don’t hear from us in two months, it means we’re not interested.”

How much time and trouble would it take to type “Thanks, but not for us,” and hit “send”? Or maybe, “We’re thinking about it.”

This lack of communication shows a naked disrespect to authors who, after all, just want to enter into a business deal with them. Think of how you’d feel if you walked into a restaurant, sat down at a table, and were then ignored for an hour before you finally got up and left.

OK, so the creative universe is awash with other books. Publishers and agents can be uncaring, potential book buyers unlikely to try something new, both realities especially hard on new writers who haven’t yet accumulated prior publications, lots of good reviews or a book club fan base.

So what can we do? I make no claims of being an expert (I’ve never had a best selling book, so what do I know?), but I do have some suggestions.

  1. Look at the myriad niches that might be hidden beneath the main thrust of your book. These could include the setting, the occupation of main characters, a societal issue that is addressed, etc. Find some on-line clusters of people who reflect those nooks and crannies and send them a sample chapter. Do everything you can to show a publisher or agent that your book will, indeed, have a ready-made audience.
  2. Don’t forget the local connection. After your book is published (or even before), show up at your local newspaper office, meet the book editor, and suggest a review of your book. Don’t forget the little free papers than have mushroomed everywhere.
  3. Arrange similar meetings with small bookstore owners in your area.
  4. Set up as many book signings as you can handle, including businesses other than bookstores.

I invite you to check out the Snowflakes in a Blizzard site, and perhaps even follow it. Or, you may have a book you’d like to have featured, or know someone else who does.

My e-mail address is writersbridge@hotmail.com, and I love to talk about writing, any time.

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Much luck, Darrell. Thanks!
noreen

Friday Feature: Just a Bit O’ Dialect by Expert Story Teller David Francis Curran

Just A Bit O’ Dialect

Dialect can make anything from a Sci-fi novel to a western story come alive with unique and realistic voices. But if your English fiction contains text as obtuse as:

Da grill da bik rude

it is unlikely that your work will be published.

To master the mystery of writing good dialect it helps to have a little insight into the difference between the rules of English, and effective communication. Some years ago a communications researcher at the University of Colorado, Dr. Sally Planalp, did a study on transitions. She took articles featuring various types of transitional links between paragraphs, broke them up into individual paragraphs, and then scored each transition on how well students could put the paragraphs back in the proper order using transitions as the key.

Most of us are to used to the idea that there are rules in the English language and students get graded on how well they know them. What Planalp did was grade the rules on how well they helped people understand what was going on. When we write in dialect we are breaking the rules. What we need to know is how to break them in such a way that people will still know what is going on.

There are three basic rules that pretty much sum up how we understand what we do understand in our language.

Semantic rules govern the meaning assigned to words. For example in the obtuse example above I substituted “da” for “the.” Semantic rules are arbitrary. There is no reason, for example, why a cat couldn’t have been named a “Meow.”

Syntactic rules govern the way in which sentences are put together in a language. In English we would say “The girl rode the bike.” Other languages have different syntactic rules. A German, would say, for example, “The girl the bike rode.”

The final rule, is Regulative. These govern the meaning of a communication based on the context. For example, the difference in a mother saying, “Johnny!” when her son gets a good report card, and “Johnny!” when the boy has just emptied the entire laundry detergent box into the washer. There is much more to regulative rules. They are the reason that, even though we somethings mispronounce words, or use the wrong words when speaking, our friends still understand us. If you make the context clear your dialect will always be understandable.

Now that you know the rules you can write effective dialect. To write effective dialect, that is dialect your reader will be able to understand, break either the semantic or syntactic rules but never more than one of these rules at any given time.

To prove this, in my fiction writing classes I give students one long paragraph to translate in which I’ve broken only the semantic rules. I’ve included a shorter example below. (It will probably be more fun to try solving this by reading it out loud with a friend.) See if you can figure it out.

Hum pieity Dun pieity at onta wrull. Hum pieity Dun pieity wrad o grit brawl. Sol ta binks borsis wrend sol ta binks ben, wroudn’t but Hum pieity agrather awren.

Similar things have successfully appeared in popular fiction. In Larry Shue’scomic play The Foreigner the main character is presented as someone who does not speak English. When asked to tell a story, he tells Little Red Riding Hood, substituting made up words for the English equivalent. The audience always gets it, the characters on the set think it sounds familiar and the result is hilarious.

Did you solve the example above yet? As in Shue’s play I used regulative trick to help you. In both the story in Shue’s play and the nursery rhyme I used in my example above,the words sound a bit like the original English words. The sound helps, but when understanding comes it is more than just the sound of the words, it is that the syntax is English and words themselves sound familiar. The sound helps remind you of a context that you should remember from your childhood.

Let’s go back to the obtuse example at the beginning of this article. “Da grill da bik rude” hard to understand is that two rules have been broken, syntactic and semantic. You probably guessed by now that this is an attempt at a German accent, saying, “The girl the bike rode.” Two far simpler ways to hint at the German accent and still get the color of the speakers voice across would be:

(1) To use the german syntax with only words that can be found in an English dictionary, “The frÑulein the bike rode.”

(2) Or to use some German, or made up German words but with English syntax. “Da frÑulein rode da bike.” If you use another languages syntactic rules(1) your writing will be far harder for English readers to understand.

If you must break syntactic rules keep your writing to short sentences. The second version(2) gives a sense of a foreign language but is much easier for an English readers to follow, and is the most often recommended way to include dialect in a story.

We’ve talked about semantic and syntactic rules, but not regulative rules. Regulative rules are the most important of all. Regulative rules govern the meaning of what is written in the context of how you tell the story. Regulative rules are so important that, If you make the context clear enough you can go beyond dialect and even write in a foreign language. If you set up the context so well, that when a character speaks in a foreign tongue we know from the context ( that has been given in English ) the basic gist of what the character must say. Randy Wayne White in his Doc Ford mystery series does this exceptionally well in books like North of Havana. However, again, you want to keep the foreign language sections as short as possible.

One thing you should keep in mind when using dialect is that there is a paradox in the “translation” of foreign languages. Look at these examples of translations of Ihara Saikaku’s book The story of Seijuro in Himeji.

Here is a short section of the translation by Wm. Theodore De Bary:

1. Darkness is the time for Love; Love makes night of day In spring the treasure ships lay, with waves their pillows, on a quiet sea before the bustling harbor of Murotsu. . . .

Here is the exact same work translated by Ivan Morris:

1. Love Is Darkness, But in the Land of Love the Darkest Night Is Bright as Noon. The town of Murotsu is a great bustling harbour and here, in the peaceful springtime waves, rest the ships with their heavy cargos of treasure. . . .

I ask my students, how can two men, translating the exact same text come up with such different translations. The paradox is that in languages with far different grammatical rules, words and metaphors, the writer’s tools, may not be directly “translatable” into English and vice versa. Which means you should concentrate on capturing your story and not worry too much about the language. Dialect should be used only to give your writing flavor, like spice in cooking. If you put too much in and try to capture the foreign language itself you’ll ruin your soup.

To used dialect effectively break either syntactic or semantic rules, but break only one of these rules. Then use dialect sparingly, and your fiction will come alive.

David Francis Curran

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Many Thanks, David!

noreen

Friday Feature: Valerie Cooper and Finding Writing Time

I’m more familiar with Valerie Cooper’s poetry, as we’ve both appeared in Delphinium Literary Magazine. So when she contacted me about writing a piece about finding time, I thought she’d have something important to say. We’re both single parents, except mine are now grown, which gives me more time. Hers is still quite young – and as I once did – she searches for little bits of time to write.

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vcooper1As a single parent, writing can be difficult. I’m required to be creative and write around my daughter’s schedule. I find time in the mornings, for twenty or thirty minutes, before I get her up for pre-school. At work, I take five minutes here and there when I can to make notes or outline an idea or twElise Climbing Rocks in Central Park NYCo. I get another hour, if I’m not too tired, after I read her stories and put her to sleep.

I know my friends who don’t have kids have more time than I. But, also, my friends who don’t have kids aren’t as focused as I am on being successful. Children take a lot of your time, much of your energy, but what you receive in return is far more satisfying than much else life has to offer. My daughter inspires me to work harder, to be successful. Before her, I thought, “I’ll get there some day.” But after she was born and I looked into those big, beautiful eyes, it lit a fire under me!

Many writers complain about not enough writing time. Life is busy and messy. We need to work around it. So sometimes I get up early. Other times, I stay up late. I get creative and grab what might be otherwise wasted moments.

vcooper3I write poetry in the park on warm Saturday afternoons while the children are screaming with joy on the climbing gym. I write lyrics in the parking lot, in the chilled air of my car, waiting for pre-school to end. I outline a story over the humid stove, while my daughter waits impatiently at the dining room table, chomping on carrots.

There is time, it just comes in increments, joyfully swinging around everything else in your life. It’s there. You just have to grasp it.

Valerie Cooper

Delphinium

The Kiss

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Thanks, Valerie. Much Luck!

For everyone else, I suggest one of these!

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Friday Feature – Motivational Author Anda Stan: “To Be or Not to Be the One of Your Own Life…”

Man jump through the gap between hill.man jumping over cliff on              Funny title, right? It is. But, it is also true and powerful on many levels. “The one” usually represents your one and only significant other in love matters. Still, how about being yourself “the one” in all the aspects of your life? Sounds crazy? Maybe, at first. But, being the one of your own life means tremendous power for yourself and your overall life….

We always look for support from others and we think we have no one in our life to rely upon in times of need. We feel that we are weak, and backup is needed. And we are right, but we forget the most important thing: we forget about ourselves.

Remember my dear one, we are our first most reliable party in our lives. Friends, lovers, even family at times, tend to betray us, let us down, make us feel alone and in misery. Hence, find the power of your own self. That doesn’t mean to isolate yourself from them, that means to be “the one” of your own life.

Understand the fact that you are someone of great importance in your own life. You are someone that can make things happen for you without delay. You are someone that can manifest your biggest desires. You are someone amazing that can really get the sun or the moon from the sky and put it on your own feet. You are THE ONE!

You may think that what I am saying may be to big of a theory. In fact, it isn’t. How many successful people have you heard they became successful with the help of others? And how many successful people have you heard they became successful with the help of their self? I think and know the answer is more, way more for the second question. They were “THE ONE” of their own lives.

See, you may become the most powerful person in your life. Can you say that you aren’t the most reliable person in your own life? Can you say that as long as you have a mindset and a goal in your life you will not make anything that stands in your own powers and more to accomplish that? Can you say that you will betray yourself and your success? Yes, you are the most reliable person in your own life. Yes, you can accomplish anything you have a mindset and goal upon. No, you will never betray yourself and your own success.

anda4              For example, you want to be a writer? Who is the first person that can help you with that? You are! You want to start a successful business? Who is the first person that can help you with that? You are! You want to have money? Who can do that fast enough for you? You can! You want to become independent in a way or another? Who can first help you with that? You can! See? Why would you wait for others to do or make things for you as long as you can? Why wait and meet with disappointments of all kinds? Some promise and never keep their promises. Some don’t say a word, but keep you on your toes, and again, you meet with disappointment, and so on.

We always forget of how powerful we are as individuals. We always tend to rely on others for solutions and resolutions, when we can simply take a decision and act strongly upon it. It’s not going to be easy. That’s a given my friend. But, what’s easy in this world? The difference is that you are THE ONE making a huge difference in your own life. You are THE ONE that solves things. You are THE ONE that is reliable for you. You are THE ONE that won’t disappoint you. You are THE ONE that will first taste the success of your accomplishments. You are THE ONE that will become respected. And last but not least, you are THE ONE that will gain respect towards your own self! And that’s huge my dear one! Respecting yourself and acknowledging your own self, your own value is something incredible!

Why do we always belittle ourselves and think that others will have the power to help us in a way or another? Why do we always tend to be supporting characters of our own lives? Why don’t we want to be the main character? Why don’t we allow ourselves to become the heroes? Why?!

If we find that “love yourself or lose power” thing in our lives, we are capable of magical things. We can achieve everything we want and need. Well, true, you might say that it’s too much in naming “everything”, but how about “almost everything” and leave room for the “element of surprise”? It’s doable. Trust me. Compared to the numerous occasions when you had hope from others, were promised for things, were let to wait for ever and so on, how many of those materialized for you? Too little, right? And when you found the power, will within you to do something, to make something, to accomplish something, how many times you were disappointed, didn’t accomplish? I think that 90% at least you were a winner for yourself.

anda3           The power of being THE ONE of your own life is at your finger tip.  Start being THE ONE! Let others become your supporting characters and you the action maker! Be the writer of your own story! Create your own destiny! Create your one and only! Manifest amazing things for you that only you can! Taste the sweet success of your own efforts! Make things happen according to your own will! Be the magician of your own life and materialize your wants and needs! Be the next Bill Gates, Oprah and so on! They both started on their own, one had more misery at first than the other and see them now! They had the power and magic on relying on themselves and on nobody else! They both believed in being THE ONE of their lives! They took action, they became their own heroes, and now they bask in the success and material needs they themselves created with the power of being THE ONE!

You can do it too! Just find yourself, believe in yourself, rely on yourself, persevere, never let yourself down from others, and hit the jackpot for yourself and for your own life my friend!

Well, if you don’t believe me, why don’t you give it a try and see for yourself what magic powers being THE ONE has for you too? 😉

Wish you all to find yourself and manifest everything you want with an element of surprise! 😊 😉

Blessings!

Your true friend always,

Anda Stananda

http://andastan.com/

A few things about me: Among other things I am a writer. I am currently working on two books. One is fiction, “Chris Carter and The Prince of Darkness”, a supernatural, paranormal story with a bit of romance, and the other is nonfiction, “Love Yourself Or Lose Power”, a motivational, inspirational, self-improvement book. For a taste of them, you can go to my website and read first parts of them. Love yourself at all times my friend!

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Many thanks, Anda, for sharing!

noreen

 

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Friday Feature: Writing as Courtship – Timothy Savage

When Timothy Savage speaks of Davey’s Savior, his novel about a father and son, it’s with a passion which encourages the reader to pick it up. He uses that same passion in almost everything he does from caring for his own son to detailing the journey of Davy and his father.

I knew when I asked Timothy to write something, he’d present something marvelous…. and so he has.

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Revision as Courtship

courtshipCourtship is romance taken form. It’s where those thoughts and fantasies translate into actions, from the ordinary chocolates and flowers to those thoughtful gestures, everything from a caress of the hand to simple time spent in conversation, all taking place behind a barrier of uncertainty. You spend time with that special someone, you share meals and thoughts and feelings, you enjoy those little tingles that come from being in their presence, but you don’t yet cross into intimacy. Perhaps you’re old-fashioned, or imagine yourself as gentlemanly or ladylike; you save something for later. In any case, you’re not quite at that point of leaping into their arms with wild abandon.

That’s okay. Sometimes saving something for later is a good thing, even as you relish those moments together without quite sharing everything. It’s all driven by a simple truth: Courtship is a time for getting to know each other, and to be blunt, for sizing each other up.

In a long-term romance meant to last, you need to see them — and they need to see you — exactly as you both are. You need to see them happy, angry, confounded, upset, blissful. courtship2To see into their soul. To see whether it’s safe to make yourself vulnerable before blending your soul with theirs. To see your own flaws and those of your partner in clear focus, to get beneath the layers of what someone might project, and instead look for and grab onto those glimpses of truth beneath the veneer of attraction…

Wait a minute. If this is a column about writing for writers, why do I have romance on the mind? Easy. For writers, it’s like this when you’re about to embark on the process of revision. Many writers – myself included – feel a kind of anxiety, a hesitation, before diving into the process of editing and revision. You stare at your draft without moving, afraid to press a key or redline that sentence for fear of screwing everything up. It’s the same anxiety one feels before dialing that special someone for the very first time.

Writing — especially the art of crafting a book — can be thought of as a long-term romance with your story. And that sizing-up process, the very beginning of courtship, is an important first step in editing and revisions, too.

As an author, you need to make yourself vulnerable to your manuscript, to see it exactly as it is. To seek out those “warts and all” glimpses of its true nature. It’s the moment and author and manuscript test each other through presence, seeing whether they enjoy each other’s company after spending long periods of time together, or seeing whether they’d rather hide in the washroom and phone a friend for rescue.

But if you enjoy the experience together, if you enjoy spending that time and look forward to the next conversation, maybe it’s time to dig back in and read that manuscript as a reader would, as someone who’s not quite made themselves vulnerable to possibility of intimacy.

Personally, I’ve made a practice of revising “big to small.” What I mean by that is the act of seeing my story as a whole, of taking in the work-in-progress with all its flaws and foibles, sizing up its true essence, and determining what changes are necessary in a structural way to bring that story I’d envisioned into reality. Eventually I focus on smaller and smaller details; not story structure or overall plots, but the little touches that keep the reader enthralled. It’s a little like going from that first casual dinner to the first moment “alone together”; reach that level and it’s just the two of you in a dance, in the hopes of making it all work.

Revising “big to small” meant courting my other characters all over again. Looking at each of those peripheral stories in my manuscript with a critical eye, deciding whether they added to the central relationship in my book or distracted from it. Deciding which of those scenes were necessary, what worked and what did not. Deciding what should remain, and what could be safely relegated to a “cuts” folder for later consideration or swipe-left deletion.

courtship2In the end, after many dates with my manuscript that ranged through blind and awkward, rushed and too quick, exciting and anticipatory, intimate and ecstatic, the story evolved into better forms than ever taken before. I saw it for what it was, working through the small details, caressing each sentence and nuance until the story as envisioned came across as “meant to be.”

Revision is courtship. And courtship, despite the nerves and uncertainties and awkward moments, is fun. So don’t be afraid to dive right in. Swipe right on that revision. Hold that car door open, and bring along the flowers and candy for both of you. In the end, whether your revision succeeds or fails — whether the relationship with your manuscript lasts or fizzles during the courtship of revision — you’ll be a better author for having the courage to experience it.

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Noreen, thank you for the invitation to contribute to your ‘Friday Feature!’ Dashing off a blog post about writing is always great fun, and if it helps to inspire another writer or two, excellent!

Speaking of inspiration, I want to give a little credit where credit is due. The idea of ‘Revision as Courtship’ came out of discussions and collaborations with my dear, dear friend, writing partner across the pond, editor, and author of the 17th Century Midwives series of historical fiction novels, Annelisa Christensen. Her insights helped me to view revisions with something other than anxiety, and for that I am forever grateful.

tws

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Thank you, Timothy.

You can find Davey’s Savior on Amazon

Tim’s Website – where you might find a little inspiration or even some help!

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Friday Feature: Submissions

This week for the friday feature, I thought I’d offer tips on Submitting.

Last year, I had 17 or 18 publications. This year so far, I’ve had maybe 9 or 10 acceptances. I must be doing something right.  submissions-photo-01

I think it should go without saying your work should be free of grammar and punctuation errors. I heard from one writer who was offended by an editor; her response: “I know I had errors, but they weren’t that bad.” – No excuses. Edit that work before you send it out.

First: Make a regular time to sit down to submit. This takes HOURS. It’s not going to be just a fifteen minute or thirty minute venture. You must read what the lit mags are looking for as well as how they want it submitted. Then compare it to what you might have already written, or what you’re willing to write.

Second: Keep track of your submissions. submissions1

Third: Accept rejection. (It tells me that I’m doing my job by submitting.)

Fourth: Accept criticism. You are going to get opinions. Just today, I received a rejection that said I repeated a word. That was the whole of their rejection. The word in question was repeated twice in the whole story, but I guess they didn’t like it. I moved on.

Fifth: If they ask for changes – agree (maybe). I’ve met many writers who take issue withsubmission this. They wonder if I don’t care about my work. They think I’m mad for even considering it. There are some things I won’t change. But, so far, the editors who have asked for changes have asked for simple things like rewrite this sentence, change this punctuation. No one has asked me to make major changes to any piece I love.

And Finally: Be considerate to writers, editors, and publishers in emails, on public sites, and anywhere you may meet them. When you act inappropriately, word can get around.

Publications Page

Amazon Page

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Friday Feature: Building a Community of Writers – Rebecca Clark

Hi, All.  Today, I asked Rebecca Clark to tell us about The Writer’s Point.

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My name is Rebecca Clark. I am the founder of The Write Point, a free social networking community for writers, editors, publishers, beta readers, and literary agents.

Here’s my story.

For the past 15 years I’ve been writing fiction stories. Mainly for myself. It wasn’t until about 7 years ago that I thought maybe I could actually publish something! I wanted to share my make-believe worlds with others. So, I dug deep into the Internet to see what I could find about agents, publishing, the editing process, and what ever else a successful book entailed. I found several forums full of knowledgeable authors.

Forums are messy, in my opinion. I was a brand new writer lost in a world of writers who knew everything I needed to know, but somehow I felt that I didn’t fit in. There was one forum website in particular that made me feel like I shouldn’t be a writer at all. Every question I asked was answered with “google it”.

So, I googled it. I learned so much on my own, but I really just wanted to be a part of a community, some place where I felt at home with people just like me.

Last year, I decided that if I couldn’t find a place to call “home”, I’d create one. So, I did! Fortunately for me, a couple of years ago, I graduated with a degree in Computer Information Systems: Website Development and Design. I could take the time to build upon the idea, and actually understand what I was doing in the process.

The Write Point is a FREE community that I hope will become a place for new writers to feel welcome, and experienced writers can share their expertise without making anyone feel like they aren’t good enough!

Noreen, thank you for allowing me to share the story of The Write Point. To learn more about us, visit https://thewritepoint.com.

The Write Point Facebook page is: https://www.facebook.com/thewritepoint

You can also find me tweeting here: https://www.twitter.com/bekkahclark and here https://www.twitter.com/twp_network

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Many thanks, Rebecca.

Writers, Enjoy!

weekend

Friday Feature – Fantasy for Mental Health by Lara Lee

 

Today, I’ve asked Lara Lee, fantasy author to write something for us.

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fantasy2In brainstorming ideas for one of my novels, I decided to research the question: Can a person be immune to brainwashing? We have all seen on television or in movies or even old books the trope of someone being brainwashed to do horrendous crimes against their will. It is overused, so I often stay away from it. My villain just seemed the kind of person to try and brainwash my hero, but I was curious how this worked in reality. Other books have their protagonist resist by the strength of their will. Was that how it is done?

No!

I was absolutely shocked by the research I came across. Strong-willed people were not immune to brainwashing, daydreamers were. Often, those resistant to brainwashing were people no one would expect, average looking people with little to brag about. Why is this?

First, we have to deal with what brainwashing is. Many people over the recent years have argued that true brainwashing doesn’t exist. Just like hypnosis, a person cannot be forced to do something against their foundation beliefs. The term and identification of the phenomenon of brainwashing came from around the time of the Korean War. Prisoners of war were “brainwashed” and then released to their home countries as spies for the Koreans. The same phenomenon was also seen in cults in the US and other organizations. These people did change. They did act in a way that they previously thought was wrong. Something happened to them that changed them.fantasy1

Brainwashing, like the movies, doesn’t happen. People’s thoughts are not wiped clean and then planted with new thoughts, but what does happen is that a person is put in such restrictive environment that denies all basic needs until the point that the person either is on the brink of a nervous breakdown or experiences one. Then the captor offers “kindness” such as water or food and slowly breaks down the victim’s foundational beliefs to those that the captor wants. They are convinced and persuaded under pressure to adopt new ideas. Sometimes these new thoughts stick for a lifetime. Sometimes they only last until a healthy lifestyle is restored. It again depends on the person.

As I read this description, I realized that sometimes life events bring people to the point of breaking, even without a captor. We have all heard of people who suffered emotional breakdowns just from trauma in ordinary living. Deaths, illness, financial struggles, relationship problems produce extraordinary strain. Life can be hard, and at times people break. Depression, anxiety, and PTSD are common. Some people endure a lot in life and stay strong. Some people crumble relatively quickly. So I continued my research wondering how one would fight this mental breakdown. It stopped being about brainwashing and more about mental health. How do we endure high stress without falling apart?

The secret is dissociation.

It turns out, that people who can disassociate from the circumstance that they are in do well. This practice is often taught to soldiers in the military to help in case they are captured and tortured. Dissociation is the process of mentally removing yourself from reality and separating your emotions from your circumstances. If not done intentionally, it can be a psychological disorder, but, when done intentionally, it provides a brief relief from the pain of reality.

To me, this sounds like escapism literature, my favorite being fantasy. We all either have said or heard someone say that they read or go to the movies to “get away” from life. This act of “getting away” is to remove yourself from reality for a time into a fake world. Escapism is often about ignoring the pain of reality to have a little fun, or just to “veg” for a while. Sounds a little like disassociation right?

Not all entertainment is escapism. Some highlight the painful realities of life, but the popularity of the superhero movies, Harry Potter, Twilight, Game of Thrones, and The Hunger Games show that escapism is alive and well. I personally remember in some of the darkest times of my life escaping into books to bring relief to my emotions. I read nearly the entire Dresden file series that had been written up to at that point when a loved one was dying. I was often asked how I survived some of what I went through without shutting down, getting a divorce, or turning to substance abuse. I do have a Christian faith that I depend on, but I think I was also provided a way of emotion disassociation through fantasy fiction that helped me bare the emotions. God is not against fantasy; he told parables himself.fantasy

From the beginning of human history, we have had folklore, myths, legends, and fairy tales. These are the precursor to our modern fantasy fiction. The ancient world knew they needed an escape from the harsh realities of life. The human mind can only handle so much before breaking and caving in. Some seek relief in substance abuse or unhealthy relationships. Fantasy is a place in which you can be the hero and in control for 300 pages. Perhaps you will never endure the type of stress used in brainwashing, but I think we all can benefit from a bit of fantasy.

 

Lara Lee

The Shadow of the Gryphon

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Thank you, Lara!

 

Friday Feature: Guest Author P.S. Malcom

I’m happy to have P.S. Malcom’s writing advice to offer today. Enjoy!

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Three Ways To Come Up With A New Book Idea

I’m so excited to be here on the blog today, and I wanted to chat about writing.

Us writers sometimes get the urge to write something—anything—but often find book1ourselves with a lack of ideas or inspiration. This is a really tough position to be in because you have the motivation to create and write, but nothing to work with. *Cue frustration*

Of course, this is worse when you have deadlines to meet or depend on a good portion of your book sales to pay the bills. You gotta keep those books coming! So today, I’m going to share three tips to help you come up with a new book idea:

 

1) Get inspired

I know, best advice of the year right?

book1It sounds simple and blunt, if you’re not giving yourself space to get inspired, you can chase all the inspiration in the world and still end up with nothing. Stress from work, family life, responsibilities and pressure can all contribute to a block in your creative energy, and if you don’t make time to relax, unwind, and just chill, you won’t be able to imagine and envision your next story idea.

So my advice?

Do something different, whether it means going for a walk or a drive, spending an hour reading at a quiet café, heading to the beach for the day, painting or playing a musical instrument for an hour, or sitting in a hammock with your earbuds in. Whatever it is, make sure it’s an hour of distraction free time, and don’t force yourself to think up ideas. Let them come to you in the flow of the music, or the visuals of the painting, or the concepts of the book you’re reading.

It might take a couple of tries, but if you stay consistent in giving yourself space, you’ll find your inspiration again. I always get my best ideas (such as the inspiration for my Ryan Rupert Series) while away on vacation or immersing myself in something new.

 

2) Ask yourself questions

I’m not telling you to sit there like a lunatic and talk to yourself. What I mean is ask yourself questions about your current WIPs, or journal your thoughts, and ask yourself what you don’t know about your budding story idea yet.

Quite often, we come up with a simple, small concept but fail to expand on this idea enough to turn it into a feasible, book-length story. This results in us sitting down to write with our amazing new story idea and being stuck on where to begin because we have no clue what the story is about yet or who’s involved and why.

book1.jpgWhile this is all a process undertaken as we write, it’s a good idea to get clarity on the bare basics before you begin putting pen to paper, so ask yourself what you don’t know, answer what you can come up with, and go from there. I use this method all the time for my own books, and it’s also something I teach my writing students too.

 

3) Pick a topic and expand on it

If you’ve got nothing—not even a concept to work with—this is where you pick something you’re interested in and expand on it.

If you love mythology, you might browse through some of your favourite stories until you find an idea or concept that interests you, and find a way to put your own unique twist on it.

Or, if you love a particular country, you might immerse yourself in it’s culture and think about how you can tell a story from the perspective of somebody living that lifestyle.

There are so many possibilities to choose from, and you can turn any personal passion into a story. Just try it! You might not end up with a book-length story, but even the practise can help you get back into the swing of writing and help you conjure a new idea for a full-length book.

 

I hope these tips help anyone struggling to write!

Also, thank you for having me on your blog Noreen.

P.S. Malcom (Webpage) (Facebook)

Ryan Rupert Series

Starlight Chronicles

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You’re welcome. And, Thank you. Simple reminders are the best.

 

Monday – a new food section on food on this blog. Who does not love food?

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Friday Feature: Second Chance – Iuliana Foos

The second indulgence of our Friday Feature is Author Iuliana Foos’ personal story- Enjoy.

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iuliana

Thank you so much for hosting me today.

Born and raised in Bucharest, Romania, I had a childhood and upbringing different from what most people outside the country are accustomed to. Since an early age, I loved to read. Growing up in a communist country, where all information was closely supervised, I soon ran out of book to read.

I had to start of course with the literature mandatory in school, all Romanian authors, but soon, I started to borrow books from my parents’ collection. When most people hear ‘Black Market’ they think of illegal merchandise. For us, was also books. Coming across translated international authors, wasn’t easy, but not impossible either.

It was when I fell in love with ‘The Three Musketeers’ by Alexander Dumas, the first romance book I ever read. I was only in my early to teens, so extremely impressionable. Until today I still believe everyone should have at least one sword, even if only for decorative purposes.

When I attempted to read ‘War and Peace’ by Fyodor Dostoyevsky, I failed miserably, falling asleep before finishing a whole page. I still didn’t get the courage to go back and try to read what at that time, for me, was the most boring book, so I never made it past the first chapter. It served as a good paperweight, and many times I used it to hide underneath another book, usually something frowned upon, like ‘Gone with the Wind’ by Margaret Mitchell.

Around the same time, I managed to put my greedy hands on translated adaptations of Shakespeare’s plays, whose themes are still successfully rehashed today.

One of my best finds has to be Greek Mythology Adaptations. Those gods are still inspiring.

By the time I was sixteen, I ran out of books to devour, and started to make my own stories. In school and at home, I was busy creating worlds and characters in my head. The visit at Dracula’s Castle uncovered infinite possibilities. Our ordinary world had become that day less important than my fantasy one. You can only imagine the new level of commotion in my mind. It was the first time I knew what I wanted to do in my life: be an author.

With my first job, life started to interfere with my dreams of writing. Living though the revolution that ended the communism in Romania, brought hope. Unfortunately, the bitter taste of disappointment with the new life, convinced me to leave behind everything I knew. Only months before my twenty-ninth birthday I emigrated to Canada, in a search of a better life.

As an immigrant, I had an allowance of two large travel bags, each no heavier than forty kilograms (or eighty pounds), so I packed my life in those and started new. I still have my fifteen large notebooks, handwritten in Romanian with my first stories. They took half of one of my allowed bags, my most precious possessions.

Year after year, I drifted further and further from my dreams. With bills to pay and life in general happening every minute of the day, I had to stay focused on my sales/marketing career.

When I thought life couldn’t surprise me anymore, it did. I divorced and years later, remarried. Following my husband meant yet another big move, this time to the United States of America, my new home. He encouraged me to revisit my dream, give writing a second chance, and so I did.

New challenges rose, but I was determined not to let anything stand between me and my dream this time. Not even writing in a language that is not my native couldn’t stop me. It took me seventeen years to even dare consider it. English is not even my second language, but my fourth. I was fluent in Spanish at nineteen, and in French at thirty. With time I lost the ability to speak any of the two, but I still can understand some.

If you ever look for a challenge to test your courage and drive, try it. Pick the best language you speak, other than your first, and write a novel. Let me know how that works out. No, really, let me know. If you think having an accent is bad, wait until you have to figure out grammar. Thank God, the accent doesn’t come through in writing.

Many people start new chapters at some point in their lives. For some, the change is major, for others not so much. For me, it was monumental. All three times.

So here I stand today, humbled and grateful for everything I went through. I carry the scars of my battles, and the sweet memories of my victories. Every adventure and step I took brought me where I am today.

I’ve learned to never lose hope. It took me over thirty years to live the dream I had as a teenager. It is never too late to reach that dream you have. Hold on to it. Foster it’s growth, and above all else, never give up. Second chances happen when you least expect it.

iulianna

 

 

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Iuliana – thank you for sharing your story. It’s always heartwarming to hear a story of challenges overcome!  Much luck on your book.