Poetry Month

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From the Dead Poet’s Society.

And true. True. True. Would life have any depth without the stories and poetry we share?

Teaching Poetry

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“In high school your teacher made you analyze a poem and then told you that you were wrong, correct?”

Applause. Nods. Agreement.

If at all possible, stop doing this to students. That is why so many people dislike poetry. They feel it’s too hard to understand and when they try, they are told they are wrong.

In my class, I allow students to choose which poems they want to read. Then I ask why they chose those poems. They all have their own reasons, looking for something interesting, the shorter the better, some element they can relate too.  And I ask them what they got out of it.

Not what it meant. Not to analyze it. What did you get out of it? No wrong answers, no judgement.

My students have told me that I’ve allowed them to love poetry, to appreciate it for whatever they feel it adds to their lives.

We go over the elements, the possible meanings; but, mostly, I just want them to love poetry again. And it works.

I’ve taken away the fear of being wrong, of being stupid, and gave them the sheer enjoyment of language.

Deeper meaning will come – at their own pace – and when/if they want it to.

Help!….

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Weathering the Storms

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Is there anything worse than a bad review?  Probably, but we don’t think so when we get one.

But ask yourself why you’re upset.

1. Is there some truth to the review? No – then forget it! Yes – then what is it?

One woman relayed that her one star review mentioned grammar and punctuation errors. She said, “I know there are some, but there’s not that many!”

It seems she knew she put out work that was not of a superior quality; she can’t be upset when someone calls her on it.

2. Is it someone who just wishes to malign you? Accept that there are going to be haters. Everyone has them. Remember this quote: “Well behaved women rarely make history.” If someone dislikes you – you might just be doing something right.

3. Someone told me – it’s only the writer who reads all the bad reviews. I think that’s supposed to make us feel better. But it’s true. When you look at reviews, do you search out every bad review there is? or do you read maybe the top five or ten of all the reviews?

I, personally, read a few of each. A few of the five star, a few of the three star, and a few of the one star – critical readers can tell if someone has an ax to grind or if they have real concerns.

Go to Sleep

sleeping-babyIf you’ve reached a point in your story where you’re stuck, or perhaps some small thing is niggling at you, tell yourself what it is before you go to sleep.

There’s a number of things I’ve done in order to enhance or forward my writing – and the above is one of the things. Margaret Atwood recommends the same.

But I’ve gone further. I was writing a poem and I knew one line wasn’t quite right. I kept going over it and over it and could not seem to find the right words in the right order to bring the poem together. As I went to bed that night – I told myself to dream about it.

At 4am, I woke up with the line! I scribbled it in the notebook (which sits next to my bed) and turned over to go back to sleep.

Not only do I tell myself the problem I’m dealing with in my writing before I go to sleep, but I also think about different story lines for my characters. This keeps me juiced, so to speak, with inspiration. The next morning, I’m ready to hop out of bed and write.

Sometimes, of course, this backfires and I want to write then and there – which I do. But most of it can and does wait for that dreaded blank page the next morning.

The enemy…..

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Plath was one of the original “confessional poets,” and her poetry, at first, was not well received. Her poetry, however, spoke to many. Much love for the Plath!

A Writer’s Space

2018_09_30+Scientific+writing2Do you feel the need to have a certain, special place to write? Maybe you have little items you feel inspire you sitting around your desk, computer, in the same room, maybe there is a stone of carnelian or citrine to spark creativity, or even big dark shades to hide you from the world.

My writing space is usually the dining room table, two windows, a bird feeder on one so my cat, usually sitting beside me can be entertained. But I also write on the couch in the living room with a lap desk, and sometimes in my bed.

Dan Brown (author of the Da Vinci code and many others) believes writing space isn’t important. It’s the ritual and the commitment, not the space. He relates a story in which he was visiting his parents and he wrote in the laundry room, lap top on the ironing board while sitting on milk crates with the washer running – because he needed an undisturbed space.

I’d say that space would disturb me – and talk about holes in a story. My apologies, Mr. 0 v7CyD5RM41-JF6Kk.jpgBrown. However, if he gets up at 4 a.m. to write (as he states), who is doing laundry at that time? And, if the laundry was put in later, then obviously someone came in to disturb you. And, by that time, he couldn’t move to another room?  Okay, sorry, sorry. Back to the point.

We do need a space to write. Ideally, we want to have certain creature comforts around us; for me, it’s a cup of tea. However, I have written on concrete benches, lying across the hotel bed, in a tiny corner that had a table and chair, in coffee shops with noise, and alone in my house at 4 a.m.

The point is our desire for the ideal space should not limit our writing time or commitment (and I think this was Mr. Brown’s point as well). If we limit our writing to the ideal, we’ll have an excuse to not write when any little thing is out of place.

Brown states he writes 365 days a year. That’s what this blog is about, right? 365. It’s about commitment. It is my challenge and my commitment to write 365. I’m doing okay, regardless of the space I’m writing in.

Monday Motivation

 

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Writing exercise:

Take a very common thing from your kitchen and write a poem about it.

It will most likely become a poem about something else.

Share in our Facebook group!

I think I’m going to try a spoon.  (There’s actually a pretty famous poem about a spoon – by Billy Collins)

 

Descending into Madness…

logo1-the-descent-into-madnessSometimes, that’s what writing feels like.

I recently finished a particularly difficult story. I’d written it over the summer. Then life happened, and while I wrote here and there and started new things, finished other things, submitted, and even came back to this story repeatedly, it refused to be finished.

This story became the terrible twos who kept throwing a spoon down on the floor and crying for me to pick it up only to throw it down again.

When my real children did this – I left the spoon on the floor and shrugged, “guess you’re using your fingers now,” but you can’t do that with a story, huh?

But what you can do with the story – as with all writing – is keep showing up. That’s what I did. I kept putting that story in front of me and trying to work out of the kinks. We can’t give up the story when it gets hard.

One of my favorite stories is one Stephen King tells about Carrie. I’m paraphrasing here: His wife found Carrie in the trash and brought it back to him, saying something to the effect, you can’t stop just because it got hard.

(of course these are the days when we used typewriters or notebooks and were able to physically put those in the trash and not just click delete, which, by the way, don’t ever do!  Ignore the story, put it elsewhere, but don’t delete it!)

And I’ve read/heard the above King/Carrie story a few different ways, so it may not be exact; however, the point is – You can’t give up a story because it’s hard.

Even if the story never gets published – I learned something by writing it, by sticking it out.

The new term in student success is “Grit.”  (I know, it’s also an old John Wayne movie). It alludes to the idea that the students who struggle and push through who will become a successful student and graduate. It applies across the board – school, life, and definitely writing! (Not surprisingly, to that movie as well).

I recall another story I’d had a particularly challenging time with. And just when I thought it was finished – the dreaded blue screen!  It was gone. Memory wiped. I gave it a few weeks (and a long weekend in New Orleans) and came back at it.  “Psychic Surprise Party” was published six months later in The Oleander Review. (It will be republished in May online).

Even if this one is never published, I learned something by doing it. I’ve learned something in all of these not-yet-published stories and poems. We are writers. We are driven to write. It is our little corner of the puzzle-solving-world in which we exist.

The next one might be easier. And maybe it’s smilethis challenging one that will push something out of the way for the next one. Maybe the next one will be difficult too, but we’re going somewhere, learning something – keep pushing through.

That’s what makes us writers.

And we’re all a little mad here…..

 

 

 

 

 

To Publish or not to Publish – is that really a question?

To some people it is.

I have a friend who picks and chooses where he wants to be published so carefully that he submits maybe once or twice a year at most. He hasn’t been published in maybe 6 or 8 years.

He’s an extremely good writer. Better than I.  colllins

He says, he wants to only be published where his name will be seen, where it will matter.

I took this to mean he didn’t approve of my many publications with small presses, some of which no one has ever heard.

What do you value and why? Ask yourself.

Billy Collins, btw, began publishing in what he refers to as fly by night or small presses of which no one ever heard.