Ready, Set, Release!

Hello, dear readers!

I’m so happy to announce that today – today – today is the day Our Gentle Sins is available at your local bookstore.

You can also order here –

Another wonderful review came in by my good friend, Jo Rousseau.

“Ms. Lace has written a novel that is both gritty and tender. Her ability to create very real characters with very real emotions makes this novel a satisfying read. What makes the short fiction of Noreen Lace stand out is, not only Lace’s facility with language, but her ability to connect with her reader. She lays the soul of her characters at the feet of her readers and it’s impossible not to respond. In her fiction, Ms Lace creates a world of darkness and warmth. Her characters, although flawed, find a way to triumph over the hand fate has dealt them, moving forward and rising up through enormous odds. The journey: there-in lies the tale.” 

Jo Rousseau can be brutally honest – she told me numerous times during my writing process when the story wasn’t adding up, needed changes, or didn’t follow to a natural end. So – when she gives me a compliment, I know it’s as authentic as she is.

Once you order you read – please, please write a review. Thank you!

Does pain inspire creativity?

When I was young, I knew many people attempting to inspire creativity by causing themselves pain. They used drugs, alcohol, fought, caused drama, got in to trouble and they’d say – this is what it takes to create good writing, music, art.

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The tortured artist effect – it takes agony to create good work.

I recall one writer who drank and cheated and lied and ended up homeless, rejected, lost. He said – it makes for good stories.

I decided, quite young, that life was painful enough than to dive in head first to any more misery.

But then as I lay in bed a few nights ago with the pain of the last few months growing, the losses, the fears, the absence of loved ones, and others looking for a scapegoat for their own pain, I succumbed to a wave of agony.

The way I have handled anything challenging in my life is to write it out. So – I wrote.

Does that mean, then, that torment is good for writing?

I do write almost every day, pain or no  pain.

Maybe it’s not about torture inspiring art; however, my pain came out in poetry, which I rarely write on a regular basis.

Creatives, writers, artists, musicians write as a way to work out the agony and perhaps it just seems that pain inspires art.

Others come to the mistaken belief that they need to place themselves in harms’ way in order to create.

The guy I mentioned earlier – who caused himself and others a lot of pain – never did become the writer he wanted/thought he wanted to be. I think he fell into far too much misery to pull himself out. It stunted his talent and desire.

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The Crier – by the way – is about people who go to extremes to avoid pain.

Dark Times and Edgar Allan Poe – What more can a girl ask for?

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Was asked by the lovely crew from SuperNews Live to come down and have a chat about Edgar Allan Poe on their show Dark Times!

You can see the whole interview here.

Or here

Enjoy!

 

My book Eddy is available here:

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Novel Writing

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Inspiration

black and white of women talking over a fence

 

I love old photos.

 

 

 

 

black and white of unhappy children

 

 

They spark the imagination

 

nuns smoking

 

 

 

 

 

Make me want to ask questions.

 

 

 

 

And answer them.

 

 

 

black and white of women walking over a bridge

 

 

In a story.

 

 

 

 

I used to collect old photos I’d found at second hand stores and antique shops for the expressed purpose of telling their stories – giving them life once again.

Find an old photo – at a shop, or the internet, or grandma’s attic,  and tell that story.

 

The Sad Story of Those who Shall Remain Nameless.

Have you heard something like “don’t piss off a writer, they may kill you off in a book.”

the text reads still not famousI guess it’s a threat to make people not want to cross a writer, make them afraid they’ll be named. An odd thing is sometimes people think I put them in a book or poem even though they hadn’t occurred to me at all during the writing. Then there are those who want to be in a story.

I had a friend cancel plans on me at the very last moment. Not a problem, except this was at the long end of his excuses and bs, so I was done. The funny thing – he wasn’t. He sent me an unending barrage of drunken text messages:  it seems, in his liquid bravado, he admitted he’d wanted me to make him famous.

“wat wil u writ but me if u nvr gve me shce”

read one of this texts. A day later:

“I cuold be ur bes t s tory vr!”

A few years after that, someone asked me what chapter they would be.

I don’t take people wholly and insert them into a story. There are just little bits and parts, an essence, a scent, a glance. They are a single speckle of mortar in the building of a house. I guess, one might argue, they are then in a story, poem, book, but they’ll never actually be named.

 

 

 

 

Old School Inspiration

Yuself Komunyakaa is one of my favorite poets. He writes about love and passion, loss and war – all kinds of war, including the Vietnam war in which he served many years ago. Although he’ll write about, he won’t talk about it.

One of the many mysteries of poets. Sometimes purging our pains in poetry is so much easier than clearing our mind with conversation.

I love reading poetry because it inspires me. Does it inspire you?

 

The Soul’s Soundtrack

When they call him Old School
he clears his throat, squares
his shoulders, & looks straight
into their lit eyes, saying,
“I was born by the damn river
& I’ve been running ever since.”
An echo of Sam Cooke hangs
in bruised air, & for a minute

the silence of fate reigns over
day & night, a tilt of the earth
body & soul caught in a sway
going back to reed & goatskin,

back to trade winds locked
inside an “Amazing Grace”
that will never again sound
the same after Charleston,

South Carolina, & yes, words
follow the river through pine
& oak, muscadine & redbud,
& the extinct Lord God bird
found in an inventory of green
shadows longing for the scent
of woe & beatitude, taking root
in the mossy air of some bayou.

Now Old School can’t stop
going from a sad yes to gold,

into a season’s bloomy creed,
& soon he only hears Martha
& the Vandellas, their dancing
in the streets, through a before
& after. Mississippi John Hurt,
Ma Rainey, Sleepy John Estes,

Son House, Skip James, Joe
Turner, & Sweet Emma,
& he goes till what he feels
wears out his work boots
along the sidewalks, his life
a fist of coins in a coat pocket
to give to the recent homeless
up & down these city blocks.

He knows “We Shall Overcome”

& anthems of the flower children
which came after Sister Rosetta,
Big Mama Thornton, & Bo Diddley.
Now the years add up to a sharp
pain in his left side on Broadway,
but the Five Blind Boys of Alabama
call down an evening mist to soothe.

He believes to harmonize is
to reach, to ascend, to query
ego & hold a note till there’s
only a quiver of blue feather
sat dawn, & a voice goes out
to return as a litany of mock
orange & sweat, as we are sewn
into what we came crying out of,

& when Old School declares,
“You can’t doo-wop a cappella
& let your tongue touch an evil
while fingering a slothful doubt
beside the Church of Coltrane,”
he has traversed the lion’s den
as Eric Dolphy plays a fluted
solo of birds in the pepper trees.

 

Weathering the Storms

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Is there anything worse than a bad review?  Probably, but we don’t think so when we get one.

But ask yourself why you’re upset.

1. Is there some truth to the review? No – then forget it! Yes – then what is it?

One woman relayed that her one star review mentioned grammar and punctuation errors. She said, “I know there are some, but there’s not that many!”

It seems she knew she put out work that was not of a superior quality; she can’t be upset when someone calls her on it.

2. Is it someone who just wishes to malign you? Accept that there are going to be haters. Everyone has them. Remember this quote: “Well behaved women rarely make history.” If someone dislikes you – you might just be doing something right.

3. Someone told me – it’s only the writer who reads all the bad reviews. I think that’s supposed to make us feel better. But it’s true. When you look at reviews, do you search out every bad review there is? or do you read maybe the top five or ten of all the reviews?

I, personally, read a few of each. A few of the five star, a few of the three star, and a few of the one star – critical readers can tell if someone has an ax to grind or if they have real concerns.

Protect the Process…

processDan Brown believes strongly in protecting the process.

By process, he means, the writing schedule and habits that create the difference between a writer who produces and the writer who does not.

This has become personally important to me; and lately it has come to my attention that there’s more to protecting the process than just showing up.

It’s about protecting yourself from the negative forces that affect the writing.

We are often disturbed and distracted by people and events around us. I’m not talking about the road raging driver or ineffective salesperson- we should never allow such an insignificant person or event to affect us at all.

I believe we have to prioritize who and what is important – they come first in our lives either before, after, or within our process. The rest of the world must fall away.

I don’t make appointments during my writing time. That has become a habit for the last some years. However, I have allowed other things to interrupt my life, things I thought were vital. This is mostly due to what is expected of me as a social, agreeable person. Lately, though, I’ve realized do have a choice.

I don’t care if I come across as a little anti-social or less agreeable. I’m protecting myself from people and events who will affect my time, writing, and state of mind.

I used to see a writer regularly arguing with others on social media. I asked him why he didn’t just ignore these people. He said it didn’t bother him, they needed to be taught a lesson.

Recently, he deleted many of his social media accounts and limiting his time on others, telling his followers that all the interactions were causing him distress and he hadn’t been able to write.

I’m not only talking about social media, but the regular, sometimes expected, social interactions we have. If they are draining, why do we take part in them? Expectations? Do we get anything out of it?

If not, then rethink it.