I’ve finished my Tana French detective series and didn’t want to go to bed without another book in hand. (Nevermind there are three on my bedside table).
I began browsing my bookshelf, which is semi-organized: books I’ve read and loved. Books I want to read. School books. Writing books. and, of course, Poe books
I also have something mixed in that would seem, at first glance, not to belong. Books on psychology, the law, philosophy. I assume many writer’s bookshelves are this way.
A writer needs a wide variety of knowledge.
I know we have google at our disposal; however, I find reading books about, for example, the Psychology of Marketing allows me to get an in depth look that a wikipage or a few short articles are not going to give me. This allows me to create a more realistic character or more thorough background to make the story more believable.
For West End, I needed to understand two things, the idea of an absent or unloving mother, and the different forms depression can take. Anxiety runs throughout my work from Of Strays and Exes to Life of Clouds – which features children affected in different ways by the disappearance of their father.
I’ve heard handymen say they are the jack of all trades. I think writers are akin to that. We need to learn many things in order to live many lives.

Write what scares you…..

If someone says they read your work, it does not matter whether you believe them or not or whether they did or not – Don’t test them!
really sort of stopped short.
Writer’s block is the writer’s arch enemy.

e really should talk about how we deal with interruptions to our work.
blog with an announcement.
Many posts in writers’ groups and questions in writerly gathering surrounds the fear of family or friends finding out what they are writing.
should never hold a writer back. A small change in details or location can allow for some question if someone does think the story might include them.
story
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