What Do the Flowers Mean?

lily

Sometimes a flower is just a flower, but sometimes the flower is a tell tale sign, a foreshadowing of what is to come. That’s for the writer to decide.

However, I think the writer must stay consistent. If you’re using flowers in the story and use a lily to insinuate death or disaster, then you can’t just throw a carnation in later without thinking what that might mean.

Good stories have that layering that critical readers can spot and will enjoy. However, I think, too much can kill a story. As I said, if you’re using flowers as symbols stick with that. If you add flowers, the alignment of the stars, the colors of the curtains, and grandma’s foretelling – that might be too much. It’s like hitting the reader over the head with the symbolism and it’ll detract from the storytelling.

Go to Sleep

sleeping-babyIf you’ve reached a point in your story where you’re stuck, or perhaps some small thing is niggling at you, tell yourself what it is before you go to sleep.

There’s a number of things I’ve done in order to enhance or forward my writing – and the above is one of the things. Margaret Atwood recommends the same.

But I’ve gone further. I was writing a poem and I knew one line wasn’t quite right. I kept going over it and over it and could not seem to find the right words in the right order to bring the poem together. As I went to bed that night – I told myself to dream about it.

At 4am, I woke up with the line! I scribbled it in the notebook (which sits next to my bed) and turned over to go back to sleep.

Not only do I tell myself the problem I’m dealing with in my writing before I go to sleep, but I also think about different story lines for my characters. This keeps me juiced, so to speak, with inspiration. The next morning, I’m ready to hop out of bed and write.

Sometimes, of course, this backfires and I want to write then and there – which I do. But most of it can and does wait for that dreaded blank page the next morning.

Read Like a Wordsmith

wordDon’t read other words like a critic looking for the good, bad, and ugly. Read to discover what the author did well and how they did it.

This is reading like a writer, like a wordsmith.

Atwood says she will only review something if she likes it. She is not a critic and won’t write a bad review.

One of my friends told me he won’t even write a bad yelp review. He says, I praise those who deserve it, but it’s not my place to criticize.

I thought this was a great idea.

If you feel you must say something to alert other readers, then be honest and specific, but do add at least one good thing about the book, story, movie, service etc.

 

Fiction = Lies / Writers = Liars?

gaiman.jpgNeil Gaiman says lies are what fiction is made of. Well, yes, but….

He says, we make up people and places and put them in circumstances which aren’t true. Yes, well, but…

But we tell some sort of universal truth with these lies and that’s what makes it good fiction.

Gaiman is all about honesty, so I’m surprised he calls what we do lies. I don’t consider fiction lies. But I can see how people think it is. But then, do we call writers liars? I would hope not.

There’s a difference, isn’t there?  I, personally, keep my life honest. I appreciate honesty from everyone in my circle and will not continue to be around people who are known to have lied.

Plato believed fiction was dangerous to society. He wrote in “dialogues” to teach philosophy or what he believed philosophical truths.

He was fictionalizing these dialogues. And if fictions, like philosophy, seek truth and honesty, aren’t they important?plato.jpg

Gaiman says the magic of fiction is the big, important truth.

I guess, if the fiction doesn’t tell us a truth, it has been a waste of our time, of our words, and is, therefore, a lie.

 

Critique Partners

critiqueisnotscary.jpgThere’s nothing more helpful than having someone read your work and give you the fresh perspective needed to improve.

Recently, my writing partner found a tiny mistake, despite having others read it, reading it aloud, and checking, rechecking, and re-editing it a thousand times. So helpful! I would have been embarrassed had it gone out with that small spelling errors that even spellcheck didn’t catch.

HOWEVER, there’s one thing that’s troublesome about critique groups or partners. The one who does not actually want the advice. I’ve worked with people who, every time I commented on their work, responded by explaining what they’d planned, meant, thought they wrote. They felt they accomplished what they wanted to do and didn’t plan on changing a thing. In other words, they’re weren’t listening. Why they even brought the story to the group, I have no idea. Perhaps they thought the story would be endlessly praised.

Ladies and gentlemen, some praise is necessary and warranted. You may have heard the sandwich method of response. First, say something positive about the work. Next, suggest and improvement. Finally, end with a positive.

In my classes, I actually students to say at least three positive things about any piece of work before we launch into the “room for improvement.”

Showing others their work is exceptionally hard for some people.And there are always good things to be said about any attempt.

But a good critique is learning to be open to hearing what is being said. Respond not with denial and deflection, but consideration of the comments received.

When I’m reading or editing, I ask the writer’s purpose and hopes for the piece. This helps me focus the response a little better. I also discuss the critique so I can be more specific with their desired outcome. Therefore, I do try hard to take into consideration the writer’s ideas.

After the last group with the writer who spent the whole time denying and explaining rather than listening, I avoided responding to that writer. A good critique is work. Not listing to other’s ideas will not win you friends and improve your work.

 

Protect the Process…

processDan Brown believes strongly in protecting the process.

By process, he means, the writing schedule and habits that create the difference between a writer who produces and the writer who does not.

This has become personally important to me; and lately it has come to my attention that there’s more to protecting the process than just showing up.

It’s about protecting yourself from the negative forces that affect the writing.

We are often disturbed and distracted by people and events around us. I’m not talking about the road raging driver or ineffective salesperson- we should never allow such an insignificant person or event to affect us at all.

I believe we have to prioritize who and what is important – they come first in our lives either before, after, or within our process. The rest of the world must fall away.

I don’t make appointments during my writing time. That has become a habit for the last some years. However, I have allowed other things to interrupt my life, things I thought were vital. This is mostly due to what is expected of me as a social, agreeable person. Lately, though, I’ve realized do have a choice.

I don’t care if I come across as a little anti-social or less agreeable. I’m protecting myself from people and events who will affect my time, writing, and state of mind.

I used to see a writer regularly arguing with others on social media. I asked him why he didn’t just ignore these people. He said it didn’t bother him, they needed to be taught a lesson.

Recently, he deleted many of his social media accounts and limiting his time on others, telling his followers that all the interactions were causing him distress and he hadn’t been able to write.

I’m not only talking about social media, but the regular, sometimes expected, social interactions we have. If they are draining, why do we take part in them? Expectations? Do we get anything out of it?

If not, then rethink it.

 

Memoir is Not Revenge – The legality of using real names.

memoir

 

When I started writing memoir, someone said they had no desire for revenge and so they would never write memoir.

But memoir is not about revenge. And you shouldn’t write memoir to get revenge.

Basically, it is believed, a writer can use an actual name of a real person because we all have our points of view and, if they disagree with yours, they can write your own.

 

 

HOWEVER, consider these things:

  1. Why do you feel the need to use that person’s full name? Is it for revenge?
  2. Don’t give enough information so any reader might contact them. All you need these days is a name, city, and google.
  3. Do you feel so strongly about using their real name that you want to face a possible lawsuit; whether or not they will win, they may be granted a day in court.

In the memoir pieces I’ve written, I’ve made minor changes to names. This gives anyone in the piece deniability if they’re ever asked whether or not they are the person in my writing; as well, it doesn’t necessarily point to them, and I am able to defend myself should anyone be looking to sue me. Or, in other words, I have deniability.

Inspire

joyce carol oats

Hours Vs Pages – Writer’s Choice?

timeIn writing groups, the question often floats around the room, do you do hours or pages? Then there’s always some friendly disagreement over which is better.

I, personally, do hours. I get up and sit at my computer and write for a certain amount of time.

I’ve heard arguments that if I force myself to write at least a page or a certain number of words, I would be more motivated. But, see, I don’t have a problem with motivation. Many days, I get up with an idea ready to flesh out. Other days, I struggle. Like all writers.

One writer told me to do pages or word count, so when I’m done I’ll know I’ve accomplished something.

However, I recently heard an argument that made complete sense to me and might to you as well.

The writer said – do hours. That way, if you have a bad day, you know you can get up and Yellowed pages from a dictionaryleave when your work day is over. If you have a bad day when you’re doing pages – then you’ve struggled with a single page for however many hours and you’re less likely to want to come back the next day, and when you do come back, you’ll realize the page you struggled with has to be deleted anyway.

I imagine some people who chose pages to rush through on some days so they can get on to other things or give up when the page doesn’t come. One woman shared she writes pages so she can get on to other things.

I guess, I feel, I’m not in a hurry to “get on with other things.” Whereas it she sounded happy to get up and get on with her life, I’d sometimes like to sit and write longer than I’m normally free to do.

Perhaps the best choice for each individual is based on their personality. But I vote for hours. I still know I’ve accomplished something – stuck with my commitment and ritual – whether I have a page or a finished short story.

Use it or Lose it – for writers?

muscle-armWhen we think of “use it or lose it”, many of us think of the physical body. And, I have to admit that I was reading something about the physical aspect of our beings when I thought of applying this to writing.

When I don’t write for a day, a week, or a month, then I start again, it’s difficult and frustrating; the writing comes out scratchy, not making much sense. But, then, as I sit there forcing out the words, pushing the bad stuff out of the way, it might take me another week or month to get it moving again, but it does move and the flow is active once again.

Think of writing as a muscle – it needs regular exercise in order to flow smoothly. keepwir

If muscles aren’t exercised regularly, they lose mass. However, once they begin to work and move again, they regain the mass rather quickly. But the movement must be continual to see progress.

The same goes for writing. We need to write regularly in order to keep the flow of ideas as well as the flow of the story moving and our skills steady. Any disruption over a period of time will make the first times back difficult and challenging.

As always, the advice is – Keep Writing. Your skills will improve with practice and time. Your flow of ideas will improve and grow as long as you keep exercising those creative muscles.

 

Think of it like this:

Actually what the brain is doing is changing its local wiring, changing the details of how the machinery controlling your behavior is connected. It’s also changing itself in other physical, chemical, and functional ways. Collectively, those changes account for the improvement or acquisition of any human ability.