Writer Wednesday – The Mystery of Flow

Door-Into-MindIdeas come easily to some writers, not so smoothly to others.

There’s a little door to our writing mind which must always remain open and then things will flow in and out. it’s a frame of mind, to be open and to listen, or to always have writing on your mind, like a song playing in the background.

In a supermarket, the cashier says something to me. It could be an every day comment that strikes me a little strange. That (creative) door is standing ajar and a shadow is leaning against the frame when the cashier, red hair piled 50’s high, said something about “blueberry pie.” But I heard Blue Pie. My writer mind twirls within possibilities. That idea that lingered at the door-frame to my writer mind smacked right into the blue pie and it became a dog named Blue and Grandmother’s award-winning pie at a local fair in the height of the home-making 50’s.

I’m standing in the window of my little home watering plants; the catnip falls to my feet and I remember a dream I had the night before. Catnip Dreams begins whirring.doors

Enough of the bleating sirens, says an annoyed neighbor upon hearing yet another car alarm as my dog anxiously howls at the buzz. He says sirens. I hear a howl. I see ancient mermaids sitting on a rock caterwauling.

The space between our everyday life our creative brain must not close. Between kids and to-do lists, work and school, it must become a screen which catches things and holds them, even somewhat distorted, until we race to a notebook and write.

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Writer Wednesday: Napccident’s Happen

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Napccident: when a person rests their eyes

and unintentionally falls asleep. The napccident

may last anywhere from five minutes to two or more hours.

 

I read an article that stated mental and physical exhaustion are different and that those with mental exhaustion nap to re-energize. Writers are, sometimes, prone to mental exhaustion. We are excited by our writing, then we crash. Or, those days when writing is torturous, we want to crash.

Another article stated that naps are ways to procrastinate.nap

Both are true. I’ve rested to recover from a challenging writing day, and I’ve definitely taken advantage of interludes as a means of procrastination. However, when I’m excited about my project and it’s pouring out, I rarely pause. I even have a hard time sleeping at night because my mind is alive with story.

When I get stuck on a piece of writing, a plot point, a character, I use respites to help me overcome that difficulty. By being still and allowing my mind to wander within the story, the challenge is overcome.

Decide if your napccident is avoidance behavior and make it be productive for you.

In yoga, we set intentions. If you lie down or close your eyes to procrastinate, accept that behavior and set an intention to be more productive. It’s not the pressure of a goal or promise, but it’s an email to your unconscious to get back on track.

 

Happy Napccident!

 

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Writing Wednesday – STRESS!

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One of the worst types of writer’s block is caused by stress.

I like to roll out of bed and get straight to writing before any other distraction or activity comes up. I find that I work better and longer if I push everything else away until a manageable time. However, I find stress takes me completely out of my writing brain.

Where I can stop for breakfast, talk to friends or family, or even keep an appointment and get back to writing, when I’m stopped by a stressful event or activity I find it extremely difficult to do any work.

The good thing is that it takes a lot to get me to that level of stress; however, that’s not so Stressed-Brainfor many writers. Besides the littlest distractions causing problems for many writers, any stress weighing on a writer can keep them from being productive. One of the elements of stress is the inability to focus on anything else – it is the most distracting distraction a writer can face. Stress causes us to avoid things – things like writing!

If you’re experiencing something like this and can’t get on track with your writing, you need to ask yourself what is happening in the background of your life. It depends on each individual’s ability to handle stress, but it could be a small thing like a car problem or a large thing like a family problem. These things wreak havoc with our ability to be productive.

Again, my cure for this is to focus first on my writing and, second, on anything else. Cures for others might be similar. Block out the stress and focus on the writing – this could be a way of de-stressing. Creating a time to worry about problems is an age old recommendation. Years ago, someone told me “plan ten minutes before bedtime to worry.” I, personally, prefer before sleep and after waking to be the least stressful times. But it could still work – schedule your worry time like we all should schedule our writing time. Or, give yourself time to solve that problem, and realize if it’s something you can not solve and let it go.

stress2Let it go! If it is a stress we have no power over that is the only answer. It will pass. Focus on the writing, that you can control!

I like the quote “you can do anything, but you can’t do everything.” That’s what we have to remember. We can choose to stress about problems that we can’t immediately solve, or we can choose to use our writing as a distraction from that stress.

If you’ve found anything that’s worked for you, please post it in the comments!

 

 

 

 

Next week – decision making and writing.

Writer Wednesday: Writer and Writing is a Relationship

heartI know people say writing is a commitment, but it’s more than that. Writing isn’t “like” a relationship, it IS a relationship. A writer must be involved with the whole process of writing, must love it, need it, want to continue to work to make it better. It takes commitment, time, dedication, and the desire to move forward in life with writing.

A few years ago, I was at a conference where the main speaker (don’t remember his relat 1name) said, “You have to be selfish. You must take the time for yourself, for your writing.” He went on to say he spent every Friday at a hotel with his writing. (are you picturing him checking into a seedy, no-tell motel with an old typewriter?;-)

My friend joked, “Noreen does this thing where she actually spends time writing.” My regular action became fodder for humor because he is a writer, but he falls under the category of non-writing writers like many others.

Life happens. We have families, pets, jobs, homes, tons of responsibilities. But notice that list – I put family first. People we love comes first. This is why a writer might consider writing as a relationship – so they give it priority.

I schedule things around my writing whenever possible. I will make doctor appointments, meetings, and everything I have power to plan secondary to my writing by scheduling them before or after my planned writing time.

Once a person considers themselves in a relationship with their writing, they may relat 3naturally form relationship goals! If writing were a romantic relationship, how would you handle it differently? Would you want to go to sleep with it or wake up with it or both? What would you want to give it? Would you spend more time with it, going over the details, working it out so it was just perfect, going over it and over it again to work it out nice and smooth? What do you do for your significant other? Take it out to dinner? On vacation?

Writing, like a lover, needs constant attention and nourishment. Placing it on the back burner means we may never get to it. It’ll be there, but not as warm and flush as we’d like. Being in a relationship with writing means the needs of both are fulfilled. Writing is fresh and flowing and continually improved and the writer is happier, more productive.

We do this because we love it, we are driven to do it. Treat writing like it’s important to you.

Think of writing before you fall asleep, when you wake up in the middle of the night just to say one more thing.

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West End – the opening chapter

Hi, All.  I was feeling West End today. I wanted to share a little portion, but couldn’t decide, so I give you all the opening selection for West End.  Enjoy.

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BEFORE MY MOTHER drank herself to death, I knew her as a gentle creature who fed wild squirrels from her hand.  On the back patio at mid-day, she’d stand very still, calm, peanuts laced in the fingertips of her outstretched hand. The squirrel, a female, her babies came later, approached with caution, across the railing, onto the windowsill, grab the nut, run to the other side of the patio where the squirrel peeled back the shell, ate the meat, then returned for another and another. For a while, the squirrels became my mother’s greatest pleasure.

When the female squirrel stopped coming, my mother worried, but the baby squirrels continued to visit. Then, the cubs must have grown, left the nest, because one by one they disappeared until only a single squirrel came to the daily meeting.

That winter, mother’s heart sucked itself dry. Familiar faces appeared, distant relatives, long-ago friends, who talked our concerns away with assurances for tomorrow and beyond.

“Little honeys, it will be okay.”

“I brought the eggplant casserole, green dish.”

“She was a wonderful woman.”

“Call if you need anything.”

Sarah and I stood at the door where someone’s aunt told us to stand. We pointed people who carried in food to the kitchen, guided people with flowers to the dining room, pointed the rest to Daddy who sat on the couch, gaze glued to the floor. We didn’t have to say anything, and no one asked.

The familiar strangers came and went and with them, our mother, our hopeless youth, our language.

The house became quiet. I couldn’t remember the last complete sentence I spoke or heard, couldn’t remember the last partial sentence I’d said to my father or he to me. My sister and I exchanged words, hushed, sometimes soundless breaths only we knew the meanings for. We lived our lives in half-words, pale sounds that sunk into the silence, in ideas of what we had to do next: breakfast, school, homework, laundry, dinner, dishes, bed. This soundless process became our lives; a strange off-balance way to live, but we did it for some months content not to break that pattern.

One cold February morning, a descending snowstorm blocked the roads, locked us indoors, kept us from going to school, our father from his work. Our first full day alone together in the house. Sarah and I sat at the painted brown kitchen nook picking at our cold Raisin Bran; the milk just tangy enough for us to question the freshness. A tapping noise brought our eyes to each other’s. Then silence.

“Wind.” Sarah exhaled with barely enough voice to make a sound much beyond the breath itself.

“Yeah.” My voice not much stronger. We returned to the cereal.

Tap…Tap…Tap…

Her gaze followed the floor to the sink, the counter, the back door.

“The door?”

I shook my head. “Nah.” Not today, at mid-day, in this storm. “Wind.”

I slipped from the nook; she followed. We stood, somewhat unnerved when the tapping came again. We could see through the glass in the door; no one stood there. I moved to the windows to get another view of the patio, leaned over, heard shuffling, then rattling against the window. We jumped. A squirrel clattered against the window, caused us both a momentary and laughable fright. Sarah touched my arm. We each took a deep breath. Our first that winter. The squirrel, the female or one of the children, we didn’t know and could never tell anyway, gave us a quizzical look, stretched up against the window; her little paws stretched against the glass. Tears welled. Quiet, unmoving, we held our breath, each other, tried not to let out the flow of emotions the winter built up.

Father’s footsteps, heavy on the linoleum, came toward us. We straightened.

“What’s going–”

“Shhh,” we both hushed him; his rough, dry voice might drive the squirrel away.

“It’s the squirrel,” Sarah said.

He looked puzzled.

She motioned toward the window. “The squirrels Mom used to feed. She used to give them nuts.”

“Well, give it some.” He waved his hands at us.

“Where are they?” Sarah pulled open random cabinet doors.

“I don’t know.” I opened the opposite cabinet doors.

“Well, look, look. They have to be here.” Father took to the drawers.

The three of us searched for a bag of peanuts Mother bought for the squirrels, hid from us to deter our snacking.

“He must be hungry.” Father gazed out the window at the back yard covered in snow. The porch railings, the powerlines, all draped in sheets of white; the squirrel, nervous, waited at the end of the banister. “Peanut butter. Get the peanut butter.”

“Will he eat that?” Sarah reached for the jar.

“Certainly,” Father assured us. “It’s peanuts, isn’t it?”

I grabbed for the bread.

“Just spread it on,” he said, more animated than I’d ever seen him.

We did.

“Wait, he can’t eat it like that Break it up.” He put his hands in the mess with ours.

Of course, we knew, but at the moment, that strange, unsettling, yet somehow comforting moment, we all needed to take part.

Sarah set the plate on the patio just outside the backdoor. The squirrel chattered, juddered its head from her to the door, the windows, its tail jerking back and forth as if with nervous jitters, then approached the plate, took a piece, and skittered back to the railing to eat it.

Dad ordered us away from the window. The little squirrel tittered, danced delicately, tail flitting, to take more food. We backed out of the kitchen.

Something shifted inside the house. The rooms warmed. The silence faded. The house took on old noises; the refrigerator hummed; the kitchen light buzzed; switches flicked with their old sticky clicks.

Our voices returned. We spoke more than mere sounds. We’d broached full sentences. But I don’t know if we ever surpassed that. We’d never been a family of paragraphs or stories. Laughter rarely rose to the ceiling. Now, with one of the speakers forever hushed, we were destined to be something less than complete.

Winter dissolved into spring; the strawberries mother planted last summer grew green, red, wild. We left nuts out all the time. Sometimes squirrels ate them; sometimes they’d sit until the birds got them or the ants swarmed them.

Sunrise reopened in summer, but never again did we hear our names called from the front patio as we walked up the street, never again did the light intonation of words follow us through the night, “not too late,” never again, upon our return, would we be met with a drunk asleep on the table with just enough consciousness to whisper “too late” when we passed through the kitchen to go to bed.

 

*West End is available on Amazon, Kindle, and Audible.