Book Signing!

I love autumn. I love October. I love Halloween. And this October 19th at 4pm, I’ll be signing How to Throw a Psychic a Surprise Party and Eddy at the $10.00 Books in Northridge, California.

This bookstore is one of my favorites. They mix classics, used, and publisher buyouts for a unique collection of books. AND they happen to be between TWO COFFEE SHOPS! Both of which serve bomb pastries.

This book signing will feature our own psychic! She’ll be reading your fortune using the Tarot.

Plus other surprises!

 

More Info to follow!

 

Successful Writing

Okay, so not bragging, but….. I’ve been hard at work….

voices of eve

The Healer’s Daughter in The Ear

The Healer’s Daughter is a departure for me. It marks a turns in my writing that came about just this year. It’s more mystical. Risky, maybe. A woman’s daughter describes her mother’s gift and discovers she has her very own gift, but will she actually use it?

The Healer’s Daughter will be featured in my summer release of How to Throw a Psychic a Surprise Party. It’s a book of short stories, all of which have a special or surprising twist.

 

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Friends, Lovers, and Liars in Home Renovation

Originally titled Deception, it didn’t find a home. In fact, the topic of lies and cheating offended one editor. I think it may have hit too close to home.  It, too, will be released in the summer release of How to Throw a Psychic a Surprise Party.

 

 

 

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How to Throw a Psychic Surprise Party in The Electric Press Magazine

The title story for the book of short stories. Inspired by a show in which I saw a television host throw a “surprise” party for a psychic. It struck me – How do you throw a psychic a surprise party?

This story may answer that question. Maybe not. How much empathy can you muster?

 

 

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Hunger and other poems as well as some photography in Voices of Eve

 

Not in the book of short stories. But well worth the read. Hunger is one of my favorite poems.

 

 

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Also in the book of short stories –

The Crier: In a time when emotions are unheard of, people need a release.

The Mirror People: Ever wondered what’s inside the mirror? You know there’s something, right? Here’s a woman who collects them – she knows.

Bowie and the Basket Case: Anna’s things keep disappearing and reappearing. At first she thinks she’s misplaced them, but then she’s sure she hasn’t!

How to Throw a Psychic a Surprise Party is available for Pre-order!

 

 

When Amazon goes Rogue

Sometimes Amazon does their own thing.

one dollar stories cover.jpgOnce I saw my book Eddy was on sale far below what I’d seen before. I contacted the publisher who told me that Amazon had put it on sale to compete with another website. Really?

Well, they’ve done it again; my book, $1.00 Stories, is on sale. Or, at least, as I write this it is.

$1.00 Stories is about an author whose success is not enough and a homeless man who has what he wants.

I enjoy imagining people’s stories. I think all writers do. $1.00 Stories originally appeared in The Chicago Tribune’s Printers Row Journal.

When they believe it’s about you….

cover of west endI’ve written so many stories from first person point of view. At first, I was nervous because people did ask – is that real? is that you? and even contacted me and said – I know that’s about you.

So, it does make a person nervous about what they write and publish.

But at some point, you’ve got to let people think what they want to think. None of it will affect you in the long run.

I had an editor refuse a fictional story because, he said, it’s memoir and ultimately we didn’t ask for your personal story.

I thought – it must be good if he thought it was me! But I didn’t bother to correct him. It was a fiction call and I’d submitted fiction. If the editor didn’t realize the “I” didn’t necessarily represent the author, but the character, he is probably not the editor I need to work with nor the journal I want to be published in.

I worried about this with West End – my first big publication. One of the big criticisms girl on train tracks.jpgfrom someone who believed they knew me thought it wasn’t a realistic portrayal of me. I had to tell him because the character was not me! While the same story convinced another person that I’d led a secret life prior to moving to California.

Possibly, one of the convincing elements of the story is the setting. The place, the west side of Cleveland, where I grew up, is real. You can trace the steps of my characters who walked the path passed the baseball field and lost themselves on the train tracks, or those who played in the abandoned buildings. The streets are still there, the houses still stand, except the one which burned to the ground – a vacant lot interrupts the landscape of the neighborhood.

West End was a passion project. It was for the kids who I’d known and those I didn’t who never made it out. But it wasn’t me. Maybe parts of me live there in the pages and parts of me live on those streets.

Ultimately, you can’t allow another person’s possible opinion of you affect your writing.

What’s So Scary?

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“Don’t be afraid of failure.  The reality is that most people successes rise out of the ashes of their previous failures.”

From a new documentary on Netflix titled Creativity. The narrator is talking to the creator of Game of Thrones. The creator is talking about how many times he’s failed.

I started this to say – what are you afraid of?

Then I wanted to ask – what if there was no such thing as fear? What would you do? What could you do?

I want you to think about that. What if fear was not in the human range of emotion or thought?

 

I Am Not Necessarily Me

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I use first person narrator in many of my stories.  I find the level of intimacy I can connect with in the character makes the experience feel more authentic.

I also enjoy the unreliability of the first person narrator. Although I don’t intend to make my main characters questionable, all first person accounts must be met with skepticism.

There’s one possible downside to the first person narrator and I’m certain many writers have experienced the fan who believes they understand the author based on a story which utilized the “I”.

dadshiningOne reader contacted me convinced Dad Shining was about me. “This is a true story, I bet!” He wrote.

This is complimentary in the fact that the story must have been realistic enough for this reader to believe and enjoy it.

However, Dad Shining (originally published in The Chicago Tribune’s Printers Row Journal) is written from a male point of view experiencing a life event incomparable to what a woman could experience.

There’s not much a writer can do about being mistaken for their narrator except to gently correct the reader without offending them or merely thank them. I said, “thank you for reading.”

My main character in West End is a young woman, and I did use an area close to where I grew up. A number of readers have attempted to call me out on that. One reader wrote, “I know most of this is you, except for the part of leaving the boy.” Another reader, convinced it was me believed I’d been married before and left them to change my name and start a new life incognito.

This did bother me to some extent; the woman in West End is in some ways stuck in west end coverlife, and while that might be my fear, it is not me.

Still others found the first person narrator unreliable enough to question her sanity and ask me if she was seeing spirits. These questions I rather enjoyed. One character I had intended to be questionable, but when asked about another – I don’t want to say as I don’t want to ruin it for anyone! – I was blown away!

And that is the benefit and, perhaps, curse of first person narrator. The connection is so authentically intimate that you might convince readers it’s you; And you might just convince them the narrator is a little off her rocker!

Reader Response

Some authors are unhappy when readers see something in their story, novel, or poem that was not intended.

I subscribe to the theory of reader response. Our work is going to touch different people in different ways; readers are going to get out of it something related to what they bring to it, so if they don’t see what we originally intended, they are not wrong, nor did they read it wrong, they are merely giving the writer an insight.front-cover-small

I, personally, am thrilled when readers see something I hadn’t intended. For my novella, West End, one reader said the melancholy of the main character haunted her. Other readers believed some of the characters might have actually been spirits or ghosts. One of the characters, I left open. His questionable appearances deepened the story and the effects on the main character who is dealing with depression.

However, when another reader felt that the son might have been a ghost – it made me go back and reread my own work!

Once the story, novel, or poem is out there, readers are going to take away or put into it whatever is in their own toolbox and we can not control it. We may not like it – I had one person mistake me for one of my characters – but we do have to accept it. I usually thank the reader for their insights, regardless of what I feel about the response.

All readings are good readings!

If you’re interested in reading West End – it’ll be on sale Saturday and Sunday. And – then let me know what you think!