The Secret to Successful Short Stories

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I spent much of my time in grad school trying to please a certain teacher and understand the secret formula for a short story.

Up until that time, I’d only written novels (or novellas), longer pieces of work in which I developed the characters and followed a plot. These felt full and complete.

Writing one small selection vexed me.

So I read and read and researched and attempted one time after another to create a successful short piece.

I suppose there is no formula and  no one right answer, which is what I was looking for – the correct answer.

Of the things written in grad school, the one instructor I attempted to satisfy deemed them mostly unworthy.

It wasn’t until near the end of graduation that an instructor said “half of that story was the best he’d ever read.”

He didn’t tell me which half.

However, almost all those stories have been pulled out, dusted off, and accepted with few edits. Hence – dear teachers – they were good! I had learned something; I had accomplished something.  (I must be doing something right, over 30 published in the last few years!)

There may not be one right answer, and there’s no secret, nor is there a hidden formula. Short stories need to get to a point, need to have conflict, need to show a budding of growth – perhaps.

 

 

Women Writing

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Weathering the Storms

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Is there anything worse than a bad review?  Probably, but we don’t think so when we get one.

But ask yourself why you’re upset.

1. Is there some truth to the review? No – then forget it! Yes – then what is it?

One woman relayed that her one star review mentioned grammar and punctuation errors. She said, “I know there are some, but there’s not that many!”

It seems she knew she put out work that was not of a superior quality; she can’t be upset when someone calls her on it.

2. Is it someone who just wishes to malign you? Accept that there are going to be haters. Everyone has them. Remember this quote: “Well behaved women rarely make history.” If someone dislikes you – you might just be doing something right.

3. Someone told me – it’s only the writer who reads all the bad reviews. I think that’s supposed to make us feel better. But it’s true. When you look at reviews, do you search out every bad review there is? or do you read maybe the top five or ten of all the reviews?

I, personally, read a few of each. A few of the five star, a few of the three star, and a few of the one star – critical readers can tell if someone has an ax to grind or if they have real concerns.

Motivation Vs Inspiration

inspiratin.jpgI hear a number of writer’s ask about how to get inspired or keep inspiration. I think they’re confusing inspiration with motivation.

We are inspired by the things around us, an odd phrase, a beautiful scene, a great idea. The motivation comes to write it down. You must keep motivated long after the inspiration abates.

And that, ladies and gentlemen, is where dedication comes in.

With dedication to the craft, even when motivation and/or inspiration fail you – you will not fail.

Inspiration is just the beginning! Stay dedicated. Motivation will follow.

What Do the Flowers Mean?

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Sometimes a flower is just a flower, but sometimes the flower is a tell tale sign, a foreshadowing of what is to come. That’s for the writer to decide.

However, I think the writer must stay consistent. If you’re using flowers in the story and use a lily to insinuate death or disaster, then you can’t just throw a carnation in later without thinking what that might mean.

Good stories have that layering that critical readers can spot and will enjoy. However, I think, too much can kill a story. As I said, if you’re using flowers as symbols stick with that. If you add flowers, the alignment of the stars, the colors of the curtains, and grandma’s foretelling – that might be too much. It’s like hitting the reader over the head with the symbolism and it’ll detract from the storytelling.

Go to Sleep

sleeping-babyIf you’ve reached a point in your story where you’re stuck, or perhaps some small thing is niggling at you, tell yourself what it is before you go to sleep.

There’s a number of things I’ve done in order to enhance or forward my writing – and the above is one of the things. Margaret Atwood recommends the same.

But I’ve gone further. I was writing a poem and I knew one line wasn’t quite right. I kept going over it and over it and could not seem to find the right words in the right order to bring the poem together. As I went to bed that night – I told myself to dream about it.

At 4am, I woke up with the line! I scribbled it in the notebook (which sits next to my bed) and turned over to go back to sleep.

Not only do I tell myself the problem I’m dealing with in my writing before I go to sleep, but I also think about different story lines for my characters. This keeps me juiced, so to speak, with inspiration. The next morning, I’m ready to hop out of bed and write.

Sometimes, of course, this backfires and I want to write then and there – which I do. But most of it can and does wait for that dreaded blank page the next morning.

Read Like a Wordsmith

wordDon’t read other words like a critic looking for the good, bad, and ugly. Read to discover what the author did well and how they did it.

This is reading like a writer, like a wordsmith.

Atwood says she will only review something if she likes it. She is not a critic and won’t write a bad review.

One of my friends told me he won’t even write a bad yelp review. He says, I praise those who deserve it, but it’s not my place to criticize.

I thought this was a great idea.

If you feel you must say something to alert other readers, then be honest and specific, but do add at least one good thing about the book, story, movie, service etc.

 

Questioning the Prince, Freeing the Wolf.

Many years ago, I was taking two classes simultaneously: Feminism and Fairy Tales and Women Writers.

snow whiteI feel that it was these two classes, taken nearly at the same time, that subverted my point of view about stories I’ve known all my life. And I began to question things.

In one of the original tales of Snow White, she was already dead, lying in a casket, when the Prince, on his white horse, happened by….

SPOILER ALERT! SPOILER ALERT!

…the woods where the dwarfs mourned her.

He offered them money to bring the dead body and the casket to his kingdom. (Of course, no, no, they couldn’t take money. Then he promised he would take care of her/the casket – that they agreed to).

WHY DOES THE PRINCE WANT THE DEAD BODY OF A WOMAN?????

Part of being a writer is to question the world around you. Question what you believe to be true. This will give you fodder for stories. pigs

Did you know that in The Three Little Pigs the wolf was framed? You can see the how – the only witnesses were the little pigs themselves, but why??? Why would they have wanted the wolf off the the land?

 

Be Gentle

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There are times when you have to be hard on yourself.

Then there are other times when you have to offer yourself a break.

Be hard on yourself if you sit around watching television or playing on social media instead of writing.

Give yourself a break if you’re not feeling well.

Be hard on yourself if you allow yourself to be distracted or blocked.

Give yourself a break if you write something that you later have to delete because it doesn’t work.

You should have expectations of yourself, goals you want to attain, and you should attempt to reach those goals instead of sitting around giving yourself excuses not to try.

But things will go wrong; at times, you will fall short of your goals, you will make mistakes – this is the time to forgive yourself.

 

Critique Partners

critiqueisnotscary.jpgThere’s nothing more helpful than having someone read your work and give you the fresh perspective needed to improve.

Recently, my writing partner found a tiny mistake, despite having others read it, reading it aloud, and checking, rechecking, and re-editing it a thousand times. So helpful! I would have been embarrassed had it gone out with that small spelling errors that even spellcheck didn’t catch.

HOWEVER, there’s one thing that’s troublesome about critique groups or partners. The one who does not actually want the advice. I’ve worked with people who, every time I commented on their work, responded by explaining what they’d planned, meant, thought they wrote. They felt they accomplished what they wanted to do and didn’t plan on changing a thing. In other words, they’re weren’t listening. Why they even brought the story to the group, I have no idea. Perhaps they thought the story would be endlessly praised.

Ladies and gentlemen, some praise is necessary and warranted. You may have heard the sandwich method of response. First, say something positive about the work. Next, suggest and improvement. Finally, end with a positive.

In my classes, I actually students to say at least three positive things about any piece of work before we launch into the “room for improvement.”

Showing others their work is exceptionally hard for some people.And there are always good things to be said about any attempt.

But a good critique is learning to be open to hearing what is being said. Respond not with denial and deflection, but consideration of the comments received.

When I’m reading or editing, I ask the writer’s purpose and hopes for the piece. This helps me focus the response a little better. I also discuss the critique so I can be more specific with their desired outcome. Therefore, I do try hard to take into consideration the writer’s ideas.

After the last group with the writer who spent the whole time denying and explaining rather than listening, I avoided responding to that writer. A good critique is work. Not listing to other’s ideas will not win you friends and improve your work.