Writing with Bones

I think I read Writing Down the Bones maybe more than 20 years ago.  I do believe it’s still on my bookshelf. I keep books that have spoken to me.

writing-down-the-bones.jpgAlthough one website says it’s a good book for beginning writers, I think we might all find some inspiration in these pages.

In yoga, sometimes we go back to level one, we go back to the training. After so many years of doing it, so many teachers putting their own twists on it, so many times we’ve worked with (or around) an injury – it’s good to go back to the basics.

I see nothing wrong with doing that in writing either.

Writing Down the Bones – a book by Natalie Goldberg. This site gives you a generous sampling of the book.

I’m planning to pick it up again – see what else I can learn, what I might relearn.

6 Reasons Self-Publishing Beats Traditional Houses and Agents – Guest Blog by John Grabowski

For most writers, getting a contract from a traditional publishing house is the golden biscuit, the grand reward after a struggle with run-on sentences, superfluous commas, and tired clichés. Many people will then spend years looking for an agent, and then have an agent try to place their work with a publishers, big or small.

But here’s reality: unless you’re J.K. Rowling or Stephen King, you’re almost certainly not going to receive the red carpet treatment you’re no doubt envisioning. Once upon a time, not a long time ago, self-publishing was considered the literary outback, the place for hacks. Now, in an ironic twist, we just may be witnessing the reversal of fortune. The Bix Six seem to be wallowing in their formulas. Meanwhile, much fresh thinking is coming from self-published authors who build their followings online. So rather than wait for your genius to be appreciated, here are six reasons you should consider being self-published:

 

  • You are your own editorial voice. While every self-published work should go past the eyes and red pen of an experienced editor, ultimately you can write and publish what you want. You don’t have to deal with an editor or agent who wants a happier ending, a younger protagonist, or the locale moved from Pittsburgh to Paris.

 

Your hired editor may suggest changes, and you should listen. But ultimately you stand or fall on the product. You won’t have to deal with the agent who refuses to read a manuscript because she never looks at anything that begins with dialogue, or one who says she won’t consider a novel written in the first person, or one who says the work cannot have a “Prologue” or an “Afterward.” Ask yourself if a reader ever put a book back on the bookstore shelf for any of those reasons and you’ll begin to see how silly and random the process can be.

 

  • You set pricing and distribution. Ever wonder why some really great book has not been reissued, forcing you to buy a beat-up second hand copy? The publisher decides distribution, pricing, and how long the title will be in the catalog. If they don’t want to keep it in their catalog, there’s nothing the author can do.

 

With self-publishing, your works can live on forever. Or, if later on your freshman effort embarrasses you, you can make it disappear with the click of a mouse.

 

  • You control the book’s cover design and artwork. This may be intimidating for some but it’s liberating to me. While some professional cover designs are great, others are simply terrible: a stock photo, the title centered above it, the author’s name beneath it. Not surprisingly, artwork like that tends to go to the lesser-known and novice authors.

 

If you’re unsure how to design a cover (and it involves a lot more than putting your title over a picture and your name on the bottom), google some freelance artists who do it. Study their work and contact the ones you like. If you don’t want to shell out the cash, and you have access to some design tools yourself, find covers of comparable works and study what you like, then try to imitate it as best you can.

 

  • You can fix mistakes. Even some very big, very famous novels have typos in them. Or formatting errors. When it’s your own work you can go back and fix the mistake, then re-upload the file. With traditional publishers, your mistakes remain, oftentimes even in second and subsequent editions.

 

  • You promote your work the way you want. Don’t think being published by a big house means jaunts to NPR interviews and author events at prestigious venues. Most houses do nothing to promote the majority of their authors. You have to do your own marketing and PR (an art in itself), so you might as well own and control what you’re working so hard to promote.

 

  • You can write the next novel you want. The curse of traditional publishing these days is even if you are a smash hit, they will want more of the same. If your goal is to write a second novel that’s different from your first, you may find doors shut to you. Despite claims on websites that agents and editors are looking for “fresh,” “new” voices, most are really chasing trends; that’s how they keep their jobs. Self-publishing is a wonderful opportunity for you to be you, and today’s self-published books look every bit as good as the product of the Big Boys. Rather than write your one-hundredth query letter, why not consider a faster, more streamlined way to reach readers?

 

John Grabowski worked in advertising, television news and public relations before daring to write his first novel. Entertaining Welsey Shaw was praised by Kirkus Reviews for being witty, fast-paced, and “filled with flirtatious banter.” A collection of his shorter fiction, Violet Rothko & Other Stories, will be published in September 2019.  authorjohngrabowski.com

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Thanks, John!

noreen

Write, write, then write…

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On my bookshelf

I’ve finished my Tana French detective series and didn’t want to go to bed without another book in hand. (Nevermind there are three on my bedside table).

bookshelf.pngI began browsing my bookshelf, which is semi-organized: books I’ve read and loved. Books I want to read. School books. Writing books. and, of course, Poe books

I also have something mixed in that would seem, at first glance, not to belong. Books on psychology, the law, philosophy. I assume many writer’s bookshelves are this way.

A writer needs a wide variety of knowledge.

I know we have google at our disposal; however, I find reading books about, for example, the Psychology of Marketing allows me to get an in depth look that a wikipage or a few short articles are not going to give me. This allows me to create a more realistic character or more thorough background to make the story more believable.

For West End, I needed to understand two things, the idea of an absent or unloving mother, and the different forms depression can take. Anxiety runs throughout my work from Of Strays and Exes to Life of Clouds – which features children affected in different ways by the disappearance of their father.

I’ve heard handymen say they are the jack of all trades. I think writers are akin to that. We need to learn many things in order to live many lives.

 

 

 

 

Convince that muse…

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Taboo topics

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I was looking up taboo topics in America. It’s different for many cultures. In America, sex, race, politics, and religion are among the ones that make most people uncomfortable.

The problem with these topics is the ignorance surrounding them. Many people have insufficient information and are uncertain how to talk about the topics.

A good way to start is to open the conversation admitting to ignorance. I’m not sure that works as a writer – but we should be humble and avoid making blanket statements. But I have always believed part of being a writer was to educate people.

I don’t know that I’ve crossed any lines (no angry emails have appeared in my inbox), Perhaps I’ve been subtle enough to make someone think but not offend anyone. (Except possibly with “Harvey Levin Can’t Die.” 🙂

And although some people feel that is their job to “wake people up” by offending them, I take a different stance. While I am an honest person, it is my goal to be more effective than offensive.

I wonder if anyone has taken up any of these – or other – taboo topics and what the response was?

Disabilities in fiction

People_with_Disabilities.jpgI was thinking how few people with disabilities are featured on regular television shows and movies. And rarely do we see people with disabilities in fiction, unless they are the main character.

There are a number of children’s book, teen books, and mainstream novels wherein a physical disability is the main feature and/ part of the main character and therefore the thrust of the storyline, but I think we need to incorporate people with disabilities into our secondary and background characters.

In one show I watch, they had to replace a minor character, a secretary who might be seen once or twice a week, and be required to answer a mundane question like, “Where’s the boss?” This show (which shall remain nameless) receives kudos for being among the first (many years ago) to feature minority characters, an interracial affair, gay characters, and, now, even a gay relationships; yet, they don’t have any characters with disabilities.

It’s really up to the writers – us – to push this envelop. We don’t need to know the whole back story if our main character walks into an office to say, “Where’s the boss?” and receives the same sprite answer, “if only someone would tell me!” from someone in a wheelchair.

 

 

Blocked? How to shake it loose.

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Creative blocks are brought on by various reasons.

Writers, poets, artists, musicians need to express themselves. Sometimes, something plugs our flow of creativity.

My friend and I have found release in other creative outlets. She took a watercolor painting class. She feared, at first, that she was taking away from her writing; however, what she found is that it opened her flow and she felt even more creative and was able to add even more to her usual creativity.

I take art and other classes on a regular basis. Most of the time their directly related to writing, but sometimes they are not – but they still feed my imagination and add depth to my writing.

The Healer’s Daughter will be released on May 15th in The Ear. This story came pouring out after a six week drawing class I took at a local museum/gallery. And… I feel like it’s one of my best, filled with color and meaning.

Shake something loose by trying another outlet. You may come back stronger and more creative than before.

The Joy of Acceptance…

The acceptance of being your own person, writing in your own style, not mimicking or falling in line.

I get a lot more rejections than I do acceptances, but I don’t dwell on the rejections.

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There is an art to accepting or rejecting any work. And, although any acceptance is a happy occasion, a particular nice one such as this is always a joy to receive.

To update you on my publications of late –

Heaven’s Password is about a woman who finds herself in heaven, in a line reminiscent of the DMV, and is asked for a password. She’s not the most patient person and can’t remember ever setting up a password. Just like your bank account, you can’t get in without it! This was published in the The Survivor issue of P&G.

Bowie and the Basket Case is due out any day now from ID Press. When someone breaks into her house, Anna doesn’t readily find anything missing. But soon she realizes little things are disappearing and reappearing – is someone gas-lighting her?

The Healer’s Daughter was accepted by The Ear and will be out May 15th. Self explanatory title?

And finally, or so far, Voice of Eve has sent me the lovely acceptance above for my photography and three poems – as you’ve read – June 15th.

Thanks for reading, dear souls.

Wishing you much love and happiness.

noreen

Dreamcatcher Poem

dreamcatcherThe dreamcatcher is supposed to catch bad dreams and let the good dreams through.

Write down an image remembered from a dream, a word, a sound, a thought, into each space.

Then put them together – or leave them as is.

A dreamcatcher is random. Your poem might be as well. Yet, at some point, some place, in some way, it’ll all come together.