Successful Writing

Okay, so not bragging, but….. I’ve been hard at work….

voices of eve

The Healer’s Daughter in The Ear

The Healer’s Daughter is a departure for me. It marks a turns in my writing that came about just this year. It’s more mystical. Risky, maybe. A woman’s daughter describes her mother’s gift and discovers she has her very own gift, but will she actually use it?

The Healer’s Daughter will be featured in my summer release of How to Throw a Psychic a Surprise Party. It’s a book of short stories, all of which have a special or surprising twist.

 

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Friends, Lovers, and Liars in Home Renovation

Originally titled Deception, it didn’t find a home. In fact, the topic of lies and cheating offended one editor. I think it may have hit too close to home.  It, too, will be released in the summer release of How to Throw a Psychic a Surprise Party.

 

 

 

voices of eve

How to Throw a Psychic Surprise Party in The Electric Press Magazine

The title story for the book of short stories. Inspired by a show in which I saw a television host throw a “surprise” party for a psychic. It struck me – How do you throw a psychic a surprise party?

This story may answer that question. Maybe not. How much empathy can you muster?

 

 

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Hunger and other poems as well as some photography in Voices of Eve

 

Not in the book of short stories. But well worth the read. Hunger is one of my favorite poems.

 

 

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Also in the book of short stories –

The Crier: In a time when emotions are unheard of, people need a release.

The Mirror People: Ever wondered what’s inside the mirror? You know there’s something, right? Here’s a woman who collects them – she knows.

Bowie and the Basket Case: Anna’s things keep disappearing and reappearing. At first she thinks she’s misplaced them, but then she’s sure she hasn’t!

How to Throw a Psychic a Surprise Party is available for Pre-order!

 

 

What makes good literature?

An extremely good conversation in my literature class about intelligence (Inspired by Ted Chiang’s The Great Silence). We talked about other species that fall under the definition of intelligence, which is “the ability to understand and apply knowledge.” parrot.jpgConsidering Alex the Parrot and Koko the Gorilla, and other species: crows are problem solvers and remember faces. We discussed dogs, cats, and others. Is love, as an abstract idea, understood and applied by animals? And then – is intelligence found in showing love?

This is what good literature should do. Teach, delight, and create wonder.

Read The Great Silence here

6 Reasons Self-Publishing Beats Traditional Houses and Agents – Guest Blog by John Grabowski

For most writers, getting a contract from a traditional publishing house is the golden biscuit, the grand reward after a struggle with run-on sentences, superfluous commas, and tired clichés. Many people will then spend years looking for an agent, and then have an agent try to place their work with a publishers, big or small.

But here’s reality: unless you’re J.K. Rowling or Stephen King, you’re almost certainly not going to receive the red carpet treatment you’re no doubt envisioning. Once upon a time, not a long time ago, self-publishing was considered the literary outback, the place for hacks. Now, in an ironic twist, we just may be witnessing the reversal of fortune. The Bix Six seem to be wallowing in their formulas. Meanwhile, much fresh thinking is coming from self-published authors who build their followings online. So rather than wait for your genius to be appreciated, here are six reasons you should consider being self-published:

 

  • You are your own editorial voice. While every self-published work should go past the eyes and red pen of an experienced editor, ultimately you can write and publish what you want. You don’t have to deal with an editor or agent who wants a happier ending, a younger protagonist, or the locale moved from Pittsburgh to Paris.

 

Your hired editor may suggest changes, and you should listen. But ultimately you stand or fall on the product. You won’t have to deal with the agent who refuses to read a manuscript because she never looks at anything that begins with dialogue, or one who says she won’t consider a novel written in the first person, or one who says the work cannot have a “Prologue” or an “Afterward.” Ask yourself if a reader ever put a book back on the bookstore shelf for any of those reasons and you’ll begin to see how silly and random the process can be.

 

  • You set pricing and distribution. Ever wonder why some really great book has not been reissued, forcing you to buy a beat-up second hand copy? The publisher decides distribution, pricing, and how long the title will be in the catalog. If they don’t want to keep it in their catalog, there’s nothing the author can do.

 

With self-publishing, your works can live on forever. Or, if later on your freshman effort embarrasses you, you can make it disappear with the click of a mouse.

 

  • You control the book’s cover design and artwork. This may be intimidating for some but it’s liberating to me. While some professional cover designs are great, others are simply terrible: a stock photo, the title centered above it, the author’s name beneath it. Not surprisingly, artwork like that tends to go to the lesser-known and novice authors.

 

If you’re unsure how to design a cover (and it involves a lot more than putting your title over a picture and your name on the bottom), google some freelance artists who do it. Study their work and contact the ones you like. If you don’t want to shell out the cash, and you have access to some design tools yourself, find covers of comparable works and study what you like, then try to imitate it as best you can.

 

  • You can fix mistakes. Even some very big, very famous novels have typos in them. Or formatting errors. When it’s your own work you can go back and fix the mistake, then re-upload the file. With traditional publishers, your mistakes remain, oftentimes even in second and subsequent editions.

 

  • You promote your work the way you want. Don’t think being published by a big house means jaunts to NPR interviews and author events at prestigious venues. Most houses do nothing to promote the majority of their authors. You have to do your own marketing and PR (an art in itself), so you might as well own and control what you’re working so hard to promote.

 

  • You can write the next novel you want. The curse of traditional publishing these days is even if you are a smash hit, they will want more of the same. If your goal is to write a second novel that’s different from your first, you may find doors shut to you. Despite claims on websites that agents and editors are looking for “fresh,” “new” voices, most are really chasing trends; that’s how they keep their jobs. Self-publishing is a wonderful opportunity for you to be you, and today’s self-published books look every bit as good as the product of the Big Boys. Rather than write your one-hundredth query letter, why not consider a faster, more streamlined way to reach readers?

 

John Grabowski worked in advertising, television news and public relations before daring to write his first novel. Entertaining Welsey Shaw was praised by Kirkus Reviews for being witty, fast-paced, and “filled with flirtatious banter.” A collection of his shorter fiction, Violet Rothko & Other Stories, will be published in September 2019.  authorjohngrabowski.com

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Thanks, John!

noreen

Best advice for new writers?

READ!

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Seems pretty commonsense, right?  I don’t understand when students or writers say they don’t read.

I think it’s common knowledge that reading helps you gain knowledge. Some of the most intelligent and sensitive people I know are not (or not only) college graduates, but are readers.

One faculty member said, how do writers who don’t read know what came before them. If you’re a writer, you should know who and what came before you. Whether or not you agree with them, like them, admire them, writers needs to be aware of the talent, the styles, the accepted and the outcasts who made literature what it is today.

One writer said – it ruins her style to read other writers.  What is her style and how did she come up with idea of style if she hasn’t read other writers?

Numerous articles and books cite findings and research that state readers are more empathetic, understand human motivations, reactions, and emotions, than non-readers. How do you write an authentic character not having an understanding of these basic things?

Intelligence – so many people like to cite those people who didn’t finish college. (I did another blog about this.) But they read! They worked! They learned their craft prior to becoming successful.

We read not only for these things, but to form our own opinions, to be able to think critically about the world around us, to continue to grow and understand the world around us.

I mean, yeah, definitely, you can stay stuck in your little narrow world. Good luck with that. With the world of self-publishing, you can still publish something and call yourself a writer, too.

BUT – what have you learned? what can you pass on?

Our purpose lies in more than publishing and calling ourselves writers. Our purpose is to spread knowledge, add to the conversation of literature, to become better people than we are so we can positively affect others.

Have you heard that old saying, “Hard work won’t kill you, but why take chances”?

Well, a good book won’t kill ya, take the plunge.

BTW – Author Interview – Leonard Foster took time to interview me for his blog. Thanks, Leonard!