My new writing buddy. He must have worked, had a breakthrough with my latest WIP!

My new writing buddy. He must have worked, had a breakthrough with my latest WIP!

Sometimes, when I need some quick new ideas (my overstuffed file of ideas aside) I ask for a challenge. I ask people to give me two things, and they can be random. A pet bunny and a fear of heights. A bridge and a broken leg. They don’t even have to have anything to do with each other.
This is a challenge and a creative inspiration exercise – can I write short stories from these ideas?
Last time I asked for such a thing – I used all but one of the ideas and wrote five short stories in a month.
One of my writer friends said I can’t do that, I shouldn’t do that. She said that was false
writing or forced writing.
Okay, but… Sometimes we need to force things out in order to get back into good habits, and, gosh, don’t tell me can’t. It just makes that two year old inside me want to do it even more.
I do understand what she’s saying – writing should be organic and natural to us. BUT – as I say, sometimes you gotta push it a little.
By the way – all those short stories were accepted and/or published within a few months.
So – anyway – I’m asking now. I need a little forcing. Give me two things. Random or not. Can be anything. Mayonnaise in a taco random or bunny on a beach cute.
Go.
Thanks.
Doesn’t spoil the whole bunch.
I usually receive rejections that are quite nice. “We really liked it, but…” or “Please submit again…”
I asked someone more experienced than I and was told that these are usually genuine and the editor, whether or not your work was accepted, liked the work.
I have been told that it didn’t quite fit their needs or that there was some disagreement between editors, which I again take as reasonably good rejects.
Once in awhile I get a rejection which makes me wonder what story they actually read.
I submitted to one journal who called for the topic of Deception, “Friends, Lovers, and Liars.” It’s a story about a woman who even deceives herself as she she comments on other’s deceptions. I thought it was spot on. The editor, however, did not and wrote, “I’m not sure why you submitted this. This doesn’t at all fit our call…” He wen ton to make me believe that I had triggered something.
The story is about a woman who has an affair. I have a feeling, the story struck a nerve. Ouch. Sorry. (The story has been published twice since then. – You can find it here.)
I recently received another long and involved rejection, although I don’t think because it acted as a trigger. But the rejection was nearly as long as the story. (haha – I’m exaggerating, of course.) But it stated things like “promises and doesn’t deliver,” “narrative too thin.”
Again, I wondered – had this editor read MY story? Or did he/she confuse it with another. This has happened once before.
I received a rejection – thanks, but no thanks, and then another the next day: “Thanks for submitting, we love it and would like to publish it!
If this happened face to face, I would nod and smile. I do something similar through email – “Great, thanks!”
Someone asked me if I respond to negative rejections with commentary. I don’t usually. I think I have once, but the editor was so nice about it. He gave me commentary, and then still asked me to submit again! Him, I thanked.
If these were feedback type of rejections, I might thank them. But I feel that they are not. It’s someone who is feeling his/her power and thinks they know everything.
I don’t respond to people like that. There is always to say no nicely. There is always away to give someone feedback – even negative – and be nice about it. Edit

ors should be experts on that.
By the way – that story with the “too thin narrative” was accepted to a number of journals within a week of sending it out. I’d barely gotten to sending out the withdraw notices when a number of others had sent acceptances – my apologies to those journals. I’ll do it the same day from now on!
That story, too, appears in my latest book of short stories – How to Throw a Psychic a Surprise Party.
One negative rejection should not upset a writer. They are to be expected. Do not let it take away all the nice rejections and don’t let it come near your brilliant acceptances!
David Bowie appears in my new book, How to Throw a Psychic a Surprise Party. Sort of.
Bowie and the Basket Case is a short work of fiction. It’s completely legal to use the name of famous people in your literature. But there are limitations. Micheal Ondaajte has used historical figures, gave them secret lives.
The story must be clearly a work of fiction. And, if it is someone living, I’d be careful what I say about them. They have good lawyers.
The star of my story, however, is the basket case. But which one is the real basket case?


I received this in my inbox. I’ve received a number of unsolicited good reviews via email or personal conversation. Still – few online.
Ladies and gentlemen, if you like a book, review it online!
As a writer, I’m more than willing to talk about my work, but share your thoughts with other readers!
I’m proud of How to Throw a Psychic a Surprise Party. I’m happy others are enjoying it.
Read it – then review it!


Writers are people watchers. If someone in a coffee shop is staring at you, smile. It may be the difference between being the hero or the villain, the survivor or the first killed off.

I sincerely understand when print journals ask for a reading fee of a few dollars. Print journals do not sell well, they have a staff, and some of the ones on the “best literary journals” get many more submissions than they can use. As well, if they are using submittable, the larger print journals have to pay a fee to use the service.
Submission fees can range from $1 to $10. I’ve seen some as high as $20 or $25 for a submission of a short story. I call bullshit.
I understand a reading fee of $5.00 or under. $10.00 is questionable. But then – more than that – No. No. And no.
Especially for an online literary journal run by one or two people. I’m not saying they don’t deserve to earn money. I am saying I don’t think they should be charging writers that much to read their fiction, poetry, or memoir.
There’s one website run by a single person – I won’t publically shame them – who has “contests” nearly every month. This person charges between $7.00 and $10.00 for each contest and offers minimal feedback; however, I have yet to see one print journal even though her copy says, winners will be published in the journal.
I have no idea how many people fall for that.
Research the journal carefully and ask yourself what you’re supporting. If you believe in what they are doing – then by all means pay the fee. Don’t pay a fee in desperation of being published. If you’re good, publication will come.
The ancients believed that to be inspired was to be possessed by a spirit, or more specifically the muses.

In Spire
Spire – spirit.
In – within
To be possessed or have the muse enter your body or mind and to create amazing things during that time – to be inspired.
Isn’t that beautiful?
I’m open to a great number of inspirations. There’s a little understood affectation on people’s faces when they’re happy, when they’re sad, lying, telling the truth. Their faces betray what their words do not. However, not many people on the planet are very good at reading or understanding these micro-expressions.
For example, when a person is really happy, their eyes show it first. Their eyes brighten and lines around their eyes lift and tighten (I think), regardless of what their mouth actually does. At least this is what I understand.
I was inspired by these facts or theories and wrote a little story called “Deception.”
Deception is about a woman who believes she can read others’ micro-expressions and no one can read hers – because they’re not bothering to look.
I submitted this to one editor and he rejected it with a passion. I think I struck a nerve. He was obviously offended.
The story is fiction. It’s completely fiction. But, obviously, something about it was too real for him.
I believe it might be a bit too real for many, many people.
It’s in the summer issue of Delphinium. Available now.
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