Doesn’t spoil the whole bunch.
I usually receive rejections that are quite nice. “We really liked it, but…” or “Please submit again…”
I asked someone more experienced than I and was told that these are usually genuine and the editor, whether or not your work was accepted, liked the work.
I have been told that it didn’t quite fit their needs or that there was some disagreement between editors, which I again take as reasonably good rejects.
Once in awhile I get a rejection which makes me wonder what story they actually read.
I submitted to one journal who called for the topic of Deception, “Friends, Lovers, and Liars.” It’s a story about a woman who even deceives herself as she she comments on other’s deceptions. I thought it was spot on. The editor, however, did not and wrote, “I’m not sure why you submitted this. This doesn’t at all fit our call…” He wen ton to make me believe that I had triggered something.
The story is about a woman who has an affair. I have a feeling, the story struck a nerve. Ouch. Sorry. (The story has been published twice since then. – You can find it here.)
I recently received another long and involved rejection, although I don’t think because it acted as a trigger. But the rejection was nearly as long as the story. (haha – I’m exaggerating, of course.) But it stated things like “promises and doesn’t deliver,” “narrative too thin.”
Again, I wondered – had this editor read MY story? Or did he/she confuse it with another. This has happened once before.
I received a rejection – thanks, but no thanks, and then another the next day: “Thanks for submitting, we love it and would like to publish it!
If this happened face to face, I would nod and smile. I do something similar through email – “Great, thanks!”
Someone asked me if I respond to negative rejections with commentary. I don’t usually. I think I have once, but the editor was so nice about it. He gave me commentary, and then still asked me to submit again! Him, I thanked.
If these were feedback type of rejections, I might thank them. But I feel that they are not. It’s someone who is feeling his/her power and thinks they know everything.
I don’t respond to people like that. There is always to say no nicely. There is always away to give someone feedback – even negative – and be nice about it. Edit
ors should be experts on that.
By the way – that story with the “too thin narrative” was accepted to a number of journals within a week of sending it out. I’d barely gotten to sending out the withdraw notices when a number of others had sent acceptances – my apologies to those journals. I’ll do it the same day from now on!
That story, too, appears in my latest book of short stories – How to Throw a Psychic a Surprise Party.
One negative rejection should not upset a writer. They are to be expected. Do not let it take away all the nice rejections and don’t let it come near your brilliant acceptances!
Okay, so not bragging, but….. I’ve been hard at work….
The Healer’s Daughter in The Ear
The Healer’s Daughter is a departure for me. It marks a turns in my writing that came about just this year. It’s more mystical. Risky, maybe. A woman’s daughter describes her mother’s gift and discovers she has her very own gift, but will she actually use it?
The Healer’s Daughter will be featured in my summer release of How to Throw a Psychic a Surprise Party. It’s a book of short stories, all of which have a special or surprising twist.
Friends, Lovers, and Liars in Home Renovation
Originally titled Deception, it didn’t find a home. In fact, the topic of lies and cheating offended one editor. I think it may have hit too close to home. It, too, will be released in the summer release of How to Throw a Psychic a Surprise Party.
How to Throw a Psychic Surprise Party in The Electric Press Magazine
The title story for the book of short stories. Inspired by a show in which I saw a television host throw a “surprise” party for a psychic. It struck me – How do you throw a psychic a surprise party?
This story may answer that question. Maybe not. How much empathy can you muster?
Hunger and other poems as well as some photography in Voices of Eve
Not in the book of short stories. But well worth the read. Hunger is one of my favorite poems.
Also in the book of short stories –
The Crier: In a time when emotions are unheard of, people need a release.
The Mirror People: Ever wondered what’s inside the mirror? You know there’s something, right? Here’s a woman who collects them – she knows.
Bowie and the Basket Case: Anna’s things keep disappearing and reappearing. At first she thinks she’s misplaced them, but then she’s sure she hasn’t!
No, not me. I don’t get up at 4am, but some successful writers have.
Auden, Hugo, and others woke at 4am
Vonnegut and Angelou woke around 5am.
Milton and others at 6.
Sadly, I’m more along the lines of Stephen King, I like to be in my writing chair by 8 with a cup of tea; however, if I wake up earlier or later, it doesn’t mean I waste time. I get my rear in that chair – inspiration or no inspiration. Sometimes I start writing and don’t stop until hunger threatens; sometimes I stare at a blank page forcing words to lay down.
Occasionally, I consider attempting this 4am lifestyle. But I wonder how effective I’d be for the rest of my day. I’d have to change my thinking first – about sleep and the lack thereof. I value a good night’s sleep.
However, it’s true – 4am – no disruptions, no appointments, no phones ringing, no neighbors knocking on your door. 4am does have it’s benefits.
It’s not imperative to get up early (although studies show earlier risers are generally happier!); it is paramount to have a routine. Mine works best when I roll out of bed, make tea, shove open the curtains, and start writing.
What works best for you?