Interviewed by Anda Stan….

Interview-Time-Guest-Author-Noreen-Lace-1280x480Hi, all.  I wanted to give you the link for the interview:  Check out AndaStan.com for almost the whole truth, a few little secrets, and some tips.

 

laughtIt was a very thorough interview – she poked me with a stick until I gave it all up!

 

 

 

 

 

Enjoy!

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What’s New With You?

I’ve been remiss in my posting – which is a social media no-no.  icecreamCan I tell you a secret? I’m really just an introverted writer and I really want to do is:

 

Write!

 

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I had a fantastic time at the Poe Museum reading Eddy. They live streamed it (I didn’t know they were doing that!) and I’ve been invited back, hope to go soon!

 

 

 

 

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In the meantime, I’ll be at AWP.

 

 

 

 

 

But the real news today: my short stories – loving the covers! – are available for .99 cents on smashwords and kindle.

 

So – whenever you need something to do – click the link, read a story, let me know what you think!

Be Joyful!

The Myth of Writer’s Block

Writer’s block is a myth perpetuated by people who don’t really want to write.

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And I really don’t like when people ask me if I ever “get it,” as if it’s contagious. In some ways, I think it is. People talk about it too much and infect others with their ideas of this mysterious and loathsome “writer’s block.”

Maybe I’m thinking of the block all wrong. I’m not sure at all what it means. Does it mean the person can’t sit in a chair and write? Are their hands broken? Is their brain injured? Or does it mean they can’t write as well as they want? Does it mean that writing’s not easy?

Hey – wait – let’s hold on to that one: Writing is not easy?!

Of course, at times, it’s not easy! Sometimes the scene isn’t quite right or the dialogue is inauthentic or the words aren’t laying out as smooth and beautiful as we’d like. Does that mean we lay down the ivory pipe, get up from our Italian baroque seventeenth century carved desk, retire our gray wool writing jacket with the patches on the elbows, and lounge for the rest of the day waiting for this “block” to pass?

None of it’s real!Writers-Block-is-a-Lie

The desk, the jacket, or the block – these are images people use to perpetuate the myth that writing is some magical gift that is laid down upon us and is taken away just as easily.

I’m not saying the ability to ribbon words rhythmically and meaningfully isn’t a gift – but it is work.

Now there’s the word we need to use. The only thing, perhaps, people are being blocked from is WORK.

A writer needs time. The lack of time can inhibit starting or finishing – but we make time. Many writers (Vonnegut, Angelou) woke up early.  I used to be one of those people who said – oh, no, I need my sleep. But then I decided I wanted to write more than I needed extra sleep. Writers, for centuries, have had no choice but to get up early or stay up late in order to produce.

And there’s that word again. Work. Let’s get to it, ladies and gentlemen, no matter how gifted you are, writing is work, writing is commitment. And there’s the other word so many people are afraid of: commitment.

If you want to be a writer it takes work and it takes commitment. The real work of writing is to commit yourself to it, to sit your ass in that chair, at that desk, or dining table, or in the corner closet, and write. Sometimes nothing is going to come out right. And that’s when you keep working, or you take a break, go grab a cuppa and get back to it. Writer’s commit themselves to time and action, whether it’s one hour a day or eight hours a day. And sometimes things come out well and sometimes they’re a struggle.

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Imagine writing as a job. If you want to be successful, can you give up the moment it gets challenging?  Can you imagine your plumber calling you and saying, “I just can’t come today, I have plumber’s block”?

 

 

 

If something you’ve started has stunted, write something else, take it in a different direction, write an angry letter to one of the characters insisting they do what you want them to, then let them write one to you.

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Let’s be honest about what writer’s block really is –

  • it’s procrastination;
  • it’s distraction; 
  • it’s fear of rejection.

 

I do believe people go through periods where they’re not as productive, or they have some psychological issues blocking them from releasing their ideas. These problems can be solved – therapy.

beautiful journalist looks typewriterIf you want to take part in the myth – “oh I can’t write today!”

If you want to perpetuate the myth – “What do you do when you get blocked?”

That’s fine. However, Do not bring your kind of negativity to me – “Do you ever get blocked?” Because I don’t want to hear it; I don’t want to be a part of it; and I certainly don’t want you attempting to infect me with your dis-ease.

 

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Now – sit that ass in that chair and WRITE something. 😉 Good luck. 

 

Writing Wishes and Publication Dreams

I’ve been working on a new story – not only working – OBSESSED!  I don’t think I left the house for most of January and part of February until the first draft was done. I’m currently working through it again and again.  I’ve begun to gather my beta readers, and I’m quite excited.

Weekly, I spend time submitting. This is what a working writer does. Writes and submits. Rejections are no fun, and I get plenty of them. I read one statistic that read, “a writer gets an average of 26 rejections for every acceptance.” Not sure how they came up with that… I feel like it’s three times that much; however, things change!

Malcolm Gladwell, estimates it takes 10,000 hours to master any one thing. I feel like I should have reached those hours long ago; but, maybe, it takes some of us a little longer to get it. (That’s the story of my life!)

So – I have to update you.

My poem, “All At Once”, was a finalist in Medusa’s Laugh NanoText Contest. I didn’t win, but it’s still to be published in their anthology and in an e-book version. This should be available soon!

My poem, “I’ve Never Looked So Beautiful” has just been accepted by Mother’s Always Write. Before you start thinking I’m quite full of myself – the poem is about my lovely daughter! This should be available in the next month.

My story, “How to Throw a Psychic a Surprise Party” has been accepted by The Oleander Review. Sometimes, I write something and I think, this is pretty damn good, and I think this story says a lot about our humanity. I’m so happy that it will be published. It will be available mid-April

Finally, ladies and gentlemen, Writer Advice has just notified me that my story, “Memorial Day Death Watch”, has been chosen as a finalist in their Flash Memoir Contest!

We must have a purpose – I’ve always wanted to reach people, tell them they’re not alone. I think I’m just beginning to do that.

Live an Inspired Life!

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Girls Who Read

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When I was in middle school, I worked in the school library.  Having moved from the city to the suburbs, it was a whole different experience. I didn’t even want to go to school in the city – I can’t even say what the city school’s library looked like or even if they had one. But once we moved to the suburbs, school didn’t seem so horrible. The students, faculty, and librarians were actually NICE!

During our free period in the city school, we were corralled en masse  to the giant corridor that also served as our lunch area. It was loud, crazy, there were fights, and yelling, and that was just the teachers! 🙂  We needed to secure a pass to go to the restroom, which was only on the other side of the hall.

At the suburban school, we had choices of where to go or what to do. Sometimes I studied in the library where I met the students who worked there and suggested that I join them.  Everyone was nice, so why not?  It became one of the first good experiences I had in Academia.

Later – this experience inspired “The Girl I Loved in Middle School.”

Fiction is not a single experience spun into someone else’s story – it’s the product of inspiration. And inspiration is like a seed. It’s a little pod planted serendipitously. A little kernel is sown, and depending on what else is shoved into that space with experience, and compassion, and almost anything can stem from it. This story is not a real experience, it was inspired by something that sprouted during that time.

You can read “The Girl I Loved in Middle School” at Number Eleven Magazine or it’s included in the book of short stories, Here In The Silence.

 

The Art in…..

The art and photography in Here In The Silence is just beautiful and we have SunBow Productions to thank for that. From the nontraditional cover to the interior choices, they are all quite interesting and lovely.

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This picture leads the short story “The Spaces Between.” A story about a couple, who ends up in a terrible back street motel in a beautiful coastal city, their relationship barely hanging on.

“It was some time past midnight in the darkness of that backstreet motel that she felt an arm slip around her. Panic did not set in, although she thought maybe it should have being where she was…..”

I love the idea of putting photographs and art with stories and poetry. I love when I find this in books and blogs and I was happy to be able to find them and have them add images to every story in the book.

We had the most trouble with “The Spaces Between.” How do you give a visual to a deteriorating relationship? The title itself refers to the emptiness between the couple, the silences in their relationship, blankness. This image is a fantastic representation of the story – the idea of “vacancy”is brought out in this cut up, almost incomplete, colorless image. I think it might be my favorite image in the book!

Free book?

 

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Ladies and gentlemen,

My book of short stories should be out in another month – I’ll have two advance copies to give away.

There will be a very easy one question contest, and then a drawing (done by a third party) from all of the correct answers.

The official announcement and contest will begin in the next few weeks – keep checking back or sign up to receive updates!

Thanks,

Noreen

The Psychology of being “Unloved”

 

When I create a character, I take what I know from personal experience, what I’ve observed in other people (I am an avid people watcher), and what I’ve learned from my continued studies.

With the unnamed narrator/character in West End , it is important to understand the primary relationships and their effects.

In West End, the children are nearly parentless. Mom is an alcoholic who dies from the disease and Dad seems to be a workaholic, seemingly unconcerned about his children.

The article, “Unloved Daughters,” written by Peg Streep, lists some of the attributes the character in West End experiences.

Streep’s list is of 7 attributes. These are a few which I believe my character displays:

  1. Lack of Confidence

“The unloved daughter doesn’t know that she is lovable or worthy of attention; she may have grown up feeling ignored or unheard or criticized at every turn” (Streep).

    3.   Difficulty setting boundaries

“Many daughters, caught between their need for their mother’s attention and its absence, report that they become “pleasers” in adult relationships. Or they are unable to set other boundaries which make for healthy and emotionally sustaining relationships” (Streep).

   5. Making avoidance the default position

“Lacking confidence or feeling fearful sometimes puts the unloved daughter in a defensive crouch so that she’s avoiding being hurt by a bad connection rather than being motivated to possibly find a stable and loving one” (Streep).

 

It seems the reason the narrator in West End avoids life is an overall lack of confidence. She does not set boundaries; she knows what is happening at the trains and with her sister is not leading anywhere productive or good, but she is unable to set the boundaries for herself, let alone for a sister. And avoidance is her default position in everything.

However, it is my wish the reader can see the hope within the novel, the things that change within the character that can create something positive.

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All the Beautiful People

~Fiction ~

When my sister turned 18, she took the 2500 dollars for college and remade her face to look like Elvis Presley. It wasn’t because she wasn’t beautiful. She was. It was the fad. After Elvis died, men and women mourned their hero and, as a tribute, remade their faces. Years later, she remembered it and thought it was beautiful. Then, she took her new face and left home.

She made her way across the country, looking for cities, people, parties, places, and experiences that were anything but home. She ended up in Haight-Ashbury. In the 70’s, a hippie, new age, fashionable place to be. But not anymore. Not a place frozen in a time none of us were old enough to remember; it’d become a collection of lost souls, hippie wannabes, homeless, teenage runaways–all younger than her. She made her way south, looking for something more, or something less, or something different still.

Our home washed away in the floods that overtook our trailer park. My parents bought a newer trailer home and parked it in the exact same spot because they believed lightening  never struck twice. It did. When another flood hit the same spot just a month or so later, it cleared out the neighbors and insisted we buy a new floor, door, location.

My mother’s dog limped; it couldn’t crawl the stairs to get outside and so had lots of accidents, which infuriated my father to no end. That little grayish-white mongrel was too young to be put to sleep, too old to go up two steps, and too loved to be left outside. It became the cause of much contention in our little home.

My high school boyfriend thought the world an amazing place and wanted to explore it. He left before he graduated and after we made love, seventeen and one half years old, and he never came back for me. He became a missionary and moved to Guatemala or some other such place where no one, not even his parents, was sure what happened to him.
I had another month or so to go and a promise of 1800 dollars if I agreed to Antelope Beauty College, smaller than our high school, classrooms smaller than our trailer. Don’t be fooled, there is no beauty here.

That small trailer was getting smaller. Literally, the walls were moving in, the floors shriveling, the area around us getting larger. I thought it might be the consistent rain shrinking the faux wood. Or maybe it was the arguing, vibrating the walls out and then in, in, and in. Maybe it was the smell from the little dog causing the world to warp. I tried to tell them, to show them, but they didn’t believe me.

I graduated; my parents didn’t want me to do anything foolish like remake my face or get piercings and tattoos, so they said they’d go with me to Antelope College and pay the tuition.

I left home and they kept their money and their long festering grudge against my sister and her face, their arguments about that dog, and their little trailer whose walls were slowly moving in.

I met a guy the last week of school; he was visiting or passing through or something of the sort. I dreamed of something beautiful, someplace bigger, someone else’s life, but not someone else’s face. He drove a 68 Dodge Ram and promised to take me away to California. He said we could follow the old route 66 the whole way. On the way to California, he got weird, wanted us to get married in Vegas, wanted us to get jobs at the Pup-n-Taco or some such nonsense. I told him if I wanted to live my parents’ life, I would’ve stayed at home.

I told him I was pregnant and he hugged me so hard he almost drove into the ocean. It took me a few tries to explain that I was more than two weeks pregnant. It took him a few moments to capture in his brain the pictures I was sending, but finally he did. He slowed to a pause on Pacific Coast Highway, north of Zuma beach, and pushed the door open, told me this was my stop. He didn’t even give me my bag.

I’m walking south on PCH. The sky is blue, the ocean is blue, and I’m telling myself this story.

There’s a woman, long added braids and skin the color of the midnight sky. She’s wearing a lime green dress, shoes to match. She’s reading a book by Betty White and holding a little rat-lap-dog. She’s beautiful.

I walk into Starbucks, across from Zuma, and call my sister collect. Somehow, I know, she knew it’d be me, but she doesn’t say so. I tell her where I am and she says she has to get her kids from school, that I should have a seat or, better yet, go look at the blue ocean water but not to step into it.

I have twenty dollars with which I buy a cup of tea and the young boy, almost man, almost manager, hands me eighteen dollars and five cents. (I wish abortions cost less than eighteen dollars.) He smiles as if he knows my secrets or some other secrets and tells me to have a nice day. The pimples on his face could make constellations that brighten a darkened sky. And the silver from his braces could be the milky-way. He’s beautiful and doesn’t know it.

I sit and wait, watching the people. I’m afraid of the ocean. I’m afraid of the water, I’m afraid of the people who go into the water, no matter how beautiful they might be.

Two old men smile at me. They play a game of chess. As their arms move, their skin shakes loose, then shimmies as if grasping, trying desperately to hold on to its own. They both have translucent hair; I wonder if they’re brothers. I wonder if my sister and I will ever be that old. If our skin will ever be that loose. If we will ever be friends. The men are so beautiful it makes me want to cry.

My sister is older now. A streak of gray starts at her forehead and works its way down the side of her face. Her Elvis face has wrinkles, lines around the eyes that even if he’d lived would never have.

My sister’s husband is a nice man, the kind of nice that is hard to believe really exists. He forgave her the past he knew and never asked about the past he didn’t. He gave her a big house, two children, and a big car to drive around the city. He’s tall, her age, no grays in his hair, but strays in his beard when he lets it grow. He’s quite beautiful and although my sister, after 8 years of marriage, doesn’t see it anymore, I do.

A vacant look has taken up residence in her pallid Elvis eyes. Her children are three and five, and even when she hugs them her eyes do not.

I never asked my sister if she was sorry she remade her face. It seems I’ve always known her as this, the streak of gray, the woman’s wrinkles on an Elvis face, and her saccharine little children holding her so tight they are squeezing the life out of her.

It’s my birthday. It’s my perpetual birthday, and I’m walking south on PCH. I’m blue and I’m telling myself this story.

There are two young girls with short shorts and string bikini tops bounding like puppies to the boy with pimples. They have long, thick brown hair. They smile wide and almost unbelievably happy grins. The two old men are watching them now; their eyes carry a look that makes churns my stomach, turns my tea bitter. The girls are beautiful, and I wonder what happens to them when they walk out, the door slamming behind them, the men’s eyes following them. I wonder if they will always be happy.

I stay with my sister; she says very little. She doesn’t talk about her life now, or even her life here. She doesn’t ask me any questions. I want to ask her for the money. I want her to ask me why. But it doesn’t happen.

My sister lives in the Valley; it’s a strange and hot place that smolders at mid day and sinks down into the darkness of night. It’s surrounded by mountains and with each earthquake a little more of it disappears. She does things: gets up in the mornings, and goes to bed at night, makes lunches to go, dinners for home, and talks on the phone. She does other things she doesn’t care about: play-dates, meetings, and appointments for this one or that one. She doesn’t go out much and she cries herself to sleep sometimes. I can hear her from the couch, from her daughter’s bedroom when I sleep in there, from the dimly lit hall when I stand in the muted light of the wall sconces outside of the bedroom. I wonder why no one else notices.

She says she wants to paint the walls; she thinks they are dingy and it’s making them look small. She doesn’t want to hear my thoughts about shrinking wood or expanding middles.
I’m walking south on PCH on my birthday. The world is a blue place; it’s a beautiful place and I wonder if it’s the same in Guatemala and if he ever thinks of me. I think of the boy with the 68 Dodge Ram on Route 66 and I wonder if he drove into the ocean. I wonder if he ever knew he wasn’t on the 66, but on the 1, or the 101, or both. I hope he drove into the ocean.

I can see the ocean from where I stand, far away from the sand. I watch the people. A fat woman in a bikini that is almost hidden by her own overlapping flesh; She knows she’s beautiful.

There are boys, lots of boys with long boards and they wait near the shore until the ocean waves at them just right. They are smart boys; boys who don’t go to school, but know how to read the water, the world, the women, the beauty surrounding them. It hurts.

To be a part and to be apart.

My sister’s husband has a nice way with me. He offers me money and rides to anywhere I want to go for the day, or for a time. I usually choose here. I want to tell him too; I want him to ask. I want to hold him and hug him and let him make everything else go away. He’s so beautiful, it hurts to hold him.

My sister has taken up the habit of looking at me in strange ways with her ghostly Elvis eyes. I think she’s guessed my secret, the secret that won’t stay hidden much longer. I want to tell her about all the boys, but all I tell her about is the beach and all the beautiful people. She laughs.

She has the walls painted, but is certain the painters didn’t do a good job. The walls still look dismal, and I am beginning to see what she sees there. I try to tell her it happens in all houses, in all places, that it happened to the trailer, the school, the town, the truck, but she won’t hear of it.

Guatemala must be a wide and lingering place. I think about going there sometime. Maybe they don’t have things that close in. Maybe it is surrounded by a beach, like this one; the beach doesn’t close in. It expands. It keeps going. On and on.

The people on the beach are beautiful and the sand isn’t as smooth as it looks to be. A man with a beach ball belly goes from cooler to cooler, making the begger, looking for beer; he’s a cop and even if others haven’t figured him out, I have. . The round, smooth, and tan belly is what the sand should be, and it’s quite beautiful to look at when he stands very still.

My sister asks me what happened to my college money and I tell her; I don’t tell her the cause was her lovely Elvis face, but I do reach out to touch it. At first she lets me, then she pulls away realizing it is not her I’m touching but that face. She’s so beautiful it hurts to see her cry, hear her cry, to cry for her, for me.

She doesn’t like the beach, so I don’t know why she lives here in California. She won’t take her children to the beach, so I don’t know why she drives them down here to pick me up or drop me off and listen to them say please, mom, please. She tells them there are things out there. It seems like she’s talking about secrets, but the only secret is a precious and beautiful life that is just out of our reach. Maybe it’s out there, somewhere, in the ocean, that precious and beautiful life just out of our reach.

I’m walking south on PCH, just North of Zuma. Starbucks is across the street. I see the girl in lime and the men in escaping skin and the sand is warm and lovely and the people are all so beautiful.

It’s my birthday. Always my birthday. The ocean is blue. The sky is blue. I am blue. I’m telling myself this story.

I’m waiting for my sister, waving to my sister, wading to my sister. Her ghostly Elvis eyes can’t see me down here away from all the beautiful people.

 

*Originally published in The Avatar Review. Also published in Natural Bridge Literary Journal

H – is for “How long did that take you?”

     I sat down to grade student essays the day after I submitted a story titled “H”.  With the essays, I asked the students to write a paragraph describing their writing process.  While some students wrote that they started on it soon after being given the prompt, most admitted to procrastinating until the last moments.  A few even said, “I took a very long time, I wrote for almost three hours.”
     It encouraged me to consider how long it’d taken me to write “H”.  I’m often asked how long it took me to write this story or that poem.  I rarely have a good answer because, as writers, we don’t set a timer on our writing.  We write when we can, as long as we can, as often as we can.
      For “H”, I estimated.  I began writing it back in May. Worked on it through the summer.  There were a few weeks I didn’t work on it – vacation. The last few weeks, having heard of the Boston Review Contest, I pushed.  Maybe four months, a sparse guess of five hours a week, (some weeks would have been nil, some nine), brings the estimate to about 80 hours.
     At first 80 hours seemed like a lot.  Then, in thinking about it, I wonder if I underestimated.  But let’s go with 80 hours.  “H” is a nine page story.  It didn’t take me 80 hours to write 9 pages, it took me those hours to rewrite, to edit, to perfect, to second guess myself, to correct.
      And – even in the very last moments before submitting – I’d found an error that’d survived all the rereading and redrafting.  Another fix, another read, another edit. Then, I clicked the submit button hesitantly, rechecking that I’d attached the newest version.
     I wonder, now, was 80 hours enough?  I’m sure that at some point during it’s lifetime, I’ll revisit “H” and work with it some more, (probably sooner rather than later, then again later too).

     80 hours. 9 pages, 1 story – submitted to the Boston Review Contest. Wish me luck.