Interviewed by Anda Stan….

Interview-Time-Guest-Author-Noreen-Lace-1280x480Hi, all.  I wanted to give you the link for the interview:  Check out AndaStan.com for almost the whole truth, a few little secrets, and some tips.

 

laughtIt was a very thorough interview – she poked me with a stick until I gave it all up!

 

 

 

 

 

Enjoy!

world-ecard-email.gif

Food Crimes: Gifting Times Two – Ethnic Recipes from my Friends.

john

Some years ago, John Voso Jr. put together a cookbook, Italian Recipes from my friends; the proceeds from which went to the Richie White Fund. Richie White was a young boy who spent most of his young life in the hospital battling cancer. He lost that battle a few days after his fourth birthday.

 

 

 

This year, John has put together Ethnic Recipes From My Friends. The proceeds benefit a number of good charities.

20180818_163559(0)

 

The book contains JackFruit tacos. You’ll remember that some months ago, I tried JackFruit tacos at a vegan restaurant and loved them.

 

 

43531062_2191834697807633_2971797741660798976_n(1).jpg

When John Voso, his wife, Debbie, and myself met for dinner, I was surprised to find this recipe in the book! I, personally, can not wait to make them myself.

 

 

 

 

 

 

The book contains recipes from a number of different people and cultures:

Angel Wings from Poland, 45249898_10215606113699519_8495535016174944256_n

 

 

 

 

 

 

 

Sonoran Style Carne Asada, 44957040_10215568156710618_4786004417256095744_n

 

 

 

 

 

 

42876531_10215381572126120_7345769895918829568_nand don’t forget about dessert, A Nut Kuchen!

 

 

 

 

 

 

 

 

Ethnic Recipes from My Friends will make a great gift and it supports great causes. Contact John Voso to order your copy!

45697053_10215631174366020_4530526997847212032_n

Writing Wednesday – STRESS!

stress

One of the worst types of writer’s block is caused by stress.

I like to roll out of bed and get straight to writing before any other distraction or activity comes up. I find that I work better and longer if I push everything else away until a manageable time. However, I find stress takes me completely out of my writing brain.

Where I can stop for breakfast, talk to friends or family, or even keep an appointment and get back to writing, when I’m stopped by a stressful event or activity I find it extremely difficult to do any work.

The good thing is that it takes a lot to get me to that level of stress; however, that’s not so Stressed-Brainfor many writers. Besides the littlest distractions causing problems for many writers, any stress weighing on a writer can keep them from being productive. One of the elements of stress is the inability to focus on anything else – it is the most distracting distraction a writer can face. Stress causes us to avoid things – things like writing!

If you’re experiencing something like this and can’t get on track with your writing, you need to ask yourself what is happening in the background of your life. It depends on each individual’s ability to handle stress, but it could be a small thing like a car problem or a large thing like a family problem. These things wreak havoc with our ability to be productive.

Again, my cure for this is to focus first on my writing and, second, on anything else. Cures for others might be similar. Block out the stress and focus on the writing – this could be a way of de-stressing. Creating a time to worry about problems is an age old recommendation. Years ago, someone told me “plan ten minutes before bedtime to worry.” I, personally, prefer before sleep and after waking to be the least stressful times. But it could still work – schedule your worry time like we all should schedule our writing time. Or, give yourself time to solve that problem, and realize if it’s something you can not solve and let it go.

stress2Let it go! If it is a stress we have no power over that is the only answer. It will pass. Focus on the writing, that you can control!

I like the quote “you can do anything, but you can’t do everything.” That’s what we have to remember. We can choose to stress about problems that we can’t immediately solve, or we can choose to use our writing as a distraction from that stress.

If you’ve found anything that’s worked for you, please post it in the comments!

 

 

 

 

Next week – decision making and writing.

Writer Wednesday: Say Yes to the Edit….

When I’ve mentioned, within a writer’s group, an editor asked for changes the room heats with disagreement.

writerblog2

 

“You’re not going to do it, are you?”

“Why would you sell yourself like that?”

“How dare they?!”

 

They dare because they are willing to publish my work; and while it does matter what they ask, I’m willing to listen and consider their ideas and advice. Usually, it is merely for clarifications or changes in simple sentence structure or the like.

My story, $1.00 Stories, was originally published by the Chicano Tribune’s Printers Row Journal. When that editor called me and hesitantly said, “we’re requesting changes;” I think he was quite surprised with my, “certainly.” The only requested was a few clarifications between the character’s name, Chris, and his nickname, C.C.

writerblog3It would be foolhardy and, even, unprofessional for me to say no without hearing them out.

While I suppose many writers believe the editor might ask for major changes in ideas or plot, I haven’t had any ask me for such things. As writers, we need to be open to consider what is said.

By request, I critiqued another writer’s work. I offered my point of view, and they became offended, tried to explain what they meant in this scene or that narration. My response, “there are all great ideas, but they are not in there.” The young person huffed off, I believe, without hearing me. Writers, we cannot be that sensitive.

We are not perfect human beings. We make errors. Some things are clear to us, but not to others. We can improve our work for the better by listening to others’ opinions. Of course, not all are worth considering. But an editor’s opinion, one who is willing to publish your work, is valuable.

 

writerblog1

West End – the opening chapter

Hi, All.  I was feeling West End today. I wanted to share a little portion, but couldn’t decide, so I give you all the opening selection for West End.  Enjoy.

front-cover-small

BEFORE MY MOTHER drank herself to death, I knew her as a gentle creature who fed wild squirrels from her hand.  On the back patio at mid-day, she’d stand very still, calm, peanuts laced in the fingertips of her outstretched hand. The squirrel, a female, her babies came later, approached with caution, across the railing, onto the windowsill, grab the nut, run to the other side of the patio where the squirrel peeled back the shell, ate the meat, then returned for another and another. For a while, the squirrels became my mother’s greatest pleasure.

When the female squirrel stopped coming, my mother worried, but the baby squirrels continued to visit. Then, the cubs must have grown, left the nest, because one by one they disappeared until only a single squirrel came to the daily meeting.

That winter, mother’s heart sucked itself dry. Familiar faces appeared, distant relatives, long-ago friends, who talked our concerns away with assurances for tomorrow and beyond.

“Little honeys, it will be okay.”

“I brought the eggplant casserole, green dish.”

“She was a wonderful woman.”

“Call if you need anything.”

Sarah and I stood at the door where someone’s aunt told us to stand. We pointed people who carried in food to the kitchen, guided people with flowers to the dining room, pointed the rest to Daddy who sat on the couch, gaze glued to the floor. We didn’t have to say anything, and no one asked.

The familiar strangers came and went and with them, our mother, our hopeless youth, our language.

The house became quiet. I couldn’t remember the last complete sentence I spoke or heard, couldn’t remember the last partial sentence I’d said to my father or he to me. My sister and I exchanged words, hushed, sometimes soundless breaths only we knew the meanings for. We lived our lives in half-words, pale sounds that sunk into the silence, in ideas of what we had to do next: breakfast, school, homework, laundry, dinner, dishes, bed. This soundless process became our lives; a strange off-balance way to live, but we did it for some months content not to break that pattern.

One cold February morning, a descending snowstorm blocked the roads, locked us indoors, kept us from going to school, our father from his work. Our first full day alone together in the house. Sarah and I sat at the painted brown kitchen nook picking at our cold Raisin Bran; the milk just tangy enough for us to question the freshness. A tapping noise brought our eyes to each other’s. Then silence.

“Wind.” Sarah exhaled with barely enough voice to make a sound much beyond the breath itself.

“Yeah.” My voice not much stronger. We returned to the cereal.

Tap…Tap…Tap…

Her gaze followed the floor to the sink, the counter, the back door.

“The door?”

I shook my head. “Nah.” Not today, at mid-day, in this storm. “Wind.”

I slipped from the nook; she followed. We stood, somewhat unnerved when the tapping came again. We could see through the glass in the door; no one stood there. I moved to the windows to get another view of the patio, leaned over, heard shuffling, then rattling against the window. We jumped. A squirrel clattered against the window, caused us both a momentary and laughable fright. Sarah touched my arm. We each took a deep breath. Our first that winter. The squirrel, the female or one of the children, we didn’t know and could never tell anyway, gave us a quizzical look, stretched up against the window; her little paws stretched against the glass. Tears welled. Quiet, unmoving, we held our breath, each other, tried not to let out the flow of emotions the winter built up.

Father’s footsteps, heavy on the linoleum, came toward us. We straightened.

“What’s going–”

“Shhh,” we both hushed him; his rough, dry voice might drive the squirrel away.

“It’s the squirrel,” Sarah said.

He looked puzzled.

She motioned toward the window. “The squirrels Mom used to feed. She used to give them nuts.”

“Well, give it some.” He waved his hands at us.

“Where are they?” Sarah pulled open random cabinet doors.

“I don’t know.” I opened the opposite cabinet doors.

“Well, look, look. They have to be here.” Father took to the drawers.

The three of us searched for a bag of peanuts Mother bought for the squirrels, hid from us to deter our snacking.

“He must be hungry.” Father gazed out the window at the back yard covered in snow. The porch railings, the powerlines, all draped in sheets of white; the squirrel, nervous, waited at the end of the banister. “Peanut butter. Get the peanut butter.”

“Will he eat that?” Sarah reached for the jar.

“Certainly,” Father assured us. “It’s peanuts, isn’t it?”

I grabbed for the bread.

“Just spread it on,” he said, more animated than I’d ever seen him.

We did.

“Wait, he can’t eat it like that Break it up.” He put his hands in the mess with ours.

Of course, we knew, but at the moment, that strange, unsettling, yet somehow comforting moment, we all needed to take part.

Sarah set the plate on the patio just outside the backdoor. The squirrel chattered, juddered its head from her to the door, the windows, its tail jerking back and forth as if with nervous jitters, then approached the plate, took a piece, and skittered back to the railing to eat it.

Dad ordered us away from the window. The little squirrel tittered, danced delicately, tail flitting, to take more food. We backed out of the kitchen.

Something shifted inside the house. The rooms warmed. The silence faded. The house took on old noises; the refrigerator hummed; the kitchen light buzzed; switches flicked with their old sticky clicks.

Our voices returned. We spoke more than mere sounds. We’d broached full sentences. But I don’t know if we ever surpassed that. We’d never been a family of paragraphs or stories. Laughter rarely rose to the ceiling. Now, with one of the speakers forever hushed, we were destined to be something less than complete.

Winter dissolved into spring; the strawberries mother planted last summer grew green, red, wild. We left nuts out all the time. Sometimes squirrels ate them; sometimes they’d sit until the birds got them or the ants swarmed them.

Sunrise reopened in summer, but never again did we hear our names called from the front patio as we walked up the street, never again did the light intonation of words follow us through the night, “not too late,” never again, upon our return, would we be met with a drunk asleep on the table with just enough consciousness to whisper “too late” when we passed through the kitchen to go to bed.

 

*West End is available on Amazon, Kindle, and Audible.

Coffee and your Character – Writer Wednesday

I’ve been thinking of coffee shops. And it’s not only because I’m a caffeine addict. Coffee and coffee shops are a part of our everyday lives and, therefore, our characters’ lives. What type of coffee shop and what they order will inform our readers of who they are in ways we won’t need to spell it out.

catwithstarbucks

I, personally, savor that first sip of morning tea. For a few moments, it’s the perfect temperature and I hold it close to my face, ready for the next sip as the first drips of bitter black tea warm my throat and my body, the caffeine going to work immediately to bring me to full wakefulness in anticipation of a busy day.

A friend described a man in her carpool who stopped every day at Starbucks for a large quadruple espresso latte on their way to work and on their drive back from work. But, she added, he also complained constantly about his budget. This told me a lot about the person in just a few sentences.

Does your character rush into Starbucks and curse the line? Probably orders ahead for pick up, but what if it’s not there? Or is your character the kind that seeks out the independent coffee shop because it may be less busy or just because it’s independent.

There used to be a coffee shop on Ventura Blvd between Hazeltine and Woodman. I don’t pinkremember the name, but I do remember the walls were pink. I liked it for it’s small town charm. Local home made jams lined the shelves behind me while local artists’ paintings adorned their walls. They only had a few wooden tables, a few more outside, and a few bar-type seats at the counter. Instead of the iced black or green tea choices at you-know-where, I opted for their daily choices, which might icled iced peach or raspberry-ginger. They offered an array of vegan or gluten free cookies as well. Who could resist?

I used this coffee shop in my story “Harvey Levin Can’t Die” (originally published in Pilcrow and Dagger Sept 2016). The story really is about change. How society reflects the harveylevincan't dieindividual and how the individual internalizes society. One of the characters worked there, but felt out of place. This also represented her life, she felt out of place and hadn’t really begun to make real decisions about who she was or what she wanted. But, of course, that changed and so did her involvement in the coffee shop and the guests as she becomes more proactive in her life. The reader is left to decide the interaction between her and society and whether the influence is good or bad.

It would have implied something different about my character if she’d worked at a chain coffee shop. The chain itself would have had an influence and been a foil. She wouldn’t have been able to grow and and the readers couldn’t see the change within the coffee shop itself; therefore, the setting was important in that instance.

Each place, each chain, is different. The people who go to the local Coffee Bean and Tea Leaf Company are different than those who go to Pete’s or even Starbucks. As writers, I imagine we’ve all spent time in these places. And our jobs as writers are to observe. Beyond the color scheme and coffee served, there’s a different atmosphere garnered by and at these places, and the people are different or act different.

I rarely see the impatient phone-bearing customers from the Monday morning Starbucks run at Pete’s. Nor do I see the more relaxed culture of the Pete’s “give me the multi-grain scone and flipped macchiato” at Coffee Bean.

1dollarstorysmashwordsI used another independent coffee shop for “$1.00 Stories” (originally published in The Chicago Tribune’s Printers Row Journal April – 2016). A mixture of independent coffee shops, one of which still squeaks by in the recesses of North Hollywood. I wanted a friendly owner and regulars my character would recognize. Not that he cared about them; it was more important for the story that they were familiar with Cris, and they accepted with good-natured-humor his occasional weirdness. I didn’t want to make him completely unlikable. I wanted him to come across as a little more complex, so he went to this coffee shop where he knew the owner and sneered at the community table while the regulars chuckled.

The joy I get from using independent coffee shops (or even invented coffee shops) is that I get to describe them, which will also tell us something about the character. In “Harvey Levin”, the character hated the pink walls. But using a chain also tells us something about the character.

Our characters are going to need caffeine at some point in the story. Giving the reader their choice of coffee shops, even in one line, gives the reader an insight into the person we’re creating.

Now my tea’s cold. But I don’t own a microwave and that never tastes good anyway.

 

Harvey Levin Can’t Die is available on Kindle and at Smashwords.

$1.00 Stories is available at Kindle and at Smashwords.

 

 

What’s New With You?

I’ve been remiss in my posting – which is a social media no-no.  icecreamCan I tell you a secret? I’m really just an introverted writer and I really want to do is:

 

Write!

 

Edgar_Allan_Poe_3

 

I had a fantastic time at the Poe Museum reading Eddy. They live streamed it (I didn’t know they were doing that!) and I’ve been invited back, hope to go soon!

 

 

 

 

27982653_1680480425366915_8840169907577678606_o

In the meantime, I’ll be at AWP.

 

 

 

 

 

But the real news today: my short stories – loving the covers! – are available for .99 cents on smashwords and kindle.

 

So – whenever you need something to do – click the link, read a story, let me know what you think!

Be Joyful!

Happy Birthday, Eddy!

edgar_allan_poe_3

The celebration of Poe’s birth date does not go unrecognized.  The Poe Museum in Virginia, as well as many others, will be throwing an Edgar Allan Poe Birthday Bash.

And, rightfully so, Poe is an important figure in American literature.  For my friend who said the other day, “like, what’s the big deal?!”  LET ME TELL YOU THE IMPORTANCE OF POE.

In the early 1800s, the American government called on writers to create a true American Literature to differentiate and separate ourselves from all things Great Britain. Remember, America had just gained it’s official independence from the mother land. By the time Edgar and his contemporaries were born, we were only a generation out from under British rule. There were still loyalists, still people very attached to the “old ways”.

Literature affects society just as society affects literature. By creating a true and distinct American Literature, we could become a true and distinct nation. And while Hawthorne, Emerson, and Thoreau were definitely refining our style, Poe made waves. The stories he published made people sit up and take notice. His style was not always taken seriously here in the states, but authors and critics abroad were giving him credit.

Sometimes it takes someone to shake up the status quo, to capture the deeper, darker parts of our soul individually and collectively to make us look at ourselves and see us for who we are. I think Poe did that. He had a lasting effect that artists, authors, musicians, and readers are still inspired by.

The Poe Museum will be celebrating his birthday on Saturday, January 20th.

20180114_121459

 

If you can’t be there, you can still take part in the birthday bash.  Buy yourself a cupcake, throw your own Poe party, join an online group and celebrate with the members.

 

You might notice a familiar name on the list!

 

I’ve attended before. The first time, I did my own Poe Tour.

 

 

I’m looking forward to attending the event, talking Eddy with Poe fans, and CAKE!!!

eddycoverfinal

 

I’ll be reading, discussing, and signing my new book, Eddy.

The inspiration, the facts, the conjecture.

The reviews for Eddy are kind and generous! Thank you. Thank you.

Described as:

“Poignant and piercing!”

“Creative and very Poe-like.”

“Equally as enthralling as it is tragic”

“Edgar would be proud!”

 

 

Have a lovely new year! Be kind to one another.