Ron Terranova wrote, “we writers are fortunate in that we can take a traumatic event and, presto, there’s grist for a story…”
Traumatic or not – it’s got to come out.
Many writers share some commonality of a twisted sense of being.
Before you grab your pitchforks, people, let me explain.
Someone asked me quite recently if they would end up in one of my stories. I said, that’s not the way it works. I rarely pick up a whole person and plunk them into a story. It’s smaller than that. It’s the way they stand, their scent, the sideways slide of an eye. It’s an essence coupled with other impressions that becomes something in my novel.
Whether big or small, the event or person or tragedy goes in one way and will come out in a, sometimes, completely different form.
Ron was talking about my monkey bite, which many friends and family seemed to understand as more traumatic than I did or do. Not to downplay the incident, but life happens. Some people get into car accidents, I get bitten by a monkey.
In Alaska, at some strange and lonely crossroads, there was a reasonably nice hotel whose smallest rooms were rented regularly to truckers, and only the honeymoon suite remained available. The water came out boiling hot and we needed to wait for it to cool down unlike most places in the country where we need to wait for it to heat up. There stood a single but large restaurant, and a small video store run out of someone’s small home behind a gas station. Whom I was with and what we were doing there became lost in the haunting images of a lost crossroads; those images remained and found their way into West End when the heroine escapes her madness into this sort of waiting room between life and death.