Does your character like her/his marshmallows burned and why?
I love this – but it’s not mine.
I got this from Writer to Agent advice video from The AWP and Folio Literary Management.
Watch this video for tons of good information!
Does your character like her/his marshmallows burned and why?
I love this – but it’s not mine.
I got this from Writer to Agent advice video from The AWP and Folio Literary Management.
Watch this video for tons of good information!

Rejections are the worst…..
or they used to be.
Once, a long while ago, I received a letter (snail mail) from a publisher. I let it lay on the table, unable to take what I thought would be yet another rejection.
When I did finally open it – I was quite pleasantly surprised by an acceptance!
And then…. a little annoyed with myself…. I needed to sign the contract and return it and I’d almost missed the deadline. That taught me – open immediately.
These days, most of these things are done through email or digital submissions. So, now, on a regular basis, we get rejected by just opening our email.
However, rejection, in all forms, tells us something. We are doing our jobs! That job is writing and submitting.
All editors have their own values. It may not mean that our work is bad, but that it did not fit the needs of the publisher or the values of the editor.
Rejections are nothing to be ashamed about, not to be feared, and not to be avoided. We should rush in with open arms.
I read the rejection, see if there is any valuable information. I’ve received some very nice rejections with some editors telling me to resubmit or offering advice.
If I have a piece which gets rejected too often, I go back and take another look at it before I send it out again. But it will go out again. And I will keep submitting.
Don’t let rejections get you down, don’t let it stop you. Publishers can not take everything they receive, but one day they will say yes to you – if you’ve actually submitted something!
Some authors are unhappy when readers see something in their story, novel, or poem that was not intended.
I subscribe to the theory of reader response. Our work is going to touch different people in different ways; readers are going to get out of it something related to what they bring to it, so if they don’t see what we originally intended, they are not wrong, nor did they read it wrong, they are merely giving the writer an insight.
I, personally, am thrilled when readers see something I hadn’t intended. For my novella, West End, one reader said the melancholy of the main character haunted her. Other readers believed some of the characters might have actually been spirits or ghosts. One of the characters, I left open. His questionable appearances deepened the story and the effects on the main character who is dealing with depression.
However, when another reader felt that the son might have been a ghost – it made me go back and reread my own work!
Once the story, novel, or poem is out there, readers are going to take away or put into it whatever is in their own toolbox and we can not control it. We may not like it – I had one person mistake me for one of my characters – but we do have to accept it. I usually thank the reader for their insights, regardless of what I feel about the response.
All readings are good readings!
If you’re interested in reading West End – it’ll be on sale Saturday and Sunday. And – then let me know what you think!
I’ve met a number of people from all different walks of life; the one trait I admire most across the board is humility.
I was at a writer’s conference signing. I happened to be waiting at the front desk when another writer walked up and took me for someone who worked there. He didn’t look at my name tag; he didn’t look at me at all. He said something to the effect, “I’m in a hurry, get my tag for me.”
I smiled and said, “let me get you someone who can help you.”
He huffed out a breath.
I found it rather humorous. He would run into me once or twice during the event and didn’t remember the front desk incident. But, moreso, I found he treated most people as if they were there to serve him. I’d never heard of him before, and I haven’t bothered to read any of his books. Had he been the least bit human to anyone, I probably would have bought his book then and there.
We don’t have to act like asshats to get what we want. Self-importance rarely serves anyone and doesn’t win any awards. It may get you knocked off the invite list.
Humility is not a denial of our skills or our sense of self-respect. Humility is being modest about the skills, talent, and dreams we are working to achieve. And it takes nothing away from us or from those around us.

66 days –
That is what a new study says it takes to form new habits. The study participants reported a range from 2 to 254, with 66 being an average.
It depends on the person. With me, it takes 3 to 4 weeks for me to stick to my commitment. And every year my teaching schedule changes, so there’s two to three months a year for me to recommit.
The holidays, however, throws many people off.
However, once the commitment is made and the habit is in place, it’s much easier to get back into the mind space. The secret is to jump right back into the habit after a holiday or change. 
Also, I think you have to make an effort to guard that commitment. Don’t be tempted to make lunch plans on a writing hour, make it for later or for a different day.
Life too easily distracts us and, without habits firmly in place, we are easily swayed.
Writing a novel is not a destination; it’s a journey. It’s the hardest journey you will take with unclear signs, narrow paths, tricky u-turns, treacherous cliffs, an occasional dead end, and a steep road toward the end.
You will come out of this ragged, weary, exhausted, and wondering what it was all for. But then, your newborn book materializes before your eyes and you see it was all worth it.
January 19th, is the 210th anniversary of Poe’s Birth.
Although many people are content with the reason of Poe’s continued relevance in our society is the stereotypical tortured artist. There is no doubt he was tortured, and for reasons of which we are all familiar; he was an orphan who lost every women he ever loved.
His battles with alcohol, I believe, are highly exaggerated. But it makes for a good story. I’m not saying he never drank – he drank to excess plenty of times, he may have officially been an alcoholic as we understand the word today; however, it was not a constant. There were many years through his marriage to Virginia that he did not drink or drink to excess. Before his death in 1849, he’d joined the Sons of Temperance Movement – to get people to stop drinking.
The reason Poe has remained relevant throughout the years is his work touches
our deepest fears and deepest desires. He has continued to inspire other writers
and artists of all types.
He wrote far more than what we, today, consider horror. He wrote essays, literary analysis, investigative pieces. He wrote about street paving, Stonehenge, and he was inspired by what he read in newspapers. Berenice and others were inspired by stories of grave robbers in local papers.

The famed portrait of Edgar Allan Poe was taken three days after his suicide attempt in 1848.

And, Eddy, my imaginative fiction, was inspired by that suicide attempt. He bought two bottles of laudanum on a cold winter night meaning to do himself in. He’d lost Virginia and felt he had no one. (Laudanum contained opium and derivatives of morphine and codeine.)

For Poe’s Birthday, I offer an excerpt from the novella:
He stumbles from the pub, slips, and falls on the iced over bricks of Boston’s November streets. Save for the muddled voices beyond the closed door, the street is quiet as his body thuds to the ground. His breath billows in front of him as he gasps and grumbles and struggles to his knees, then his feet, to regain his drunken balance.
The gaslamp on the corner offers a wavering yellow glow for the struggling figure on the lonely winter night. Thin strands of hair blow in the chilled breeze; he runs his hands over his head, straightens himself before he pulls at the sagging overcoat and tugs it closed.
Remembering the tinctures of laudanum pried from the chary pharmacist, he hurriedly shoves his hands in his pockets, retrieves the bottles.
His heavy breath mounds in front of him and, for a moment, he can’t see; then the luminous cloud of brandy scented air dissipates. The medicines are intact. Relieved, he stuffs them back in his pocket and buttons his jacket.
“Edgar,” someone calls from the corner; the noise from the pub trails the swarthy figure out until the door slams to a close behind him. “You alright?”
Edgar waves him off without turning around.
The thick shadow chuckles as he staggers in the opposite direction.
The winter is freezing cold, but the snow hasn’t endured. Small white crystals pile in corners and fill the air. The icy rain soaks him before he reaches his chamber on the second floor of the boarding house. The room is small, impersonal, but warmer than the street. An unlit lantern shimmies on the desk as he unsteadily seats himself, glances out the window.
A barely discernable outline disquiets the otherwise muted darkness on the corner of the street below. He knows it’s the black dog that’s stalked him his whole life. Suddenly angered, he shoves himself forward, pushes the unlit lamp aside and topples the ink jar.
“Get outta here, you wretched creature.” The incensed command lost in the night.
Recovering the secreted bottles of opium from his coat pocket, he sets them side by side in front of him. Unsteadily he tugs the lid from one and snorts in a single gulp.
For More Posts on Poe – click this link.
To get the book at 3.99 – this weekend only – click this link.
To get the ebook at .99 – today only – click this link.

Much love and luck.
Visualization, scientists believe, is important in achieving what it is you desire.
If you’re concerned about an interview – picture it first
Concerned about completing an assignment? – visualize it finished!
What do you want to happen in the near future?

Sometimes these are large goals – end result goals, and that’s good. We see the big picture. What about the little picture?
This deals with a little bit of realism. If you’re not writing and you choose a photo of you at a book signing, that’s the end result. Perhaps keep that photo, but put it on the larger board.
I’d love for you to share your results in our newly formed group: Writing 365. Join us!

Some people do not understand the basic rules of professionalism. Speaking to, writing, or responding to an editor or publisher should be undertaken with care. These people are our colleagues in the best sense of the word.
I’ve worked with a few literary journals and have talked to editors at others. The things authors say and do completely surprised me.
I’ve only had a single editor be so completely unprofessional I became embarrassed for her (and forwarded her email to her boss). On the other hand, I’ve dealt with a number of writers who have taken pride in their unprofessional behaviors.
One writer posted a snarky response (he supposedly emailed) to an editor. Whether he actually wrote that to an editor is one thing, it’s quite another message to post it on social media for all to see. He may have felt he had won the battle, so to speak, but what he actually did was show how unprofessional he behaved with a colleague, and what a risk other editors or publishers might find him to work with.
We can disagree with editors, publishers, other writers, but there’s no reason to verbally attack or otherwise be rude to anyone in the industry. Taking your private issues with public companies to social media is a mistake on any number of levels. Just like employers look at social media sites, so do publishers.
I had one publisher ask me for all my
social media links. While some writers told me not to hand it over, I felt it was part of my job to have these available to people in the industry. I maintain social media sites for this reason. Publishers don’t want to just know if writers have a following, but how they’re interacting with readers, writers, and others on those social media sites.
Being rude in an email, speaking arrogantly on a call, and posting disagreements publicly will not further a career.
I do understand it’s quite popular in our society of late to act like an arse and expect to be treated like a king/queen; however, it gives a poor impression and people will not want to work with a person who acts like a spoiled child.
If an author agrees to do an interview, the professional thing is to follow through.
However, life gets busy.
If for some reason you’ve changed your mind or can not follow through, you should notify the person:
I’ve had a number of authors agree to interviews, then not follow through. While life does get busy, if you are presenting yourself as a professional writer and want to be promoted as such, then keep your interviewer updated.
Creating a poor impression does not work in any author’s favor. If the interviewer hears of any other opportunities and the author did not follow through in one way or another, the interviewer has no reason to push the author’s name forward to the next level, interview, or event coordinator.
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