Edgar Allan Poe in his time…

Have you ever wondered what it was like – the 1830’s/1840’s – when Poe was alive and walking around the streets of Boston or Richmond?

I’ve imagined the dark nights with gas street lights to guide the people at night. I’ve thought about his mother rushing him home after her show at the theater in the billowing cold of a frosty October, as she burned with fever, desperately fighting for breath.

Or Edgar, as an adult, leaving the pub on a similar cold winter night.

in the 1830’s, there were 12 million people in all of the United States. Now, there are 10 million in LA County alone!

In the 1840’s, the latest medical invention was a mechanical leech – let that sink in for a moment.

Boston grew phenomenally – from 1830 to 1840, the population grew from 60,000 to over 90,000. Today, Boston has nearly 700,000 people.

Poe lived in a town (Richmond) with 16,000 people. It was a growing metropolis with plans for paved streets (paved with wood, by the way). Richmond now boasts over 200,000 living souls.

These thoughts inspired the first lines of Eddy:

He stumbles from the pub, slips and falls on the iced over bricks of Boston’s November streets. Save for the muddled voices beyond the closed door, the street is quiet as his body thuds to the ground. His breath billows in front of him as he gasps and grumbles and struggles to his knees, then to his feet to regain his drunken balance…

I wanted to tell an imaginary tale of Edgar Poe the night he nearly took his own life… what saved him? what changed him? But the details needed to support the time, to place the reader in the 1800’s with a sick mother, a dying wife, a bottle of poison. When I read this at the Poe Museum in Virginia a few years ago, the employees complimented the personal grasp on Edgar’s life.

It serves still as a source of pride. And I come back to it – I want to write more about Poe, his life, not the dry biographies, but a more personal investment in a man who is still very much admired for his literary accomplishments in the face of his personal challenges.

Healing Through Writing

After hearing some of my story, a woman said to me, “Do you think writing saved you?”

I was looking out the window at the blue sky, avoiding her overstuffed office. Books, photos, and nic-nacs lined the dark wood shelves behind her and a lamp sat, too bright and hot, to one side. She was tall and thin, model like in her own way, and she looked at me earnestly, waiting for a response.

When I turned to her, she answered the question for me. “I think writing saved you.”

Ah, there it was.

Writing did help me toggle to the clearer side of sanity. Believing in something larger than my tiny distressed corner of the world helped me get through some very dark times. The ever present feeling that I had something to add to the world secured me from suicidal tendencies.

Some time ago, I thought to write an autobiography. My writing partner has lived a long life. Her stories rich in detail, tempered with the spiritual, and filled with agonies of another time and another kind. She said she’d write her own but for fear that’d she’d hurt people.

Hurting others is not my intention. Those who pinned my pain are are long gone in both their minds and mine. They don’t read me and they exist only as fodder for stories. Writing is how I survived my world. Now, the others are just players in my story, antagonist, foil, etc.

Bits and pieces of my memoir have been published here and there. Some as fiction. Some not. Sometimes, it’s all shaken up to create something new and wonderful – like how ashes are used in bricks to build a city.

Writing it all out – getting it all out – says it’s real – this happened. It doesn’t have to be perfect. It doesn’t have to be published. It has to be outside of our bodies, not locked into our psyches.

Too many pains in our bodies, tangles in our thinking, are caused from the unspoken past.

Closure comes in many forms. Sometimes just getting it out from inside of us is enough to begin the healing.

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One of my favorite stories – an early piece that I was thinking about as I walked my dogs in the chilled morning air.

It begins:

BEFORE MY MOTHER drank herself to death, I knew her as a gentle creature who fed wild squirrels from her hand.  On the back patio at mid-day, she’d stand very still, calm, peanuts laced in the fingertips of her outstretched hand. The squirrel, a female, her babies came later, approached with caution, across the railing, onto the windowsill, grab the nut, run to the other side of the patio where the squirrel peeled back the shell, ate the meat, then returned for another and another. For a while, the squirrels became my mother’s greatest pleasure.

Crying

People feel all sorts of ways about crying. I feel it’s cathartic, sometimes needed. Sometimes I worry our world is headed in a different direction. My new story explores a world that feels differently.

Let me know what you think. The Crier on Kindle.

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Reader Response

Some authors are unhappy when readers see something in their story, novel, or poem that was not intended.

I subscribe to the theory of reader response. Our work is going to touch different people in different ways; readers are going to get out of it something related to what they bring to it, so if they don’t see what we originally intended, they are not wrong, nor did they read it wrong, they are merely giving the writer an insight.front-cover-small

I, personally, am thrilled when readers see something I hadn’t intended. For my novella, West End, one reader said the melancholy of the main character haunted her. Other readers believed some of the characters might have actually been spirits or ghosts. One of the characters, I left open. His questionable appearances deepened the story and the effects on the main character who is dealing with depression.

However, when another reader felt that the son might have been a ghost – it made me go back and reread my own work!

Once the story, novel, or poem is out there, readers are going to take away or put into it whatever is in their own toolbox and we can not control it. We may not like it – I had one person mistake me for one of my characters – but we do have to accept it. I usually thank the reader for their insights, regardless of what I feel about the response.

All readings are good readings!

If you’re interested in reading West End – it’ll be on sale Saturday and Sunday. And – then let me know what you think!