A Habit of Success

66 days –

That is what a new study says it takes to form new habits.  The study participants reported a range from 2 to 254, with 66 being an average.

writing+ritual+It depends on the person. With me, it takes 3 to 4 weeks for me to stick to my commitment. And every year my teaching schedule changes, so there’s two to three months a year for me to recommit.

The holidays, however, throws many people off.

However, once the commitment is made and the habit is in place, it’s much easier to get back into the mind space. The secret is to jump right back into the habit after a holiday or change.  writing

Also, I think you have to make an effort to guard that commitment. Don’t be tempted to make lunch plans on a writing hour, make it for later or for a different day.

Life too easily distracts us and, without habits firmly in place, we are easily swayed.

A Tribute to Poe on his Birthday

January 19th, is the 210th anniversary of Poe’s Birth.

poe4Although many people are content with the reason of Poe’s continued relevance in our society is the stereotypical tortured artist.  There is no doubt he was tortured, and for reasons of which we are all familiar; he was an orphan who lost every women he ever loved.

His battles with alcohol, I believe, are highly exaggerated. But it makes for a good story. I’m not saying he never drank – he drank to excess plenty of times, he may have officially been an alcoholic as we understand the word today; however, it was not a constant. There were many years through his marriage to Virginia that he did not drink or drink to excess. Before his death in 1849, he’d joined the Sons of Temperance Movement – to get people to stop drinking.

The reason Poe has remained relevant throughout the years is his work touchespoe our deepest fears and deepest desires. He has continued to inspire other writers

 

 

 

 

 

poe2and artists of all types.

 

 

 

 

 

 

He wrote far more than what we, today, consider horror. He wrote essays, literary analysis, investigative pieces. He wrote about street paving, Stonehenge, and he was inspired by what he read in newspapers.  Berenice and others were inspired by stories of grave robbers in local papers.

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The famed portrait of Edgar Allan Poe was taken three days after his suicide attempt in 1848.

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And, Eddy, my imaginative fiction, was inspired by that suicide attempt. He bought two bottles of laudanum on a cold winter night meaning to do himself in. He’d lost Virginia and felt he had no one. (Laudanum contained opium and derivatives of morphine and codeine.)

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For Poe’s Birthday, I offer an excerpt from the novella:

   He stumbles from the pub, slips, and falls on the iced over bricks of Boston’s November streets. Save for the muddled voices beyond the closed door, the street is quiet as his body thuds to the ground. His breath billows in front of him as he gasps and grumbles and struggles to his knees, then his feet, to regain his drunken balance.

   The gaslamp on the corner offers a wavering yellow glow for the struggling figure on the lonely winter night. Thin strands of hair blow in the chilled breeze; he runs his hands over his head, straightens himself before he pulls at the sagging overcoat and tugs it closed.

     Remembering the tinctures of laudanum pried from the chary pharmacist, he hurriedly shoves his hands in his pockets, retrieves the bottles.

   His heavy breath mounds in front of him and, for a moment, he can’t see; then the luminous cloud of brandy scented air dissipates. The medicines are intact. Relieved, he stuffs them back in his pocket and buttons his jacket.

   “Edgar,” someone calls from the corner; the noise from the pub trails the swarthy figure out until the door slams to a close behind him. “You alright?”

   Edgar waves him off without turning around.

   The thick shadow chuckles as he staggers in the opposite direction.

   The winter is freezing cold, but the snow hasn’t endured. Small white crystals pile in corners and fill the air. The icy rain soaks him before he reaches his chamber on the second floor of the boarding house. The room is small, impersonal, but warmer than the street. An unlit lantern shimmies on the desk as he unsteadily seats himself, glances out the window.

   A barely discernable outline disquiets the otherwise muted darkness on the corner of the street below. He knows it’s the black dog that’s stalked him his whole life. Suddenly angered, he shoves himself forward, pushes the unlit lamp aside and topples the ink jar.

   “Get outta here, you wretched creature.” The incensed command lost in the night.

      Recovering the secreted bottles of opium from his coat pocket, he sets them side by side in front of him. Unsteadily he tugs the lid from one and snorts in a single gulp.

For More Posts on Poe – click this link.

To get the book at 3.99 – this weekend only – click this link.

To get the ebook at .99 – today only – click this link.

 

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Much love and luck.

 

Create an Intention Board

Visualization, scientists believe, is important in achieving what it is you desire.

If you’re concerned about an interview – picture it first

Concerned about completing an assignment? – visualize it finished!

What do you want to happen in the near future?

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Sometimes these are large goals – end result goals, and that’s good. We see the big picture. What about the little picture?

  • Cut pictures out of magazines (old school) or collect images, text, videos from online and make an intention board for the next few months.

This deals with a little bit of realism. If you’re not writing and you choose a photo of you at a book signing, that’s the end result. Perhaps keep that photo, but put it on the larger board.

  • Right now, make an intention board smaller. If you’re not writing and you’d like to write more, place a photo of a person sitting at the computer or typewriter. Imagine what else you want there. You a steam cup of tea? A tray of snacks? Your cat purring at your side? Make this an enjoyable experience. What needs to be there to make this as enjoyable as possible.

I’d love for you to share your results in our newly formed group: Writing 365. Join us!

Food Crimes: Gifting Times Two – Ethnic Recipes from my Friends.

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Some years ago, John Voso Jr. put together a cookbook, Italian Recipes from my friends; the proceeds from which went to the Richie White Fund. Richie White was a young boy who spent most of his young life in the hospital battling cancer. He lost that battle a few days after his fourth birthday.

 

 

 

This year, John has put together Ethnic Recipes From My Friends. The proceeds benefit a number of good charities.

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The book contains JackFruit tacos. You’ll remember that some months ago, I tried JackFruit tacos at a vegan restaurant and loved them.

 

 

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When John Voso, his wife, Debbie, and myself met for dinner, I was surprised to find this recipe in the book! I, personally, can not wait to make them myself.

 

 

 

 

 

 

The book contains recipes from a number of different people and cultures:

Angel Wings from Poland, 45249898_10215606113699519_8495535016174944256_n

 

 

 

 

 

 

 

Sonoran Style Carne Asada, 44957040_10215568156710618_4786004417256095744_n

 

 

 

 

 

 

42876531_10215381572126120_7345769895918829568_nand don’t forget about dessert, A Nut Kuchen!

 

 

 

 

 

 

 

 

Ethnic Recipes from My Friends will make a great gift and it supports great causes. Contact John Voso to order your copy!

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Friday Feature: Guest Author Margie Harding.

I wanted to start something new and feature other opinions, ideas, and authors on Fridays. Today, I’d like to introduce you to Margie Harding, author of The Paxton Series.

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Writing is a passion I’ve been developing for many years.  While I blog, have written devotionals for teen girls, a novel about my experience of attending college as a non-traditional student thirty years after high school graduation (receiving an AA degree in Elementary Education), and more; I have been provided yet another challenge that warms my heart.

For years I have said, “It takes a special person to be a special education teacher and it isn’t me!”  I have five children and sixteen grandchildren and still a special education interest alluded me!  It was never my heart’s desire.  God has a sense of humor, I think.  After all these years of avoiding special needs and disabilities, I have begun a new children’s book series on this particular subject!

We call the series, “The Paxton Series” with our setting in the Black Hills of South Dakota, paxtonusing the wild animals of the area as our characters.  (Paxton the Prairie Dog shows up in every book, if nothing more than in a cameo appearance!)  The books are written for the child with the disability or special need….and for the child that asks, “What is wrong with my friend?” —and there are amazing illustrations, thankfully from someone who is able to acclimate the disability to the particular animal!

When the series started, I had no intention of a “disability series,” yet it morphed into this before I’d realized the need for this kind of material or impact it could make.  I attended a church organized disability conference two years ago and for the first time heard the term “disability people group” and learned much about these special people for whom I was writing!  The statistics astounded me!  I knew this was to be my life’s mission.

I am delighted to say this series is being well received –and will continue indefinitely! (The list is up to 60+).  Doors have opened I never imagined as schools, colleges (using them to teach students to be special needs educators) and other groups have found the merit of sharing these books with children, parents, educators, medical staff and others!

Invitations to share about the books from a “special needs” perspective, have also arisen and I am delighted to be an advocate for these children (and adults) who are often neglected in a variety of areas, (even if unintentionally) including written stories they can relate to.

There is very little actual reading material for children who have special needs; and paxton2certainly not for those young ones introduced to special needs children, as integration into mainstream classrooms continue.  Their peers are often confused by what they see as “different” and perhaps even “wrong” when it can’t be defined by the “normal classroom rules.”  My books attempt to bridge that gap, and are a great starting place for teachers.  They are written to aid in understanding, inclusion, and acceptance of those behaviors that are different from the traditional “norm.”

There are ten books in the series currently.

Paxton’s World on Fire                                                          Introduction

An Early Arrival                                                                     Preemie

The Great Race                                                                       Asthma

Ears Like Gramps                                                                   Hearing

Lillianna Moves to the Country                                              Down’s Syndrome

Micah Mink Goes to the Concert                                           Autism

Mixed Up Words                                                                    Dyslexia

Special Goalie                                                                        MD

Opal’s New Dream                                                                 Arthritis

The Camping Trip                                                                 ADHD

 

Coming soon:

The Spelling Bee                                                                    Diabetes   (September)

Madison’s Sad Christmas                                                       Depression (November)

Bristol Goes To School                                                          Cancer      (2019)

Harbinger Village                                                                   Cerebral Palsy     (2019)

Fabian’s Smile                                                                        Cleft Palate            (2019)

Our children face an amazing list of challenges.  God has placed me in a position to be able to do something fundamentally good.  I am humbled to be able to place words on paper that can help children understand what is going on in their bodies, as well as, a resource parents and teachers can use to help other children understand what is happening with their friends who seem different than themselves. If you are interested in any of these books or those to be released in the coming months and years, contact me, authormargieharding@gmail.com or visit http://www.paxtonseries.com or amazon.com.

**An added note — All 10 books are both in softcover and hardback….and we are just beginning to add a toddler version of the current K-3rd grade books (although the books are used for older students in special education classes, as well), and I am working on a chapter book!  The first toddler book, The Big Fire, should be available in just a couple weeks.

 

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Margie – thank you for guesting. I’m grateful I could host your blog and further the word about these important books.  NL

 

Writer Wednesday: Writer and Writing is a Relationship

heartI know people say writing is a commitment, but it’s more than that. Writing isn’t “like” a relationship, it IS a relationship. A writer must be involved with the whole process of writing, must love it, need it, want to continue to work to make it better. It takes commitment, time, dedication, and the desire to move forward in life with writing.

A few years ago, I was at a conference where the main speaker (don’t remember his relat 1name) said, “You have to be selfish. You must take the time for yourself, for your writing.” He went on to say he spent every Friday at a hotel with his writing. (are you picturing him checking into a seedy, no-tell motel with an old typewriter?;-)

My friend joked, “Noreen does this thing where she actually spends time writing.” My regular action became fodder for humor because he is a writer, but he falls under the category of non-writing writers like many others.

Life happens. We have families, pets, jobs, homes, tons of responsibilities. But notice that list – I put family first. People we love comes first. This is why a writer might consider writing as a relationship – so they give it priority.

I schedule things around my writing whenever possible. I will make doctor appointments, meetings, and everything I have power to plan secondary to my writing by scheduling them before or after my planned writing time.

Once a person considers themselves in a relationship with their writing, they may relat 3naturally form relationship goals! If writing were a romantic relationship, how would you handle it differently? Would you want to go to sleep with it or wake up with it or both? What would you want to give it? Would you spend more time with it, going over the details, working it out so it was just perfect, going over it and over it again to work it out nice and smooth? What do you do for your significant other? Take it out to dinner? On vacation?

Writing, like a lover, needs constant attention and nourishment. Placing it on the back burner means we may never get to it. It’ll be there, but not as warm and flush as we’d like. Being in a relationship with writing means the needs of both are fulfilled. Writing is fresh and flowing and continually improved and the writer is happier, more productive.

We do this because we love it, we are driven to do it. Treat writing like it’s important to you.

Think of writing before you fall asleep, when you wake up in the middle of the night just to say one more thing.

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West End – the opening chapter

Hi, All.  I was feeling West End today. I wanted to share a little portion, but couldn’t decide, so I give you all the opening selection for West End.  Enjoy.

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BEFORE MY MOTHER drank herself to death, I knew her as a gentle creature who fed wild squirrels from her hand.  On the back patio at mid-day, she’d stand very still, calm, peanuts laced in the fingertips of her outstretched hand. The squirrel, a female, her babies came later, approached with caution, across the railing, onto the windowsill, grab the nut, run to the other side of the patio where the squirrel peeled back the shell, ate the meat, then returned for another and another. For a while, the squirrels became my mother’s greatest pleasure.

When the female squirrel stopped coming, my mother worried, but the baby squirrels continued to visit. Then, the cubs must have grown, left the nest, because one by one they disappeared until only a single squirrel came to the daily meeting.

That winter, mother’s heart sucked itself dry. Familiar faces appeared, distant relatives, long-ago friends, who talked our concerns away with assurances for tomorrow and beyond.

“Little honeys, it will be okay.”

“I brought the eggplant casserole, green dish.”

“She was a wonderful woman.”

“Call if you need anything.”

Sarah and I stood at the door where someone’s aunt told us to stand. We pointed people who carried in food to the kitchen, guided people with flowers to the dining room, pointed the rest to Daddy who sat on the couch, gaze glued to the floor. We didn’t have to say anything, and no one asked.

The familiar strangers came and went and with them, our mother, our hopeless youth, our language.

The house became quiet. I couldn’t remember the last complete sentence I spoke or heard, couldn’t remember the last partial sentence I’d said to my father or he to me. My sister and I exchanged words, hushed, sometimes soundless breaths only we knew the meanings for. We lived our lives in half-words, pale sounds that sunk into the silence, in ideas of what we had to do next: breakfast, school, homework, laundry, dinner, dishes, bed. This soundless process became our lives; a strange off-balance way to live, but we did it for some months content not to break that pattern.

One cold February morning, a descending snowstorm blocked the roads, locked us indoors, kept us from going to school, our father from his work. Our first full day alone together in the house. Sarah and I sat at the painted brown kitchen nook picking at our cold Raisin Bran; the milk just tangy enough for us to question the freshness. A tapping noise brought our eyes to each other’s. Then silence.

“Wind.” Sarah exhaled with barely enough voice to make a sound much beyond the breath itself.

“Yeah.” My voice not much stronger. We returned to the cereal.

Tap…Tap…Tap…

Her gaze followed the floor to the sink, the counter, the back door.

“The door?”

I shook my head. “Nah.” Not today, at mid-day, in this storm. “Wind.”

I slipped from the nook; she followed. We stood, somewhat unnerved when the tapping came again. We could see through the glass in the door; no one stood there. I moved to the windows to get another view of the patio, leaned over, heard shuffling, then rattling against the window. We jumped. A squirrel clattered against the window, caused us both a momentary and laughable fright. Sarah touched my arm. We each took a deep breath. Our first that winter. The squirrel, the female or one of the children, we didn’t know and could never tell anyway, gave us a quizzical look, stretched up against the window; her little paws stretched against the glass. Tears welled. Quiet, unmoving, we held our breath, each other, tried not to let out the flow of emotions the winter built up.

Father’s footsteps, heavy on the linoleum, came toward us. We straightened.

“What’s going–”

“Shhh,” we both hushed him; his rough, dry voice might drive the squirrel away.

“It’s the squirrel,” Sarah said.

He looked puzzled.

She motioned toward the window. “The squirrels Mom used to feed. She used to give them nuts.”

“Well, give it some.” He waved his hands at us.

“Where are they?” Sarah pulled open random cabinet doors.

“I don’t know.” I opened the opposite cabinet doors.

“Well, look, look. They have to be here.” Father took to the drawers.

The three of us searched for a bag of peanuts Mother bought for the squirrels, hid from us to deter our snacking.

“He must be hungry.” Father gazed out the window at the back yard covered in snow. The porch railings, the powerlines, all draped in sheets of white; the squirrel, nervous, waited at the end of the banister. “Peanut butter. Get the peanut butter.”

“Will he eat that?” Sarah reached for the jar.

“Certainly,” Father assured us. “It’s peanuts, isn’t it?”

I grabbed for the bread.

“Just spread it on,” he said, more animated than I’d ever seen him.

We did.

“Wait, he can’t eat it like that Break it up.” He put his hands in the mess with ours.

Of course, we knew, but at the moment, that strange, unsettling, yet somehow comforting moment, we all needed to take part.

Sarah set the plate on the patio just outside the backdoor. The squirrel chattered, juddered its head from her to the door, the windows, its tail jerking back and forth as if with nervous jitters, then approached the plate, took a piece, and skittered back to the railing to eat it.

Dad ordered us away from the window. The little squirrel tittered, danced delicately, tail flitting, to take more food. We backed out of the kitchen.

Something shifted inside the house. The rooms warmed. The silence faded. The house took on old noises; the refrigerator hummed; the kitchen light buzzed; switches flicked with their old sticky clicks.

Our voices returned. We spoke more than mere sounds. We’d broached full sentences. But I don’t know if we ever surpassed that. We’d never been a family of paragraphs or stories. Laughter rarely rose to the ceiling. Now, with one of the speakers forever hushed, we were destined to be something less than complete.

Winter dissolved into spring; the strawberries mother planted last summer grew green, red, wild. We left nuts out all the time. Sometimes squirrels ate them; sometimes they’d sit until the birds got them or the ants swarmed them.

Sunrise reopened in summer, but never again did we hear our names called from the front patio as we walked up the street, never again did the light intonation of words follow us through the night, “not too late,” never again, upon our return, would we be met with a drunk asleep on the table with just enough consciousness to whisper “too late” when we passed through the kitchen to go to bed.

 

*West End is available on Amazon, Kindle, and Audible.

Coffee and your Character – Writer Wednesday

I’ve been thinking of coffee shops. And it’s not only because I’m a caffeine addict. Coffee and coffee shops are a part of our everyday lives and, therefore, our characters’ lives. What type of coffee shop and what they order will inform our readers of who they are in ways we won’t need to spell it out.

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I, personally, savor that first sip of morning tea. For a few moments, it’s the perfect temperature and I hold it close to my face, ready for the next sip as the first drips of bitter black tea warm my throat and my body, the caffeine going to work immediately to bring me to full wakefulness in anticipation of a busy day.

A friend described a man in her carpool who stopped every day at Starbucks for a large quadruple espresso latte on their way to work and on their drive back from work. But, she added, he also complained constantly about his budget. This told me a lot about the person in just a few sentences.

Does your character rush into Starbucks and curse the line? Probably orders ahead for pick up, but what if it’s not there? Or is your character the kind that seeks out the independent coffee shop because it may be less busy or just because it’s independent.

There used to be a coffee shop on Ventura Blvd between Hazeltine and Woodman. I don’t pinkremember the name, but I do remember the walls were pink. I liked it for it’s small town charm. Local home made jams lined the shelves behind me while local artists’ paintings adorned their walls. They only had a few wooden tables, a few more outside, and a few bar-type seats at the counter. Instead of the iced black or green tea choices at you-know-where, I opted for their daily choices, which might icled iced peach or raspberry-ginger. They offered an array of vegan or gluten free cookies as well. Who could resist?

I used this coffee shop in my story “Harvey Levin Can’t Die” (originally published in Pilcrow and Dagger Sept 2016). The story really is about change. How society reflects the harveylevincan't dieindividual and how the individual internalizes society. One of the characters worked there, but felt out of place. This also represented her life, she felt out of place and hadn’t really begun to make real decisions about who she was or what she wanted. But, of course, that changed and so did her involvement in the coffee shop and the guests as she becomes more proactive in her life. The reader is left to decide the interaction between her and society and whether the influence is good or bad.

It would have implied something different about my character if she’d worked at a chain coffee shop. The chain itself would have had an influence and been a foil. She wouldn’t have been able to grow and and the readers couldn’t see the change within the coffee shop itself; therefore, the setting was important in that instance.

Each place, each chain, is different. The people who go to the local Coffee Bean and Tea Leaf Company are different than those who go to Pete’s or even Starbucks. As writers, I imagine we’ve all spent time in these places. And our jobs as writers are to observe. Beyond the color scheme and coffee served, there’s a different atmosphere garnered by and at these places, and the people are different or act different.

I rarely see the impatient phone-bearing customers from the Monday morning Starbucks run at Pete’s. Nor do I see the more relaxed culture of the Pete’s “give me the multi-grain scone and flipped macchiato” at Coffee Bean.

1dollarstorysmashwordsI used another independent coffee shop for “$1.00 Stories” (originally published in The Chicago Tribune’s Printers Row Journal April – 2016). A mixture of independent coffee shops, one of which still squeaks by in the recesses of North Hollywood. I wanted a friendly owner and regulars my character would recognize. Not that he cared about them; it was more important for the story that they were familiar with Cris, and they accepted with good-natured-humor his occasional weirdness. I didn’t want to make him completely unlikable. I wanted him to come across as a little more complex, so he went to this coffee shop where he knew the owner and sneered at the community table while the regulars chuckled.

The joy I get from using independent coffee shops (or even invented coffee shops) is that I get to describe them, which will also tell us something about the character. In “Harvey Levin”, the character hated the pink walls. But using a chain also tells us something about the character.

Our characters are going to need caffeine at some point in the story. Giving the reader their choice of coffee shops, even in one line, gives the reader an insight into the person we’re creating.

Now my tea’s cold. But I don’t own a microwave and that never tastes good anyway.

 

Harvey Levin Can’t Die is available on Kindle and at Smashwords.

$1.00 Stories is available at Kindle and at Smashwords.

 

 

What’s New With You?

I’ve been remiss in my posting – which is a social media no-no.  icecreamCan I tell you a secret? I’m really just an introverted writer and I really want to do is:

 

Write!

 

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I had a fantastic time at the Poe Museum reading Eddy. They live streamed it (I didn’t know they were doing that!) and I’ve been invited back, hope to go soon!

 

 

 

 

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In the meantime, I’ll be at AWP.

 

 

 

 

 

But the real news today: my short stories – loving the covers! – are available for .99 cents on smashwords and kindle.

 

So – whenever you need something to do – click the link, read a story, let me know what you think!

Be Joyful!

Existential Crisis or not?

After the farmer’s market, some mornings, I drive around, usually down Ventura Blvd. It’s been conducive to considering life, writing. 21741308_1794773787218606_5919141729243852808_o

I find that I usually stop somewhere for a coffee and write.
Even though I’m widely published in literary journals and other, my own work doesn’t sell much. I’m probably not that great at marketing; however, it may also be due to the fact that I don’t write genre fiction and few people know what to expect when I say literary fiction.

Obviously, it’s up to me if I want to change what I write. But, this afternoon, sifting through donations of people’s old clothes to go to different centers, places, and people who need them, I thought – I’m here to do more than write the next big romance or homelessaction/adventure story. I’m here to tell stories of real people and real lives, hard lived. ($1.00 Stories was inspired by a true story of a homeless man who wrote stories and felt he earned enough to live on)
The novel I spent the spring writing (and is currently making the rounds to publishers) is about a young man who is a recovering drug addict and a woman who spent her life allowing others to make choices for her.

I’ve allowed my heart and my life to be touched by a great many different people. Hearing and interpreting other’s stories, trying to understand and learning to empathize with individuals makes life worth living. Writing stories that people can connect with because they have a sister, brother, aunt who has experienced something similar is important to me.

My purpose is to tell the stories that are hard to write, hard to hear, and give real life meaning. This might mean I don’t make the homelessbest seller’s list, but it also might mean my work touched someone, taught someone, helped another human being experience empathy for a friend or stranger’s life.

My last few stories “Deception” is about how we lie to ourselves and each other,“The Gold Tooth” deals with a sibling who will never be what we hoped for them.  My poems, “H” and “Hunger”, both of

which will appear in Wild Woman Medicine Circle next month, explore hardships people must endure because of others’ expectations.

This is what I choose to write, I was born to write. It has meaning to me. I hope others finding it meaningful to them.