Passion Comes in Waves

Writing is like passion, coming in bursts, wrapping us up, and pulling us forward toward some unknown destination.

Untended passion wanes, loses it’s spark, leaves us alone on the beach, gazing at the sand.

Commitment to job and kids and groceries seems so mundane in comparison with that flow that drags us away from life and onto better places, but we pay that so much more mind. We have to work, and kids have to be fed, and groceries need to be bought.

If only we could commit to that passion, carve out those wee hours, those tiny moments, hidden away from responsibility and live our lives enthralled and in love with that story, poem, act of writing it all out.

Passion can not survive on promises of some day. Passion thrives on action. Write. Write. Write like there’s no tomorrow and no day will ever be wasted.

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Check out other entries:

Your Journal is Important

The Myth of Writer’s Block

The Healing Power of Writing

Death and Karma

Some years ago, a lovely new writer appeared one Saturday at the wooden kitchen table of our host’s home where we met regularly for critique group. A woman with long, blonde hair, beautiful blue eyes, who shared that she’d almost drowned.

Being washed into the Pacific undercurrent and sinking down, down, down, in this near death experience, she began to relive certain events in her life, but not from her point of view. She became her mother dealing with a rebellious teenage daughter; she landed in her lover torn to shreds and heartbroken.

She relived the emotions of those whom she had caused pain.

What a gift! Or, maybe, a curse.

This inspired me to wonder if we die the way we live. Death and karma. Was that lovely woman a selfish, thoughtless human, and her experience was to feel that pain she’d caused others?

If you’re a horrible human being, do you die a slow painful death? If you allowed kittens to suffocate, do you die gasping for breath?

I know someone who caused a lot of pain to others and he developed a disorder, later in life, in which every little bump would bruise and swell in painful edemas. A callous could glow into an infection. He spent the last years of his life in more pain that he might of caused.

However, I know plenty of lovely humans who have died in unfavorable circumstances. Certainly, that wasn’t karma.

I choose to move through this life causing as little pain and unhappiness as possible.

But it’s not because of the fear of death. It’s not even the fear of karma. There is so much pain and vexation in this world already – I don’t need to add any more to anyone’s life. I’d rather add laughter, happiness, joy. Not that I always succeed. This still is life.

I remember that woman from our critique group, her story, her presence because she yelled at me. Upon reading my story, the group began to respond. She became outraged and began gesticulating wildly. “You can’t write this. This will hurt people. You will pay for this. You can’t write this.”

I reflected on this and asked the group – after she was removed by our host – does my story lack empathy?

I attempt to create characters and stories that express the range of human emotions, the best of which teeter on the axis of sympathy and empathy. My writing partners and my readers believe I’ve achieved that.

I believe in karma in some sense. I believe what we put out there, we receive back in one way or another. Maybe death is random. Maybe not.

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The Crier is about a world where empathy is questionable. It appears a single Kindle Story and it appears in How to Throw a Psychic a Surprise Party.

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Thank you for reading. Be well.

Fear

For many years, I have walked confidently on the stones in the stream, believing the fall not that deep, won’t hurt that much.

The truth is that the fall might not be very deep, might not hurt at all – it’s the fear of the fall that worms it’s way into the squirmy regions of my brain. That’s where all fear starts – somewhere deep inside the brain which is supposed to warn us of danger. We begin to feel it all though our bodies.

I come from a legacy of anxiety.

I, however, have never subscribed to the fear. I’ve never allowed it to control me or my life. In fact, I pushed back by crashing through obstacles of all sorts, by caving, and diving with sharks, traveling to far away places, and teetering on the edge of canyons for selfies. Yes, I’m one of those!

This past year, however, those rocks seem far more precarious than I ever noticed. The water rushes past so quickly, loosening the stones, unsteadying the path.

When I take one step at a time, I’m okay. If I look at the other side, if I concern myself with two or three stones ahead, I begin to panic.

Walk steady. Walk slowly. Head high. Believe it will all be okay. The other side is nearer than it seems.

Link to publications

Success Stories

I didn’t grow up with a lot of positive role models. There were not many (if any) people in our neighborhood who were looked up to as success stories.

I can see my neighbors, even now, from the concrete steps of our four unit blond brick building on S*** Avenue in Collinwood. Across the street, Francis. She had Lucille Ball red hair and sat on her porch from 9am to 9pm, beer in hand. Next door, a single mother who worked at a bar and brought work home with her – in all sorts of ways. Next to her, a retired old man who sat across from Francis with his own beer in hand. His wife, Goldie, was a sweet woman whose toes twisted around one another, feet mangled, she said from twenty years of high heeled waitressing. On the other side, a retired railroad worker, no patio, so he sat in his kitchen hand wrapped around a cold beer.

There were bars on every corner. T & M’s could be seen from the porch. Strangers and neighbors stumbling out with the music pouring onto the street.

The teenagers went to high school, married the boyfriends who beat them, and set up house on the next block. A few got away, I’m sure. But I can list many more who died young or ended up in prison. My teenage crushes are dead now. One was shot in the head, the other crushed under the wheels of a truck. I never got into drugs, thought those who smoked and drank acted silly, stupidly, dangerously. Girlfriends recall tales of waking up half naked, uncertain if anything happened. That wasn’t the memory – or lack of memory – I wanted.

Mostly, I felt limited. I felt outcast. I didn’t seem to belong with any particular crowd or group or gang. I wanted something more, something different, and I didn’t know where to turn. Getting out and getting away seemed the only answer for me. I didn’t know what might meet me beyond the borders of the familiar, but there was no safety and no options in the familiar.

Someone once said – it was very brave of you to travel across country on your own and start over alone. I hadn’t considered it was “brave.” I’d believed it was my only choice, my only chance. She offered, the world is a dangerous place for a young woman to do such a thing. Sometimes home is a dangerous place. Limiting yourself is dangerous. Not fulfilling your potential is dangerous. Living a life in which you’re completely unhappy is dangerous. Sometimes, saving yourself, however scary the unknown is, is your only choice.

 

Mr. Rogers didn’t say anything, he acted.

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Just because someone isn’t doing what you think they should be doing, doesn’t mean they’re not doing anything.

Love.

 

Citizens

Imagine going to a therapist who works out of her home. She tells you to use the side entrance, through the gate. But the gate is locked, so you go to the front door and knock.

The therapist, who specializes in trauma, whips open the door and screams in your face “GET AWAY FROM MY HOUSE! WHAT ARE YOU DOING IN MY YARD?”

If you’re seeking a therapist with a specialty in trauma counseling, it’s because you’ve experienced trauma.

How do you react?

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Maybe part of that trauma is that you’ve been ignored your whole life, described as a criminal, pulled over and searched for no particular reason. When you walk by, people pull their purses a little closer. People say things to you that seem aggressive, yet they smile while they do it.

If you haven’t experienced these traumas, then perhaps you react. Ask the woman what her problem is? Ask her if she speaks to all her patients like this? Maybe you curse her out. And I’m definitely guessing, you don’t go in and pay her exorbitant fees.

But if you have experienced microaggressions and this is maybe just the third one that day, and it’s still early, you go in.

It’s not one black man who was brutalized by cops that hurts and angers large sections of our population. It’s the thousand little microaggressions that happen on a daily basis and it’s repeated brutality by those who should be setting an example in our society which makes it seem okay to other parts of our population. Further, it is those in charge who seem to shrug and say, oops, as if a cop didn’t just kill someone by kneeling on his neck for 8 minutes, but rather ran a stop sign or some other insignificant infraction.

Claudia Rankine describes hundreds of microaggressions perpetrated by colleagues, “friends,” strangers, and society. Citizen: An American Lyric is a book of poetry. I saw it enacted as a play at the Kirk Douglas Theater in Los Angeles some time ago – and it made and left an impression.

I’ve used it in nearly every literature class since. It is a work of art.

Articles, excerpts, and videos:

New Yorker

An Excerpt from the book Poets.Org

The New York Times

You are In the Dark

From Granta 

Stop and Frisk – video

More from Youtube

 

You might be a racist…

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One of the discussions we have in my classes on a regular basis is about cross cultural communications. I have a few rules in class about discussions. The first of which is you don’t have to agree with anyone, but you should know how to respectfully disagree. And two – if you feel someone says something inappropriate, including me, say something.

I don’t claim to be an expert. I listen. We discuss.

If you’ve ever uttered lines such as:

  • “He’s good looking for a black guy.”
  • “She’s a nice black girl.”
  • Any version of, “Some of my best friends are black,” or “I have black friends.”
  • “All lives matter.”
  • Told a black joke to your black friend (and you’re not black).
  • Quoted statistics of white people killed by cops.

You’ve either came across as ignorant or racist.

These are insensitive and can be interpreted as hateful. Learning to communicate effectively takes time and practice.

If you hear others say these things and feel safe, let them know these things are inappropriate.

If you’re uncertain what you or others have said is inappropriate, ask someone – and understand the reasoning.

Check out these articles.

“Some of My Best Friends Are Black”

Why You Should Stop Saying All Lives Matter”

“Don’t Understand the Protests?”

“27 Things White People Should Never Say…”

 

To understand how to better communicate across cultures:

52 Activities for Improving Cross Cultural Communication

 

It is not my intention to label or call names. I am asking that you be aware of what you’re saying and how you sound.

We all need to be more sensitive in the way we speak to and think of one another. We share a planet. We are all brothers and sisters. We are all beautiful human beings.

Silent, Not Silent

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I was going to say I’ve been largely silent in the last weeks, a post here and there, but I don’t want my lack of posting to be confused with silence about what is happening in the world these days.

I am left speechless at the horror of this year, of this last month, of these last days. But not silent. Not neutral.

To compound the coronavirus horrors, my only refuge – as with all of you – my house was invaded, my dog got skunked and brought the smell into the house.

Stay with me here….  this grows.

If you are unfamiliar with the smell save for passing a kill on a country road, the smell leaches into everything in a matter of moments. It’s not a matter of opening the windows to release the odor. The smell is thick, it has claws. It sticks around. Even with fans going, windows open, it lingers in corners.

The spray is an oil type substance that is embedded into my dog’s fur. The skunking is meant to do harm; therefore, it causes burning of the eyes, rash on the skin, nausea. And it is not easily scrubbed out.

I don’t only mean the dog. I was sick for days.

Now, let’s add to that a passing of a friend.

Layer that with the death of George Floyd. This hurts me because it hurts my friends, my students, my family. The brutality Floyd experienced is the brutality people of color experience EVERY DAY!

Top it with the protests, which would have been peaceful except for the agitators who want to use the protests as a front, to cause problems, and commit crimes.

So add looting and violence, the armed national guards, police, and curfews.

Do not take my silence as a neutral position. I am horrified.

Racism is that skunking. It is meant to do harm. It is an odor not released by opening a window. Racism is a stink that has claws, it has bite. It is a sickening, stinging, lingering presence. And it needs to be scrubbed out of the system entirely.

And the scrubbing needs to begin at the top.

 

I am an educator. I teach. One of the classes I have taught is The History of African American Literature. For the next few weeks, my posts will center around what I have learned and what I teach my students about communication, history, and growth.

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Sending loving and healing thoughts to all.

 

What Your Character Reads

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You’ll remember reading some great stories in which the character is reading or recommended a book to read to another.

Authors do not peel off the list carelessly, especially if it’s a single book, author, or scene. These are chosen carefully to reveal something specific about the character, to complicate the story, or to foreshadow what is to come.

There are numerous books which mention other books or authors; however, I’ll example Charity, a short story by Charles Baxter.

In one scene a drug dealer has Othello open to Act 3. It’s unclear if the dealer is actually reading – he’s sitting in a dimly lit bar, running his finger down the page; however, the main character offers, “the handkerchief. And Iago” to identify the scene and illuminate the foreshadowing.

The story of Othello, and more specifically the scene, involves Iago as the master of a manipulation using the handkerchief as evidence of a betrayal.

This is not by some accident that Baxter chose the story and the scene. He didn’t grab at something out of the blue because he needed the dealer to be reading at a bar. He chose to use a scene from another classic text to complicate and foreshadow what is to come. However, the question becomes how does it layer the story of Charity?

I won’t tell you, but I highly recommend reading the story.

In one story, I had a character reading a book by Betty White. The book is fictional, but I wanted the character to be seeking an idea of normalcy as far from herself as I could get.

Presently, I’m working on a novel. One of the characters is rather shallow and cares about the appearance of things more than anything else. Another character is describing the home and I needed a coffee table book to reflect the first. I felt he would choose a book which matched the decor, but also shows him as worldly. I chose National Geographic’s Stunning Photography. He’s never even cracked the spine, he just wanted something beautiful to match the blue of his curtains and make him look good to his guests. I may change it, but right now I think it works.

Give thought to the choices in your work, even if it’s a book sitting on a table, passing from one character or another, or in a window. It’ll layer your work, giving more depth to your characters and the story.