Family Myths

grandmas last secret coverFamily myths are the richest to mine for stories. Family myths are things that a great aunt or uncle might have done, where they may have worked, lives they may – or may not – have lived.

It is rumored that one of my great grandmothers was Hoffa’s ex-girlfriend. Although when we tried to match up the timeline, it didn’t quite match; however, given a few corrections here and there – who knows?! It’s fun to think about.

Another family myth involves my grandfather – even telling the story here feels like I’m giving away secrets about my family, but my grandmother swore to her dying day that the tale was myth.

My grandfather was shot in the back by a police officer. A number of different stories are told as to why he was shot, but the officer stated he was aiming for his legs.

My grandfather was over 6 feet tall. The cop must have been the worst shot in the world if he was aiming at his legs.

My grandmother lived with people creating myths as to why he was shot. She would tell us stories about aunts and cousins who came to her asking for the truth, asking for money, asking for what they believed my grandmother had which caused his death. I was present for one such argument before my grandmother passed of a cousin asking her for the truth before she died. Grandma’s Last Secret is about one of those myths.

I love family myths so much, that I’m planning to write more stories about them. Maybe I’ll write “Hoffa’s Runaway Bride” someday.

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The Conspiracy of Theories

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I read friend’s blog about Conspiracy Theories; it inspired me to write this blog. 

I published a story about conspiracy theories in which a few of the characters believe that the microchip is a government tracking device. I believe it appeared in the first issue of Delphinium.

I don’t believe these theories, but I do find some of them interesting. I wonder how they begin. Who is the person that starts them? For example, how did the flat earth conspiracy begin? I was speaking to someone who believes wholeheartedly the world is flat and scientists have been covering for the government for centuries!

We had a rather long discussion of proof wherein he finally said, “Are you only going to believe credentialed sources?”

Uhm. Yes. Sorry. (one of the problems with our country is that people are believing any old damn thing they read on social media or the internet without checking where it comes from. – and another reason why my credentials are published for all to see).

I stumped him with – what is the purpose of hiding the “truth” that the earth is flat? What could be gained by our earth not being round?

I don’t want to tell you his answer.

What does this have to do with writing? EVERYTHING! These conspiracy theories may begin by word of mouth, but someone writes them down and shares them – especially today when everyone and his brother has a website.

This can affect your character – do they believe in any of these? Is your MC an otherwise educated person who is concerned about the identification chips in his dog? Or do they question – maybe not believe – but question the validity of fluoride in our water as a means to mind control?

Or – write a story about one of the theories. There’s a full list on Wiki.

Or – make up your own!

Enjoy – because, you know, because the powers that be want you to laugh at the list.

Be Inspired

Have you ever been inspired by a story? I imagine many people have: hence, fan fiction. I’m inspired by characters and what could have happened.

Think of The Great Gatsby. Fitzgerald, so it’s said, hated the hypocrisy. Parties, and alcohol, and politicians who took part or did nothing. Daisy – hated her. Would have loved to see her get her due. I don’t know how I felt about Gatsby himself. I wanted something more for him, realization or redemption.

I was inspired to write a part two in which one of those two things happened. Of course, I’d have to somehow bring Gatsby back to life first. Still working on it.

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There’s nothing wrong in being inspired by other authors, other stories, other’s characters. As a writer, these things should strike us.

Use the last story you read as a prompt – take a character or a location and tell your own story.

The Sad Story of Those who Shall Remain Nameless.

Have you heard something like “don’t piss off a writer, they may kill you off in a book.”

the text reads still not famousI guess it’s a threat to make people not want to cross a writer, make them afraid they’ll be named. An odd thing is sometimes people think I put them in a book or poem even though they hadn’t occurred to me at all during the writing. Then there are those who want to be in a story.

I had a friend cancel plans on me at the very last moment. Not a problem, except this was at the long end of his excuses and bs, so I was done. The funny thing – he wasn’t. He sent me an unending barrage of drunken text messages:  it seems, in his liquid bravado, he admitted he’d wanted me to make him famous.

“wat wil u writ but me if u nvr gve me shce”

read one of this texts. A day later:

“I cuold be ur bes t s tory vr!”

A few years after that, someone asked me what chapter they would be.

I don’t take people wholly and insert them into a story. There are just little bits and parts, an essence, a scent, a glance. They are a single speckle of mortar in the building of a house. I guess, one might argue, they are then in a story, poem, book, but they’ll never actually be named.

 

 

 

 

What makes good literature?

An extremely good conversation in my literature class about intelligence (Inspired by Ted Chiang’s The Great Silence). We talked about other species that fall under the definition of intelligence, which is “the ability to understand and apply knowledge.” parrot.jpgConsidering Alex the Parrot and Koko the Gorilla, and other species: crows are problem solvers and remember faces. We discussed dogs, cats, and others. Is love, as an abstract idea, understood and applied by animals? And then – is intelligence found in showing love?

This is what good literature should do. Teach, delight, and create wonder.

Read The Great Silence here

When they believe it’s about you….

cover of west endI’ve written so many stories from first person point of view. At first, I was nervous because people did ask – is that real? is that you? and even contacted me and said – I know that’s about you.

So, it does make a person nervous about what they write and publish.

But at some point, you’ve got to let people think what they want to think. None of it will affect you in the long run.

I had an editor refuse a fictional story because, he said, it’s memoir and ultimately we didn’t ask for your personal story.

I thought – it must be good if he thought it was me! But I didn’t bother to correct him. It was a fiction call and I’d submitted fiction. If the editor didn’t realize the “I” didn’t necessarily represent the author, but the character, he is probably not the editor I need to work with nor the journal I want to be published in.

I worried about this with West End – my first big publication. One of the big criticisms girl on train tracks.jpgfrom someone who believed they knew me thought it wasn’t a realistic portrayal of me. I had to tell him because the character was not me! While the same story convinced another person that I’d led a secret life prior to moving to California.

Possibly, one of the convincing elements of the story is the setting. The place, the west side of Cleveland, where I grew up, is real. You can trace the steps of my characters who walked the path passed the baseball field and lost themselves on the train tracks, or those who played in the abandoned buildings. The streets are still there, the houses still stand, except the one which burned to the ground – a vacant lot interrupts the landscape of the neighborhood.

West End was a passion project. It was for the kids who I’d known and those I didn’t who never made it out. But it wasn’t me. Maybe parts of me live there in the pages and parts of me live on those streets.

Ultimately, you can’t allow another person’s possible opinion of you affect your writing.

When Editors Go Cray….

beautiful ppl.jpgMany years ago, All The Beautiful People was accepted for publication. But, then, as happens sometimes, I got the dreaded letter (yes, that’s how many years ago it was) in the mail stating that they had accepted too many things and something had to be bumped. The editor apologized and said they’d keep it in their files, but I should feel free to submit it elsewhere.

I did so.

A year later, that story was accepted for publication in another journal.

Even another year later, the original journal – with a new editor – wrote me via email and said they’d decided to use All the Beautiful People in their upcoming edition.

I responded that they were welcome to use the story; however, it had been accepted and was scheduled for publication by another journal. The publications would come out about six to nine months apart.

I never heard from that second journal and believed they had removed the story from their journal and their archives.

Six months later, I received a copy of the beautiful journal and my story within its pages.  YET – they’d billed the story as a memoir – it was fiction – and they’d cut off the last paragraph.

I was a little embarrassed. The girl in the story does things I would never have never girl with elvis facedone. I was concerned what readers might think – that this might serve as some sort of legacy I couldn’t live down.

See – with the last paragraph – it could NEVER EVER EVER be mistaken as memoir. I sent off a quick email to tell them these two things.

The editor dashed off a quick and nasty response – that they had published it as received, adding some choice and unprofessional comments. She made it sound as if I’d sent it directly to her and that she hadn’t pulled it from their archives.

I responded with the history of the piece, date sent, date accepted, and by whom, date and reason it was taken out, and by whom, etc.

I received another quick and dirty response. I wish I would have kept that email – misspelled words, inappropriate language, and completely and utterly unprofessional. I decided to look this person up. I then forwarded her emails to her employer.

She had found All The Beautiful People in the other publication – the one which was attributed correctly and published fully – and accused me, in her fancy slang, of lying, cheating the system, and whatever else she felt necessary. Another email I forwarded to those who were really in charge of the journal.

I again responded – with the forward – the series of events that had transpired offering all the original letters, archived in my own files, and the emails, which I had still in my saved box.

Route-66-Texas-Midpoint.jpgI didn’t hear from any of them again. But they did put a tiny little line in an inconspicuous place on their website that the story was mislabeled as memoir and should read fiction.

Now, it could have easily been a little mistake to publish it as memoir; however, again, the last paragraph would have told ANY reader that was wrong. Therefore, the missing last paragraph and the misattribution made me wonder. Still, this problem could have been easily, politely, and professionally handled.

I was shocked to learn that the editor who had acted so poorly was a lecturer at a University and had a book or two to her own credit. I do not believe she continued as the editor after that, but I didn’t bother to check.

I learned two valuable lessons from this experience – KEEP EVERYTHING! and always act like a professional.

What’s So Scary?

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“Don’t be afraid of failure.  The reality is that most people successes rise out of the ashes of their previous failures.”

From a new documentary on Netflix titled Creativity. The narrator is talking to the creator of Game of Thrones. The creator is talking about how many times he’s failed.

I started this to say – what are you afraid of?

Then I wanted to ask – what if there was no such thing as fear? What would you do? What could you do?

I want you to think about that. What if fear was not in the human range of emotion or thought?

 

Writing with Bones

I think I read Writing Down the Bones maybe more than 20 years ago.  I do believe it’s still on my bookshelf. I keep books that have spoken to me.

writing-down-the-bones.jpgAlthough one website says it’s a good book for beginning writers, I think we might all find some inspiration in these pages.

In yoga, sometimes we go back to level one, we go back to the training. After so many years of doing it, so many teachers putting their own twists on it, so many times we’ve worked with (or around) an injury – it’s good to go back to the basics.

I see nothing wrong with doing that in writing either.

Writing Down the Bones – a book by Natalie Goldberg. This site gives you a generous sampling of the book.

I’m planning to pick it up again – see what else I can learn, what I might relearn.

6 Reasons Self-Publishing Beats Traditional Houses and Agents – Guest Blog by John Grabowski

For most writers, getting a contract from a traditional publishing house is the golden biscuit, the grand reward after a struggle with run-on sentences, superfluous commas, and tired clichés. Many people will then spend years looking for an agent, and then have an agent try to place their work with a publishers, big or small.

But here’s reality: unless you’re J.K. Rowling or Stephen King, you’re almost certainly not going to receive the red carpet treatment you’re no doubt envisioning. Once upon a time, not a long time ago, self-publishing was considered the literary outback, the place for hacks. Now, in an ironic twist, we just may be witnessing the reversal of fortune. The Bix Six seem to be wallowing in their formulas. Meanwhile, much fresh thinking is coming from self-published authors who build their followings online. So rather than wait for your genius to be appreciated, here are six reasons you should consider being self-published:

 

  • You are your own editorial voice. While every self-published work should go past the eyes and red pen of an experienced editor, ultimately you can write and publish what you want. You don’t have to deal with an editor or agent who wants a happier ending, a younger protagonist, or the locale moved from Pittsburgh to Paris.

 

Your hired editor may suggest changes, and you should listen. But ultimately you stand or fall on the product. You won’t have to deal with the agent who refuses to read a manuscript because she never looks at anything that begins with dialogue, or one who says she won’t consider a novel written in the first person, or one who says the work cannot have a “Prologue” or an “Afterward.” Ask yourself if a reader ever put a book back on the bookstore shelf for any of those reasons and you’ll begin to see how silly and random the process can be.

 

  • You set pricing and distribution. Ever wonder why some really great book has not been reissued, forcing you to buy a beat-up second hand copy? The publisher decides distribution, pricing, and how long the title will be in the catalog. If they don’t want to keep it in their catalog, there’s nothing the author can do.

 

With self-publishing, your works can live on forever. Or, if later on your freshman effort embarrasses you, you can make it disappear with the click of a mouse.

 

  • You control the book’s cover design and artwork. This may be intimidating for some but it’s liberating to me. While some professional cover designs are great, others are simply terrible: a stock photo, the title centered above it, the author’s name beneath it. Not surprisingly, artwork like that tends to go to the lesser-known and novice authors.

 

If you’re unsure how to design a cover (and it involves a lot more than putting your title over a picture and your name on the bottom), google some freelance artists who do it. Study their work and contact the ones you like. If you don’t want to shell out the cash, and you have access to some design tools yourself, find covers of comparable works and study what you like, then try to imitate it as best you can.

 

  • You can fix mistakes. Even some very big, very famous novels have typos in them. Or formatting errors. When it’s your own work you can go back and fix the mistake, then re-upload the file. With traditional publishers, your mistakes remain, oftentimes even in second and subsequent editions.

 

  • You promote your work the way you want. Don’t think being published by a big house means jaunts to NPR interviews and author events at prestigious venues. Most houses do nothing to promote the majority of their authors. You have to do your own marketing and PR (an art in itself), so you might as well own and control what you’re working so hard to promote.

 

  • You can write the next novel you want. The curse of traditional publishing these days is even if you are a smash hit, they will want more of the same. If your goal is to write a second novel that’s different from your first, you may find doors shut to you. Despite claims on websites that agents and editors are looking for “fresh,” “new” voices, most are really chasing trends; that’s how they keep their jobs. Self-publishing is a wonderful opportunity for you to be you, and today’s self-published books look every bit as good as the product of the Big Boys. Rather than write your one-hundredth query letter, why not consider a faster, more streamlined way to reach readers?

 

John Grabowski worked in advertising, television news and public relations before daring to write his first novel. Entertaining Welsey Shaw was praised by Kirkus Reviews for being witty, fast-paced, and “filled with flirtatious banter.” A collection of his shorter fiction, Violet Rothko & Other Stories, will be published in September 2019.  authorjohngrabowski.com

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Thanks, John!

noreen